WEBVTT

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Animation Basic 
Basic Animation 2

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Hello

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I'm Park Junyoung, in charge of the basic 3D animation lecture

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In this lecture, based on the character set that we have created

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1 second, 24 frame length

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cycle animation will be made

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Jumping in place

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Walking in place

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Running in place

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These three movements will be created

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In addition, the blinking animation will be inserted

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Shall we execute maya?

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Blend Shape animation

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In this lecture, we will start with blend shape

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We will proceed from there

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What blend shape is

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It creates a modeling data target and

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it copies the target

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it orders to copy the shape

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It is a type of morphing tecnique

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Instead of explaning, showing you how it is done

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seems to be efficient

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First, this part which the binding is done

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This Eye Left object will be copied

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Before that, I pressed on Eye Left

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If you want to set it from the Outliner

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You can press the F key

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As I mentioned before

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What is seen from the view port, 
when selecting something and pressing on the F key

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It is the same thing

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Ctrl+D on this

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I will Duplicate this

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Then 1 will be created in the back

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You can tell that it has been copied, right?

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But if you look on the right side

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If you implement binding for the bone and modeling object

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It will be locked like this

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So this object that is locked

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Select the channel box, click on the right button

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Unlock Selected

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The reason why we do this is because

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It won't move if it is not unlocked

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If it is locked up in gray

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Then click on Unlock Selected

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Ctrl+C like before

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And click on Unlock Selected

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Like this

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The reason why I clicked on Unlock Selected is because

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It needs to be squashed like this

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but it can't be squashed if it is locked, right?

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I will simply squash it like so

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Click right to Freeze

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If you press on F8 after selecting these two

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Even if they are different objects, simultaneously

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It can be set to vertex mode

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Create this to vertex mode

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And if it is set to vertex mode again

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then it will be separated

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Normally, select two from here and to operate simultaneously

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You can press on F8

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Then face mode will be operated at the same time

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Vertex mode, edge mode can all be done at the same time

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First, set to vertex mode and

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in the middle

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Select vertex mode

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Then I will put it up to the front and back

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But it can't be just set up

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If you look on the left side, there is the Select Tool

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If you click on it twice

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Tool Settings will pop up

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From over here, Soft Selection

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If you press on it

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It provides feather value to the vertex that I have selected

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Also to the others standing next to it

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it can also influence them as well

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So if you lift it up like this

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This value can be given more

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about 1.5 additionally

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Like this, it can be done easily

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It is kind of easy

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I made it into a smiley face

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In this conditon, the previous

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EyeLeft1, EyeRight1 will be

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Blinking with EyeLeft underbar Blink

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It will be set as EyeRight underbar Blink

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And these can be hidden by presing on Ctrl+H

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It turns gray from the Outliner as well

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But in the channel box

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it will be Visibility off

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It is turned on again when pressing on number 1

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It will turn off after typing number 0 in this condition

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The shortcut key will be Ctrl+H, Shift+H

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It will turn on when presing Shift+H

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It is turned off after pressing Ctrl+H

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Let's leave it like this

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First, from the left eye

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click on EyeLeftBlink

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select the eye

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Deform, Blend Shape

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Make sure to check that Check topology is turned on

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Apply

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Then from input node, on top of skincluster

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Blend Shape will pop up

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Click on this

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Bring the mouse over to the view port

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While pressing on the wheel

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You can see that right and left will change this way

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Same as before, select EyeRight Blink

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Select EyeRight

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Deform, Blend Shape, Appy

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Something called Blend Shape2 has appeared

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You can operate it like this

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Something that appears in the blend shape input node

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the name can be modified by double clicking on it

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So EyeLeftBlinkBS

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Like so, the naming that only you would recognize

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it can be modified like so

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And this will be connected to the head joint area

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How will that be done?

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If you look at the head joint area

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In the channel box, Translate and Rotate

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There are even Scale, Visibility

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I will be inserting two more channels in here

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If you press on Edit, Add Attribute

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Write EyeBlinkLeft on the top

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Minimum 0, Maximum 1

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If you press on Add, one more will be created

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Same as before, EyeBlinkRight 0 and 1

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Apply

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So if we move this back and forth

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Its eyes will be blinking

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How can it be connected?

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Windows, General Editors

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If you open up Connection Editor

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it looks a little complicated but

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It is not complicated at all

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In the Connection Editor

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after selecting the head controller

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Since there are these channels in the head controller

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Reload Left

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If you scroll to the bottom, these two appear

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Select the eye

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Choose the LeftBlinkBS of the input

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Edit, Select Node, Reload Right

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You can see that it says weight

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If you press on this weight

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This part, where we have set the value

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It can be seen

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So connect the left like so

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If it is connected, it will pop up in yellow on the channel box

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It sets the connection

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In addition, click on the right and left eye

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Select Node

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For this, select the right eye

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Then it is finished

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Then like so

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The bear is not that pretty but

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It has a face, right?

