WEBVTT 1 00:00:04.342 --> 00:00:09.728 WEBTOON Advanced Dolbae's Secrets to Crafting Stories 2 00:00:25.015 --> 00:00:28.728 How to Create the First and Final Episodes 3 00:00:29.431 --> 00:00:31.426 Hello, this is Dolbae 4 00:00:31.426 --> 00:00:35.238 Today, I'll share my approach 5 00:00:35.238 --> 00:00:38.099 to creating the first episode 6 00:00:38.099 --> 00:00:41.891 and wrapping up the final one 7 00:00:41.891 --> 00:00:47.109 In webtoons, the first episode is always the hardest to make 8 00:00:47.109 --> 00:00:50.485 That's because it serves as the very first introduction of your work 9 00:00:50.485 --> 00:00:55.208 to readers who know absolutely nothing about it 10 00:00:55.208 --> 00:00:57.375 They don't know who the protagonist is 11 00:00:57.375 --> 00:00:59.653 or feel any need to invest 12 00:00:59.653 --> 00:01:02.386 in their story yet 13 00:01:02.386 --> 00:01:06.040 Most readers likely clicked on your work purely because 14 00:01:06.040 --> 00:01:08.881 they were intrigued by the thumbnail or the title 15 00:01:08.881 --> 00:01:13.188 For readers with such low interest 16 00:01:13.188 --> 00:01:17.574 we have to feed them sweet interests kindly 17 00:01:17.574 --> 00:01:22.792 In a way, it might feel like we're begging for their attention 18 00:01:22.792 --> 00:01:25.564 That's why creators include numerous hook elements 19 00:01:25.564 --> 00:01:28.119 to keep readers from dropping off 20 00:01:28.119 --> 00:01:33.178 First, you can focus on making the artwork exceptionally beautiful 21 00:01:33.178 --> 00:01:37.386 You could draw protagonists with highly aspirational appearances 22 00:01:37.386 --> 00:01:39.663 use vibrant and striking colors 23 00:01:39.663 --> 00:01:44.535 or incorporate various decorative elements to create a visually appealing experience 24 00:01:44.535 --> 00:01:46.557 Second, it's a great idea to portray the protagonist 25 00:01:46.557 --> 00:01:49.594 in a way that resonates 26 00:01:49.594 --> 00:01:52.030 with the target audience 27 00:01:52.030 --> 00:01:56.000 For example, if your target readers are high school seniors 28 00:01:56.000 --> 00:02:00.129 you can vividly depict their daily lives, struggles 29 00:02:00.129 --> 00:02:02.683 and moments of joy 30 00:02:02.683 --> 00:02:05.644 It can immerse readers in the story 31 00:02:05.644 --> 00:02:08.881 story 32 00:02:08.881 --> 00:02:13.000 Third, you can focus on elements 33 00:02:13.000 --> 00:02:15.663 the target audience aspires to 34 00:02:15.663 --> 00:02:21.673 which is the opposite of creating relatability 35 00:02:21.673 --> 00:02:27.307 While relatability allows readers to identify with the protagonist 36 00:02:27.307 --> 00:02:31.653 aspiration projects an ideal version of what readers want to become 37 00:02:31.653 --> 00:02:33.660 The younger the age group 38 00:02:33.660 --> 00:02:37.000 the more the device of longing is used 39 00:02:37.000 --> 00:02:42.653 Fourth, you can spark curiosity by presenting a powerful, impactful event 40 00:02:42.653 --> 00:02:44.752 in the first episode 41 00:02:44.752 --> 00:02:49.772 This could be a future event from the storyline 42 00:02:49.772 --> 00:02:53.000 shown as a teaser to build anticipation 43 00:02:53.000 --> 00:02:57.000 or involve exaggerated incidents and reactions 44 00:02:57.000 --> 00:03:00.683 that overwhelm the audience with their scale 45 00:03:00.683 --> 00:03:04.000 However, one aspect that's even more important than all of these strategies 46 00:03:04.000 --> 00:03:06.931 yet often overlooked 47 00:03:06.931 --> 00:03:08.956 is ensuring readers 48 00:03:08.956 --> 00:03:12.149 understand the protagonist and what events will unfold 49 00:03:12.149 --> 00:03:15.248 in the story 50 00:03:15.248 --> 00:03:19.455 This is a fundamental prerequisite 51 00:03:19.455 --> 00:03:21.656 Think of it like meeting someone important 52 00:03:21.656 --> 