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And there is one more thing that needs to be done

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You can make this face but

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When a facial expression is set while the face is rotated

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It becomes weird

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If you look at the input node

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there is a history that says

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the skincluster has been binded

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It is because rather than the skincluster, this blend shape is

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on the top

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So the blend shape and the skincluster's

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order needs to be rearranged

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Not only from maya but

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from blender or max as well

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According to the order of the history

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whether smooth binding comes first or

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blend shape comes first

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Depending on the order

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a twisted event like this might happen

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So this order needs to be set in the right way

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So how it's done is

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it changes the history of the input

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So if you are clicking on the right

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a menu called Inputs can be found

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Then there, if you press All inputs

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List of input operations for eyeleft

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Because this is the EyeLeft

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Drag this using the wheel key in the middle of the mouse

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Drag it down or up

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which allows you to change the order

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For this, as well

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then the order of this input has changed

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Then it turned out fine, right?

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The one that is from the past

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will always be accumulated in the bottom history

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So the recent one will be accumulated on the top

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So once the blend shape eye movement

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has been executed first

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The binding of the bone and the geometry of the eye

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will be operated. That is how you should consider it

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When rigging, if you don't have basic knowledge like this

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Even when you make something

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it tends to be twisted

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So after working hard on the binding

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Overlaying the blend shape on eyes, nose and lips

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Lips move, eyes blink and wink

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You have made all this but

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When the face is rotated

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The beautiful facial expression of the eyes, nose and lips

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don't follow along

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but instead stay in the same place

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Tragedies like this could happen

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It is a simple function

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These situations happen when you don't know this function

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which will make you frustrated when working

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Now, re-save the bear rig file

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Work cycle animation

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Now, we will be working on animation

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So, before going into the animation

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Ctrl+Shift+S

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Press File, Save Scene As

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and I will create a separate animation file

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From now on, into a 24 frame 1 second long looping

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the animation will be proceeded

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Now, the animation method

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will be a method called pose to pose

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What pose to pose is

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On important timing

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designate the action first

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and the movements will be inserted in between the actions

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It is a method that splits and inserts

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There is an opposite concept called straight ahead

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What straight ahead is

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it doesn't designate the action from start to finish

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but it keeps on proceeding

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So pose to pose

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proceeds while calculating

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the action from start to finish is

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already planned out in the head

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and the actions are split in the middle

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The calculation is relatively done

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in this method

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Straightahead will do some of the calculation but

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it doesn't designate from start to finish

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It follows the time order at once

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in order to proceed

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so a coincidence or

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a fun moment that is coincidental

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can be found through it

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But compared to pose to pose

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it isn't planned out throughly

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and it takes more time

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Sometimes it finishes faster

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It is an intuitive, spontaneous approach

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So 3D animation or 2D animation

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often use the pose to pose method

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In case of straight ahead

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It is often used in stop motion

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But 3D or 2D

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can use the straight ahead method

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There is no rule saying that it can't

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So if it suits you while working

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you could use the straight ahead method

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No one will stop you or

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regulate you

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With the pose to pose method

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We will create a work cycle

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First, I will set the primary pose

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To start with, I will slightly twist the body

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I have set the pose

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and then this pose

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will be copied onto the 24 frame

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There is no need to copy through Ctrl+C, V now

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Currently, the controller that I have grabbed and moved

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After selecting all of it

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Do the same in the 24 frame

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Press on the S key and insert it

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In any case, it is the same thing

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And then in the 12 frame

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Opposite from the current pose

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the location of the left foot and right foot

279
00:18:32.143 --> 00:18:35.033
It will be proceeded in the opposite location

280
00:18:37.409 --> 00:18:40.541
First, I will start with the body

281
00:18:42.600 --> 00:18:46.839
It would be best to insert -14 accurately

282
00:18:46.839 --> 00:18:50.308
It was - over here, so +8

283
00:18:53.180 --> 00:18:56.475
It was - over here as well, so +

284
00:19:04.208 --> 00:19:11.400
And now I will move on to the legs

285
00:19:14.449 --> 00:19:20.359
Copy the 9 frame of the left leg

286
00:19:20.359 --> 00:19:22.667
to the 12 frame of the right leg

287
00:19:22.667 --> 00:19:24.680
You can paste it on

288
00:19:24.680 --> 00:19:29.306
Then on the other hand, the 0 frame of the right leg

289
00:19:34.919 --> 00:19:37.972
to the 12 frame of the left leg

290
00:19:37.972 --> 00:19:39.204
It needs to be pasted

291
00:19:50.095 --> 00:19:53.444
This is for the legs, but it is slightly different for the arms