00:03:23.743 for the first time 53 00:03:23.743 --> 00:03:26.000 Regardless of the relationship 54 00:03:26.000 --> 00:03:28.134 the most crucial thing in that first meeting is 55 00:03:28.134 --> 00:03:31.842 properly introducing yourself 56 00:03:31.842 --> 00:03:36.366 No matter how well you present yourself 57 00:03:36.366 --> 00:03:40.109 it's up to the other person to decide whether 58 00:03:40.109 --> 00:03:42.574 they'll want to meet you again 59 00:03:42.574 --> 00:03:45.403 That's why you need to do your best 60 00:03:45.403 --> 00:03:48.475 to explain who you are as clearly 61 00:03:48.475 --> 00:03:51.188 and kindly as possible 62 00:03:51.188 --> 00:03:55.000 In a story, when introducing the protagonist to readers, you should include 63 00:03:55.000 --> 00:03:58.277 First, what's the protagonist's name? 64 00:03:58.277 --> 00:04:00.000 Second, what do they look like? 65 00:04:00.000 --> 00:04:02.040 What do they do? 66 00:04:02.040 --> 00:04:06.337 This could be their job, social status, or current situation 67 00:04:06.337 --> 00:04:08.901 What problems do they have? 68 00:04:08.901 --> 00:04:13.683 How do they typically try to solve these problems? 69 00:04:13.683 --> 00:04:16.891 This often reveals their personality 70 00:04:16.891 --> 00:04:22.733 You need to provide readers with as much information as possible about the protagonist 71 00:04:22.733 --> 00:04:26.386 Of course, there are stories where the protagonist isn't fully revealed in the first episode 72 00:04:26.386 --> 00:04:31.040 In that case, at the very least, the first episode should include elements 73 00:04:31.040 --> 00:04:36.089 that give readers an idea of the story, the world it's set in 74 00:04:36.089 --> 00:04:40.208 and the experience they can look forward to 75 00:04:40.208 --> 00:04:43.188 Keeping these in mind 76 00:04:43.188 --> 00:04:47.891 let's go over the essential elements to include when crafting a first episode 77 00:04:47.891 --> 00:04:52.228 First, the setting needs to be described 78 00:04:52.228 --> 00:04:55.366 In other words, you need to show where the events occur 79 00:04:55.366 --> 00:04:57.347 For example, if the story is set in Seoul 80 00:04:57.347 --> 00:04:59.840 you can show landmarks like Namsan Tower 81 00:04:59.840 --> 00:05:02.891 or other recognizable city features 82 00:05:02.891 --> 00:05:06.762 Second, the story should be described in terms of its temporal setting 83 00:05:06.762 --> 00:05:12.356 In which era, is it contemporary or past? 84 00:05:12.356 --> 00:05:16.000 You need to specify the era 85 00:05:16.000 --> 00:05:19.059 Of course, the protagonist needs to appear 86 00:05:19.059 --> 00:05:21.891 Start by showing their appearance 87 00:05:21.891 --> 00:05:25.565 For their first scene 88 00:05:25.565 --> 00:05:27.832 it's best to show them from the front as much as possible 89 00:05:27.832 --> 00:05:30.629 If necessary, include a full-body shot 90 00:05:30.629 --> 00:05:32.545 showing them from head to toe.showing them from head to toe 91 00:05:34.772 --> 00:05:38.713 Fourth, the protagonist's name should be introduced 92 00:05:38.713 --> 00:05:40.967 Sometimes, the first episode ends 93 00:05:40.967 --> 00:05:44.000 without revealing the name 94 00:05:44.000 --> 00:05:46.183 but unless there's a specific reason 95 00:05:46.183 --> 00:05:48.881 I believe it's better to include it 96 00:05:48.881 --> 00:05:51.723 This helps readers identify the protagonist and decide 97 00:05:51.723 --> 00:05:54.891 This is the character I'll empathize with moving forward 98 00:05:54.891 --> 00:05:57.663 This kind of self-introduction is possible 99 00:05:57.663 --> 00:06:00.881 A natural sense of attachment also comes with knowing someone's name 100 00:06:00.881 --> 00:06:03.772 After all, introducing yourself by name is basic etiquette 101 00:06:03.772 --> 00:06:06.851 You can reveal the name through narration 102 00:06:06.851 --> 00:06:08.752 having another character call it out 103 00:06:08.752 --> 00:06:13.109 showing a name tag, or other methods 104 00:06:13.109 --> 00:06:16.149 You can introduce the name like this 105 00:06:16.149 --> 00:06:19.693 Fifth, the state of the protagonist 106 00:06:19.693 --> 00:06:23.119 So, what is the current state of the protagonist? 107 00:06:23.119 --> 00:06:27.515 Are they in trouble, at peace, happy, or unhappy? 108 00:06:27.515 --> 00:06:29.369 Are they living as a dependent under someone else's roof 109 00:06:29.369 --> 00:06:31.891 or are they enjoying a wealthy, comfortable life? 110 00:06:31.891 --> 00:06:34.822 Describing the protagonist's situation helps set the stage 111 00:06:34.822 --> 00:06:39.208 which can also naturally reveal the story's world-building 112 00:06:39.208 --> 00:06:43.168 The world-building should also be introduced in the first episode 113 00:06:43.168 --> 00:06:47.257 For genres like fantasy or sci-fi, where world-building is a key element 114 00:06:47.257 --> 00:06:49.800 briefly highlighting the unique aspects 115 00:06:49.800 --> 00:06:53.574 of the story's world is essential 116 00:06:53.574 --> 00:06:55.366 But don't make it too long 117 00:06:55.366 --> 00:06:58.354 In the first episode, you should briefly describe 118 00:06:58.354 --> 00:07:00.950 the key aspects of world-building 119 00:07:00.950 --> 00:07:05.129 and move on so it doesn't get boring 120 00:07:05.129 --> 00:07:10.911 Also, the first episode must include at least one unexpected event 121 00:07:10.911 --> 00:07:14.327 or incident that happens to the protagonist 122 00:07:14.327 --> 00:07:18.266 Without it, even if you introduce the protagonist 123 00:07:18.266 --> 00:07:21.673 their name, background, circumstances, and world-building 124 00:07:21.673 --> 00:07:27.257 it'll lack excitement and fail 125 00:07:27.257 --> 00:07:29.762 to capture the reader's interest 126 00:07:29.762 --> 00:07:32.822 Even a small incident can make a big difference 127 00:07:32.822 --> 00:07:35.090 And when that incident occurs 128 00:07:35.090 --> 00:07:37.495 it's crucial to show 129 00:07:37.495 --> 00:07:39.366 how the protagonist reacts to it 130 00:07:39.366 --> 00:07:44.030 When an incident occurs, the story shouldn't just end with the event itself 131 00:07:44.030 --> 00:07:46.604 It should also show 132 00:07:46.604 --> 00:07:49.901 what the incident means to the protagonist 133 00:07:49.901 --> 00:07:52.832 and how they respond to it 134 00:07:52.832 --> 00:07:56.000 This reaction helps readers infer the protagonist's personality 135 00:07:56.000 --> 00:08:00.564 Because of this, we can see how the protagonist solves problems 136 00:08:00.564 --> 00:08:02.938 Whether the protagonist is an avoidant 137 00:08:02.938 --> 00:08:06.238 a person who gets angry when a problem arises 138 00:08:06.238 --> 00:08:09.990 or a person who compromises with gentle words 139 00:08:09.990 --> 00:08:11.797 If this is revealed even a little bit 140 00:08:11.797 --> 00:08:15.812 readers can empathize with the protagonist 141 00:08:15.812 --> 00:08:17.882 This is optional 142 00:08:17.882 --> 00:08:22.614 but you can leave some room for readers to anticipate what might happen next 143 00:08:22.614 --> 00:08:24.408 For example, at the end of the first episode 144 00:08:24.408 --> 00:08:26.480 you could introduce an unexpected character 145 00:08:26.480 --> 00:08:29.149 who makes a mysterious comment 146 00:08:29.149 --> 00:08:30.896 or show the protagonist standing up 147 00:08:30.896 --> 00:08:34.495 ready to act on a decision they’ve made 148 00:08:34.495 --> 00:08:37.067 Leaving such hints 149 00:08:37.067 --> 00:08:39.448 gives readers something to predict 150 00:08:39.448 --> 00:08:42.634 and look forward to in the second episode 151 00:08:42.634 --> 00:08:44.943 encouraging them to continue reading 152 00:08:44.943 --> 00:08:47.495 It's advanced technology 153 00:08:47.495 --> 00:08:50.245 However, if the story doesn’t allow for such teasers 154 00:08:50.245 --> 00:08:53.000 there’s no need to stress over it 155 00:08:53.000 --> 00:08:55.629 Then, just like the first episode 156 00:08:55.629 --> 00:08:57.871 it’s really harder for me than the first episode 157 00:08:57.871 --> 00:09:01.485 But how should I structure the last episode? 