292
00:19:53.444 --> 00:19:56.567
Since the arms is a rotational movement

293
00:19:56.567 --> 00:19:57.735
it is slightly different

294
00:20:02.329 --> 00:20:06.680
The 0 frame of the left arm was -26

295
00:20:06.680 --> 00:20:10.423
then to the 12 frame of the right arm

296
00:20:10.423 --> 00:20:16.680
+26.045 should be inserted

297
00:20:16.680 --> 00:20:24.319
The 0 frame of the right arm was -36.119

298
00:20:24.319 --> 00:20:30.799
+ for the 12 frame of the left arm

299
00:20:30.799 --> 00:20:33.199
It needs to be done like this

300
00:20:33.199 --> 00:20:37.413
Like this, to look at it simply

301
00:20:37.413 --> 00:20:39.015
It turns out like this when being played

302
00:20:42.520 --> 00:20:45.640
I mentioned it once in a previous lecture

303
00:20:45.640 --> 00:20:48.678
Before proceeding the animation

304
00:20:48.678 --> 00:20:51.239
open up Preferences

305
00:20:51.239 --> 00:20:54.719
And make sure to set the Time Slider to 24

306
00:20:54.719 --> 00:20:56.395
That way, we can tell if it is being

307
00:20:56.395 --> 00:20:59.280
proceeded into a 24 frame

308
00:20:59.280 --> 00:21:01.562
And this part, the bottom of the arm

309
00:21:05.760 --> 00:21:11.520
The 0 frame of the left arm is -30.577

310
00:21:11.520 --> 00:21:16.687
then to the 12 frame of the right arm

311
00:21:16.687 --> 00:21:21.079
insert +30.577

312
00:21:21.079 --> 00:21:28.359
And for the 0 frame of the right arm, it is 23.483

313
00:21:28.359 --> 00:21:32.372
Alter this to a -

314
00:21:32.372 --> 00:21:35.187
This is how it should be inserted

315
00:21:35.187 --> 00:21:36.983
If we play it now

316
00:21:36.983 --> 00:21:39.218
it moves in a sliding motion

317
00:21:42.475 --> 00:21:43.776
Then from here

318
00:21:47.608 --> 00:21:50.012
From 0 frame to the 12 frame

319
00:21:52.804 --> 00:21:55.171
it needs to be split

320
00:21:55.171 --> 00:21:55.942
Therefore

321
00:22:01.140 --> 00:22:04.812
One from the 3 frame, one from the 6 frame

322
00:22:04.812 --> 00:22:08.980
one from the 9 frame, that is how it should be split

323
00:22:08.980 --> 00:22:13.699
The current poses are one and two

324
00:22:13.699 --> 00:22:16.149
The 24 frame that reverts back to the original condition

325
00:22:16.149 --> 00:22:17.927
If we count what is identical to the 0 frame

326
00:22:17.927 --> 00:22:21.089
There are a total of 3 poses

327
00:22:21.089 --> 00:22:24.299
Now, I will split it once more

328
00:22:24.299 --> 00:22:28.171
First, compared to other poses

329
00:22:28.171 --> 00:22:31.630
I will split the waist part, first

330
00:22:33.987 --> 00:22:38.321
From this condition to the 3 frame

331
00:22:38.321 --> 00:22:43.439
the waist needs to move down a little

332
00:22:43.439 --> 00:22:49.082
And 6 frame, 9 frame

333
00:22:49.082 --> 00:22:53.149
And slightly move up from the 6 frame

334
00:22:53.149 --> 00:22:56.115
Move up quite a lot from the 9 frame

335
00:22:58.600 --> 00:23:03.906
Like so, move up and down

336
00:23:03.906 --> 00:23:06.379
Move up and then back down

337
00:23:06.379 --> 00:23:08.801
Like so, from the 12 frame

338
00:23:08.801 --> 00:23:11.530
to the 24 frame which is the applied range

339
00:23:11.530 --> 00:23:15.599
Now, I only operated the up and down movement

340
00:23:15.599 --> 00:23:18.268
So 1,2,3,4

341
00:23:18.268 --> 00:23:21.622
On to this area of 3 frame

342
00:23:21.622 --> 00:23:26.392
Ctrl+C the Translate y-axis

343
00:23:26.392 --> 00:23:31.169
Insert indentically in the 15 frame area

344
00:23:31.169 --> 00:23:33.139
Since there is an Auto key

345
00:23:33.139 --> 00:23:36.872
When you just change the location of the key

346
00:23:36.872 --> 00:23:41.119
You can see that the key is naturally inserted

347
00:23:41.119 --> 00:23:45.030
And insert more of number 4

348
00:23:49.351 --> 00:23:51.593
If it is operated like so

349
00:23:54.672 --> 00:23:57.817
You can see the bouncing, right?