158 00:09:01.485 --> 00:09:04.072 First of all, let’s applaud anyone 159 00:09:04.072 --> 00:09:05.733 who’s working on their final episode 160 00:09:05.733 --> 00:09:09.881 No matter the story, you’ve made it all the way to the end 161 00:09:09.881 --> 00:09:14.475 I respect every creator who completes their work 162 00:09:14.475 --> 00:09:17.465 because finishing a story is incredibly challenging 163 00:09:17.465 --> 00:09:20.067 As an amateur creator 164 00:09:20.067 --> 00:09:22.634 I didn’t complete a single project 165 00:09:22.634 --> 00:09:27.356 I had countless stories for which I only drew the first episode 166 00:09:27.356 --> 00:09:29.285 So, when I started serializing 167 00:09:29.285 --> 00:09:31.158 San Francisco Gallery on Naver Webtoon 168 00:09:31.158 --> 00:09:34.172 I constantly worried 169 00:09:34.172 --> 00:09:36.129 whether I could actually finish it as a creator 170 00:09:36.129 --> 00:09:39.064 After serializing weekly for several years 171 00:09:39.064 --> 00:09:41.248 I eventually got closer to finishing the story 172 00:09:41.248 --> 00:09:44.446 and that's how I created a final episode 173 00:09:44.446 --> 00:09:48.285 From then on, I gained confidence, realizing 174 00:09:48.285 --> 00:09:52.059 I'm a creator who knows how to complete a story 175 00:09:52.059 --> 00:09:54.554 There's a saying that 176 00:09:54.554 --> 00:09:58.376 creators' skills grow significantly when they complete a work 177 00:09:58.376 --> 00:10:02.297 It means that those who've finished many stories tend to improve their skills dramatically 178 00:10:02.297 --> 00:10:06.545 That's why experiencing as many completions as possible is important 179 00:10:06.545 --> 00:10:10.178 and to achieve this, working on short stories can be a great way to practice 180 00:10:10.178 --> 00:10:12.157 I always emphasize this advice 181 00:10:12.157 --> 00:10:13.624 to aspiring webtoon creators 182 00:10:13.624 --> 00:10:18.386 Create short stories and complete as many as you can 183 00:10:18.386 --> 00:10:20.889 Unlike the first episode 184 00:10:20.889 --> 00:10:23.812 there isn't a specific formula for creating a final episode 185 00:10:23.812 --> 00:10:25.862 Some creators use a cyclical structure 186 00:10:25.862 --> 00:10:30.109 revisiting themes or elements introduced in the first episode 187 00:10:30.109 --> 00:10:32.589 to tie the beginning and end together 188 00:10:32.589 --> 00:10:35.050 enhancing the story's completeness 189 00:10:35.050 --> 00:10:38.465 Other works conclude with dialogue 190 00:10:38.465 --> 00:10:41.198 that encapsulates the story's central theme 191 00:10:41.198 --> 00:10:45.614 In some cases, the final episode shows all the characters reaching their happy endings 192 00:10:45.614 --> 00:10:50.030 while in others, it presents a series of tragic outcomes 193 00:10:50.030 --> 00:10:56.465 It all depends on the story, its themes 194 00:10:56.465 --> 00:11:01.564 Shall I share the checklist I use to create a final episode? 