350
00:23:57.817 --> 00:23:59.500
Only the waist has been inserted but

351
00:23:59.500 --> 00:24:02.206
It feels more like actually walking

352
00:24:05.217 --> 00:24:08.238
In this condition, maybe

353
00:24:11.199 --> 00:24:13.614
If the legs can be set a little more

354
00:24:13.614 --> 00:24:15.515
It will feel more like actual walking

355
00:24:40.901 --> 00:24:46.546
Currently, this left foot

356
00:24:46.546 --> 00:24:51.754
looks like it is slightly kicking the surface

357
00:24:51.754 --> 00:24:55.104
Instead, lifting the leg and stretching it

358
00:24:55.104 --> 00:24:58.439
then landing on the surface is the movement that we need

359
00:24:58.439 --> 00:25:00.817
So move over to the side view

360
00:25:03.479 --> 00:25:08.659
Make sure to give the feeling of slightly kicking the surface

361
00:25:12.154 --> 00:25:14.249
It is stepping on the surface, right?

362
00:25:14.249 --> 00:25:18.147
So, the leg needs to be acting

363
00:25:18.147 --> 00:25:20.455
like it is slightly lifting up

364
00:25:20.455 --> 00:25:22.154
Like this

365
00:25:22.154 --> 00:25:24.580
Kick and lift

366
00:25:24.580 --> 00:25:27.800
And over here, before landing

367
00:25:27.800 --> 00:25:31.357
The movement of stretching the leg is a necessity

368
00:25:35.239 --> 00:25:36.196
Like this

369
00:25:39.602 --> 00:25:43.473
It looks good until now, right?

370
00:25:43.473 --> 00:25:46.056
And the rest, 15 frame

371
00:25:46.056 --> 00:25:49.208
In this part, take the foot downwards

372
00:25:56.479 --> 00:26:01.577
Bring down the leg that was lifted

373
00:26:01.577 --> 00:26:06.258
and make the foot which had the front lifted, into a flat version

374
00:26:06.258 --> 00:26:08.137
Then the knees are able to be bended

375
00:26:10.599 --> 00:26:13.517
This part still needs to be flat

376
00:26:17.160 --> 00:26:23.079
From here, the foot seems to stretch out a little bit

377
00:26:23.079 --> 00:26:25.897
And it would be nice if the heels are slightly lifted as well

378
00:26:28.996 --> 00:26:33.868
Then stretch the leg upwards

379
00:26:33.868 --> 00:26:37.366
It would be nice to have the heels lifted a lot

380
00:26:40.079 --> 00:26:45.537
This part is where the leg gets the longest

381
00:26:50.199 --> 00:26:51.186
I will play it

382
00:27:00.194 --> 00:27:02.197
The left side is finished

383
00:27:02.197 --> 00:27:03.824
Now we will move on to the right side

384
00:27:03.824 --> 00:27:06.601
Copying and pasting the left side

385
00:27:06.601 --> 00:27:08.800
will be a great idea

386
00:27:08.800 --> 00:27:13.739
So this part from the 15 frame

387
00:27:13.739 --> 00:27:14.837
after copying it

388
00:27:17.239 --> 00:27:19.437
paste it to 3 frame

389
00:27:45.422 --> 00:27:49.160
Let's play it after setting it

390
00:27:49.160 --> 00:27:52.595
We can see that the bear is walking

391
00:27:57.000 --> 00:27:57.986
Very cute

392
00:28:05.359 --> 00:28:11.405
It is moving its head side ways

393
00:28:11.405 --> 00:28:16.280
If the head moving looks too dizzy

394
00:28:16.280 --> 00:28:18.733
You can adjust it

395
00:28:32.219 --> 00:28:33.035
It turned out like this

396
00:28:33.035 --> 00:28:35.198
Hold it, and now for the arms

397
00:28:37.149 --> 00:28:41.349
For the arms, the upper side

398
00:28:41.349 --> 00:28:42.498
doesn't have any work to be done

399
00:28:42.498 --> 00:28:46.094
Only the bottom part needs to be worked on

400
00:28:46.094 --> 00:28:47.516
I will start with the left arm

401
00:28:52.108 --> 00:28:56.076
For the left arm, it moves to the front

402
00:28:56.076 --> 00:28:58.004
and before moving backwards

403
00:28:58.004 --> 00:29:03.599
It would be nice to bend it once in this frame

404
00:29:03.599 --> 00:29:08.400
And when moving from the back to the front

405
00:29:08.400 --> 00:29:11.805
It would be nice to straighten it at about 18 frame

406
00:29:15.814 --> 00:29:17.768
Now, if we proceed with 23 frame

407
00:29:17.768 --> 00:29:20.357
It is played without any pause

408
00:29:24.724 --> 00:29:27.650
The arm is straightened and then folded

409
00:29:27.650 --> 00:29:32.761
Straightening and folding looks very natural

410
00:29:32.761 --> 00:29:37.632
Create 23 frame again

411
00:29:37.632 --> 00:29:40.760
Do the same at 6 frame

412
00:29:40.760 --> 00:29:44.780
This was 43.993

413
00:29:44.780 --> 00:29:49.509
Take out the - from 18 frame

414
00:29:49.509 --> 00:29:52.099
and insert it

415
00:29:52.099 --> 00:29:57.949
This one was -2.231 in the 18 frame

416
00:29:57.949 --> 00:30:00.729
Take out the - from the 6 frame

417
00:30:00.729 --> 00:30:03.479
And make it into a +

418
00:30:03.479 --> 00:30:10.087
It being cut off abruptly

419
00:30:10.087 --> 00:30:14.280
it is the same movement for the 0 frame and 24 frame

420
00:30:14.280 --> 00:30:17.763
The others move one frame at a time but

421
00:30:17.763 --> 00:30:21.921
Only for these, when they overlap from here

422
00:30:21.921 --> 00:30:23.760
it moves two frame at a time

423
00:30:23.760 --> 00:30:26.102
which is why it feels disconnected

424
00:30:26.102 --> 00:30:27.828
In this case, set it to 23 frame

425
00:30:27.828 --> 00:30:29.117
and continue the looping

426
00:30:37.439 --> 00:30:39.868
In order to make it cuter

427
00:30:42.680 --> 00:30:46.368
If the center of mass is moved

428
00:30:46.368 --> 00:30:51.640
it can result to a more appealing movement

429
00:30:51.640 --> 00:30:58.239
When only one foot hit the surface

430
00:30:58.239 --> 00:31:00.468
Normally, looking from the front

431
00:31:03.409 --> 00:31:06.528
It looks like it might collapse to the right

432
00:31:06.528 --> 00:31:07.503
Usually, if this happens

433
00:31:07.503 --> 00:31:09.994
the center of mass will move

434
00:31:36.607 --> 00:31:39.538
When two legs are on the surface

435
00:31:39.538 --> 00:31:44.719
it allows the body to be on the center of the grid

436
00:31:44.719 --> 00:31:48.802
the more that one leg is lifted

437
00:31:48.802 --> 00:31:51.855
It would be nice to rotate the body slightly to the opposite direction

438
00:31:56.880 --> 00:32:00.264
I will do the same in the opposite way for this side

439
00:32:29.759 --> 00:32:37.918
I will adjust the face rotation as well

440
00:32:37.918 --> 00:32:43.588
so that it can face the front from time to time

441
00:32:51.400 --> 00:32:52.478
Make sure to adjust it that way

442
00:33:01.040 --> 00:33:03.389
And if there is more to add

443
00:33:06.587 --> 00:33:09.557
it is to continue the connection of center of mass

444
00:33:09.557 --> 00:33:13.215
When both feet are on the surface

445
00:33:13.215 --> 00:33:18.479
It allows the pelvis and the shoulder to be parallel

446
00:33:18.479 --> 00:33:20.287
But when the body is

447
00:33:23.480 --> 00:33:27.147
when one of the leg is lifted

448
00:33:27.147 --> 00:33:30.715
The pelvis on the side of the lifted leg

449
00:33:30.715 --> 00:33:32.397
tends to move downwards

450
00:33:34.878 --> 00:33:36.557
Quite slightly, like this

451
00:33:56.914 --> 00:34:01.389
But when the pelvis has

452
00:34:01.389 --> 00:34:10.062
a slight slope

453
00:34:10.062 --> 00:34:11.557
opposite from the pelvis

454
00:34:18.587 --> 00:34:21.953
There will be a slope for the shoulder

455
00:34:31.300 --> 00:34:34.240
In order to make the face parallel

456
00:34:34.240 --> 00:34:36.141
To set the parallel from the angle

457
00:34:36.141 --> 00:34:37.448
It is a unique trait

458
00:34:46.666 --> 00:34:49.122
I will try to play it once again

459
00:34:52.151 --> 00:34:54.488
It seems like there is more bouncing

460
00:35:03.963 --> 00:35:07.567
And lastly

461
00:35:07.567 --> 00:35:11.300
I will make the eyes blink once

462
00:35:24.438 --> 00:35:26.547
It isn't very detailed

463
00:35:26.547 --> 00:35:33.429
but there is a certain movement

464
00:35:33.429 --> 00:35:35.191
And while we are at it

465
00:35:35.211 --> 00:35:38.795
Let's try to move the tail as well

466
00:35:38.795 --> 00:35:40.379
The tail keeps on

467
00:35:40.379 --> 00:35:42.844
moving like this to the side

468
00:35:46.280 --> 00:35:49.666
It is called follow through

469
00:35:49.666 --> 00:35:51.874
The tail itself does not have the urge

470
00:35:51.874 --> 00:35:54.933
But the body moving

471
00:35:54.933 --> 00:36:00.458
We will try to make it move along

472
00:36:00.458 --> 00:36:02.290
with a delay of about two frames

473
00:36:37.825 --> 00:36:40.468
Making it delay a bit

474
00:36:40.468 --> 00:36:42.537
The tail is moving along

475
00:36:55.937 --> 00:36:59.323
Run cycle and Jump cycle animation

476
00:37:00.349 --> 00:37:02.953
Now, let's try to run

477
00:37:02.953 --> 00:37:07.419
24 frame was enough for the work cycle

478
00:37:07.419 --> 00:37:11.221
but run needs to be faster than 1 second

479
00:37:13.686 --> 00:37:16.963
I will set it as 12 frame

480
00:37:16.963 --> 00:37:19.280
and create a cycle

481
00:37:19.280 --> 00:37:22.102
As you know from doing the work cycle

482
00:37:22.102 --> 00:37:24.082
run cycle isn't difficult as well

483
00:37:27.231 --> 00:37:32.468
First 0 frame, 12 frame, 6 frame

484
00:37:32.468 --> 00:37:37.092
the pose needs to be set first

485
00:37:37.092 --> 00:37:41.389
At first, I will create the running pose

486
00:37:41.389 --> 00:37:47.349
As you know from doing the walk

487
00:37:47.349 --> 00:37:49.785
At the very first

488
00:37:49.785 --> 00:37:52.240
it is a scene where the leg is spread

489
00:38:45.616 --> 00:38:46.962
The bear is running

490
00:38:49.082 --> 00:38:51.260
Do the same

491
00:38:54.745 --> 00:38:56.408
Select all of it

492
00:39:03.100 --> 00:39:05.856
Add the key to 12 frame

493
00:39:05.856 --> 00:39:08.493
After inserting the key to 6 frame

494
00:39:08.493 --> 00:39:10.532
Copy this key

495
00:39:18.280 --> 00:39:21.230
but make sure to check the slope when copying

496
00:39:21.230 --> 00:39:23.478
And copy it based in the slope

497
00:39:40.091 --> 00:39:40.824
Again

498
00:39:43.488 --> 00:39:47.924
The key of 0 frame and 12 frame

499
00:39:47.924 --> 00:39:52.547
Opposite from the 6 frame

500
00:39:52.547 --> 00:39:55.379
I will copy it in the opposite direction from the 6 frame

501
00:39:55.379 --> 00:39:58.131
The leg movement from 0 frame

502
00:39:58.131 --> 00:40:01.112
move over to 6 frame and in the opposite foot

503
00:40:01.112 --> 00:40:02.943
Paste it on

504
00:40:02.943 --> 00:40:06.993
But the values need to be checked

505
00:40:08.597 --> 00:40:10.795
It is okay to do the same for some parts

506
00:40:10.795 --> 00:40:12.646
But there are other parts where it can't be done in the same way

507
00:40:12.646 --> 00:40:13.765
There must be those parts

508
00:41:39.419 --> 00:41:42.191
For now, there isn't bouncing

509
00:41:42.191 --> 00:41:43.419
and it is simply running

510
00:41:46.131 --> 00:41:48.429
In 0 frame and 12 frame

511
00:41:48.429 --> 00:41:51.151
just operate it in the opposite way

512
00:41:51.151 --> 00:41:53.597
And in the middle

513
00:41:53.597 --> 00:41:55.844
in parts of 2 frame and 4 frame

514
00:41:55.844 --> 00:41:58.112
I will insert a in between

515
00:42:00.181 --> 00:42:04.419
2 frame is for landing

516
00:42:04.419 --> 00:42:06.498
Instead. compared to 0 frame

517
00:42:06.498 --> 00:42:08.844
It moves downwards

518
00:42:08.844 --> 00:42:12.072
4 frame is for jumping

519
00:42:16.032 --> 00:42:17.844
Set it to the side

520
00:42:43.894 --> 00:42:47.775
Move downwards and jump for 0 frame

521
00:42:47.775 --> 00:42:48.666
Landing

522
00:42:55.201 --> 00:42:56.240
Move downwards

523
00:42:58.805 --> 00:43:01.419
Jump and land

524
00:43:03.840 --> 00:43:07.141
While moving like this, the legs

525
00:43:10.429 --> 00:43:14.904
will be lifted upwards slightly more

526
00:43:14.904 --> 00:43:15.646
Jump

527
00:43:55.191 --> 00:43:58.330
Looking from over here, from 0 frame to 2 frame

528
00:43:58.330 --> 00:44:01.706
I will insert one more key

529
00:44:06.696 --> 00:44:08.310
It looks very good

530
00:44:09.983 --> 00:44:11.666
Same for the other side

531
00:44:11.666 --> 00:44:13.320
I will insert the key

532
00:44:21.656 --> 00:44:28.122
First, 8 frame to 2 frame

533
00:44:31.122 --> 00:44:34.172
The opposite for the X axis

534
00:44:34.172 --> 00:44:38.834
10 frame to 4 frame

535
00:44:38.834 --> 00:44:43.052
And the X-axis is a -

536
00:45:33.200 --> 00:45:36.932
If I play it, the bear is running

537
00:45:56.924 --> 00:46:00.280
Compared to work cycle, the run cycle

538
00:46:00.280 --> 00:46:03.250
doesn't have many key frames that needs to be set

539
00:46:07.211 --> 00:46:09.755
If you want it to run vigorously

540
00:46:09.755 --> 00:46:14.597
Instead of just giving rotation to the shoulders

541
00:46:14.597 --> 00:46:18.131
It is nice to modify the location value as well

542
00:46:25.280 --> 00:46:29.171
The run cycle is finished quickly

543
00:46:29.171 --> 00:46:29.781
and

544
00:46:37.834 --> 00:46:39.953
Lastly, the jump cycle

545
00:46:39.953 --> 00:46:43.498
will be proceeded

546
00:46:43.498 --> 00:46:47.438
The jump cycle will be done with a 24 frame

547
00:46:47.438 --> 00:46:50.894
The jump cycle will have a similar concept

548
00:46:50.894 --> 00:46:54.844
to the jumping mall that we have covered previously

549
00:46:54.844 --> 00:46:55.419
First

550
00:46:59.528 --> 00:47:01.389
set the HipCtrl

551
00:47:01.389 --> 00:47:03.627
and we will proceed from there

552
00:47:03.627 --> 00:47:07.864
Before the jump of jump cycle

553
00:47:07.864 --> 00:47:10.904
the anticipation

554
00:47:10.904 --> 00:47:12.320
needs to be done first

555
00:47:16.726 --> 00:47:17.983
In this condition

556
00:47:20.280 --> 00:47:21.458
I will set the anticipation

557
00:47:21.458 --> 00:47:24.141
until 8 frame

558
00:47:24.141 --> 00:47:28.904
In this condition, the 16 frame

559
00:47:28.904 --> 00:47:30.933
and 12 frame in between

560
00:47:30.933 --> 00:47:32.280
Let's execute the jump

561
00:47:41.062 --> 00:47:46.141
Then jump and land

562
00:47:46.141 --> 00:47:48.815
Set the landing to about this much

563
00:47:50.983 --> 00:47:51.815
Reaction

564
00:48:04.150 --> 00:48:06.308
Anticipation, action

565
00:48:07.696 --> 00:48:12.983
and then reaction, this is how it is done

566
00:48:12.983 --> 00:48:17.389
And then the foot

567
00:48:29.181 --> 00:48:30.864
Make sure to set the foot again

568
00:48:35.062 --> 00:48:38.310
It would be nice to modify the feet a little more

569
00:48:39.805 --> 00:48:42.131
Set it front and back

570
00:48:44.646 --> 00:48:45.636
From the side view

571
00:48:49.270 --> 00:48:50.983
when jumping

572
00:48:50.983 --> 00:48:53.082
Make sure that it can slightly hit

573
00:48:58.478 --> 00:49:01.359
Before hitting the surface, like this

574
00:49:04.013 --> 00:49:05.627
It would be more fun to do it that way

575
00:49:23.448 --> 00:49:28.280
And when the waist is bending

576
00:49:28.280 --> 00:49:29.963
It would be nice to bend it slightly more

577
00:49:43.290 --> 00:49:47.884
And for the head and waist

578
00:49:47.884 --> 00:49:50.369
If it moves along later than the pelvis

579
00:49:50.369 --> 00:49:51.300
It will be better

580
00:49:54.181 --> 00:49:55.488
about 2 frames

581
00:50:39.854 --> 00:50:42.983
It seems like too much

582
00:50:42.983 --> 00:50:45.359
Instead of shaking it too much

583
00:50:45.359 --> 00:50:48.587
it would be better to shake it slightly

584
00:50:48.587 --> 00:50:50.884
In this case, animation graph

585
00:50:52.953 --> 00:51:00.339
So now, the bear is

586
00:51:00.339 --> 00:51:02.775
tilting its head down

587
00:51:02.775 --> 00:51:04.825
It is the Rotate X part

588
00:51:04.825 --> 00:51:07.250
I will move the X downwards

589
00:51:07.250 --> 00:51:08.270
gradually

590
00:51:13.310 --> 00:51:15.151
Same for over here as well

591
00:51:33.496 --> 00:51:36.041
And lastly, let's do the arm

592
00:51:36.041 --> 00:51:43.872
For the arm, lift when moving down

593
00:51:43.882 --> 00:51:45.912
Whoosh when jumping

594
00:51:48.397 --> 00:51:52.357
Lifting up when coming back down

595
00:51:56.140 --> 00:51:57.892
reverting back to its original state

596
00:52:38.765 --> 00:52:42.735
The jump cycle is almost finished

597
00:52:42.735 --> 00:52:48.141
Lastly, the tail part

598
00:52:48.141 --> 00:52:50.953
Make it lift up when moving down

599
00:52:53.429 --> 00:52:54.874
Whoosh when moving up

600
00:53:20.795 --> 00:53:23.092
Currently, I used both pose to pose and

601
00:53:23.092 --> 00:53:26.448
straight ahead

602
00:53:26.448 --> 00:53:28.914
Overall, the key

603
00:53:28.914 --> 00:53:32.567
for body movement which already had the pose

604
00:53:32.567 --> 00:53:35.112
I used pose to pose

605
00:53:35.112 --> 00:53:38.270
For arms and tail

606
00:53:38.270 --> 00:53:41.112
I didn't know how it would turn out

607
00:53:41.112 --> 00:53:45.161
I looked back at the timeline

608
00:53:45.161 --> 00:53:47.141
and set the key on the spot

609
00:53:47.141 --> 00:53:50.854
This is straight ahead

610
00:53:50.854 --> 00:53:53.745
You can proceed like this

611
00:53:56.735 --> 00:54:00.062
And while we are at it

612
00:54:00.062 --> 00:54:01.973
I will make the eyes blink as well

613
00:54:10.448 --> 00:54:14.597
It is not an incredible movement but

614
00:54:14.597 --> 00:54:19.310
This walking, running, and jumping

615
00:54:19.310 --> 00:54:21.577
In other animations

616
00:54:21.577 --> 00:54:24.993
It can be considered as the most basic step

617
00:54:24.993 --> 00:54:26.983
Let's do an overview of

618
00:54:26.983 --> 00:54:28.458
what we learned in this lecture

619
00:54:28.458 --> 00:54:31.597
First, for the blinking animation of the character

620
00:54:31.597 --> 00:54:33.805
We learned about blend shape

621
00:54:33.805 --> 00:54:36.706
Second, the key for three cycle animation

622
00:54:36.706 --> 00:54:39.557
was set using the pose to pose method

623
00:54:39.557 --> 00:54:41.280
Today, what you worked on

624
00:54:41.280 --> 00:54:42.904
The walking and running motion

625
00:54:42.904 --> 00:54:44.290
looks simple but

626
00:54:44.290 --> 00:54:47.924
it is actually a quite difficult movement

627
00:54:47.924 --> 00:54:49.379
It is an action that

628
00:54:49.379 --> 00:54:50.577
we see on a daily basis

629
00:54:50.577 --> 00:54:52.953
So if there are small awkward parts

630
00:54:52.953 --> 00:54:55.686
It can be easily seen

631
00:54:55.686 --> 00:54:57.042
You didn't take the maya class

632
00:54:57.042 --> 00:54:58.706
for over 10 times

633
00:54:58.706 --> 00:55:00.666
But you finished a hardcore work

634
00:55:00.666 --> 00:55:02.141
I truly appreciate your effort

635
00:55:02.633 --> 00:55:03.618
Overview
Blend shape animation
Proceeding blend shape
Blend shape: morphing method that follows the shape by identically copying modeling data target

636
00:55:03.618 --> 00:55:04.611
Double click on Select Tool
When checking on Tool Settings Soft Selection Soft Select, it can affect the other vertex

637
00:55:04.611 --> 00:55:05.529
Select EyeLeft_Blink and apply Deform Blend Shape Check topology after checking

638
00:55:05.529 --> 00:55:06.579
Set value after inserting name to Edit Add Attribute Long name
After selecting one eye, choose EyeLeftBlinkBS of INPUT, click on Edit Select Node

639
00:55:06.579 --> 00:55:07.614
The history order needs to be arragned well to decide the priority between smooth binding and blending shape

640
00:55:07.615 --> 00:55:10.115
Work cycle animation
pose to pose method
Split and insert movements between actions that have already been designated for important timing

641
00:55:10.115 --> 00:55:12.575
Used mostly in 3D or 2D animation
straight ahead method
Doesn't designate from start to finish
Proceeds at once based on the time order
Used in stopmo

642
00:55:12.585 --> 00:55:14.243
Create walking pose
Insert the identical pose into 24 frame by copying 
Select the overall controller, press on S key from 24 frame to insert

643
00:55:14.243 --> 00:55:16.068
Sets the left and right foot in opposite location from 12 frame
Open up Preferences before proceeding the animation to set the Time Slider to 24 fpsx1

644
00:55:16.068 --> 00:55:17.565
Move the body to the other side as much as the leg is lifted
The pelvis and shoulders need to be parallel if the foot is on the surface

645
00:55:17.565 --> 00:55:18.686
Run cycle and jump cycle animation
Create run cycle
Create pose for 0 frame, 6 frame, 12 frame
Based on pose when legs, body, and arms are running

646
00:55:18.686 --> 00:55:19.669
Insert the leg movement of 0 frame into the 6 frame of the opposite leg/ running hard needs location value modification as well as shoulder rotation

647
00:55:19.669 --> 00:55:20.680
Create jump cycle
Able to proceed with 24 frame
Insert jump action in between 12 frame and 16 frame, insert anticipation, action, reaction

648
00:55:20.680 --> 00:55:21.568
Modify to more waist bending as well as feet hitting the surface when jumping
Head and waist needs to move 2 frames slower than the pelvis

649
00:55:21.568 --> 00:55:22.446
Body motions use pose to pose method while tail uses straight ahead method