195 00:11:01.564 --> 00:11:04.368 First, reread everything from the first episode to the latest one 196 00:11:04.368 --> 00:11:08.446 to ensure any unresolved plot points are addressed 197 00:11:08.446 --> 00:11:13.812 If possible, bring back an event or line from the first episode 198 00:11:13.812 --> 00:11:16.683 to create a cyclical structure 199 00:11:16.683 --> 00:11:19.650 Use the final dialogue or scene 200 00:11:19.650 --> 00:11:22.634 to highlight the story's central theme 201 00:11:22.634 --> 00:11:27.507 Fourth, as if you're really parting ways with this piece 202 00:11:27.507 --> 00:11:29.337 pull the camera back 203 00:11:29.337 --> 00:11:31.800 So there's a way to show the background in extreme long shots 204 00:11:31.800 --> 00:11:35.396 moving further away from the character 205 00:11:35.396 --> 00:11:40.366 Provide a resolution for every important character 206 00:11:40.366 --> 00:11:43.139 ensuring their stories are fully wrapped up 207 00:11:43.139 --> 00:11:45.792 At the conclusion of the story 208 00:11:45.792 --> 00:11:49.228 the protagonist must show some form of transformation compared to the first episode 209 00:11:49.228 --> 00:11:53.000 This change should be depicted in the final episode 210 00:11:53.000 --> 00:11:56.980 That wraps up my thoughts on creating 211 00:11:56.980 --> 00:12:00.901 a strong first episode and crafting a satisfying final episode 212 00:12:00.901 --> 00:12:04.574 This time, I'm going to tell you about my own method 213 00:12:04.574 --> 00:12:08.069 of rushing forward when the story gets stuck 214 00:12:08.759 --> 00:12:12.284 How to Break Through Writer's Block 215 00:12:12.455 --> 00:12:13.958 When working on a weekly series 216 00:12:13.958 --> 00:12:16.436 it's common to feel like you've hit a wall 217 00:12:16.436 --> 00:12:21.188 while writing or sketching storyboards 218 00:12:21.188 --> 00:12:23.227 For instance, you might struggle 219 00:12:23.227 --> 00:12:25.337 to think of the next scene 220 00:12:25.337 --> 00:12:27.647 or you need to move the protagonist from point A 221 00:12:27.647 --> 00:12:30.248 to point B 222 00:12:30.248 --> 00:12:32.941 but can't figure out a logical reason 223 00:12:32.941 --> 00:12:35.782 Moments like these always happen 224 00:12:35.782 --> 00:12:39.396 and I find them particularly daunting during serialization 225 00:12:39.396 --> 00:12:41.832 Since you never know when a good idea will strike 226 00:12:41.832 --> 00:12:44.268 it's easy to become anxious 227 00:12:44.268 --> 00:12:46.040 sitting in front of the computer 228 00:12:46.040 --> 00:12:49.604 The deadline is looming, it's been two days with no ideas 229 00:12:49.604 --> 00:12:52.861 and my nerves are on edge 230 00:12:52.861 --> 00:12:56.931 Although it doesn't happen often, there are days when I feel completely stuck 231 00:12:56.931 --> 00:13:00.495 During those times, I had a method I turned to 232 00:13:00.495 --> 00:13:03.327 First, I go outside 233 00:13:03.327 --> 00:13:06.172 Changing your environment 234 00:13:06.172 --> 00:13:08.594 and exposing yourself to new surroundings 235 00:13:08.594 --> 00:13:11.059 or visual stimuli can help spark creativity 236 00:13:11.059 --> 00:13:15.149 If possible, spend some time outdoors and soak up some sunlight 237 00:13:15.149 --> 00:13:16.846 Suppose it's too cold 238 00:13:16.846 --> 00:13:21.129 head to an indoor space like a library or art gallery 239 00:13:21.129 --> 00:13:24.386 A cozy café with a nice atmosphere can also be good 240 00:13:24.386 --> 00:13:28.644 Sometimes, walking outside for about an hour 241 00:13:28.644 --> 00:13:32.099 is enough to spark a good idea 242 00:13:32.099 --> 00:13:35.594 Second, and this is something I highly recommend 243 00:13:35.594 --> 00:13:37.436 Run 244 00:13:37.436 --> 00:13:39.374 Put on your running shoes and workout clothes 245 00:13:39.374 --> 00:13:43.505 then head to a nearby park or river trail and jog 246 00:13:43.505 --> 00:13:46.032 People often laugh when I mention this 247 00:13:46.032 --> 00:13:48.109 but I'm serious 248 00:13:48.109 --> 00:13:50.272 Cardio exercises like running 249 00:13:50.272 --> 00:13:53.030 increase the oxygen supply to the brain 250 00:13:53.030 --> 00:13:54.871 and stimulate various areas 251 00:13:54.871 --> 00:13:57.505 boosting creativity 252 00:13:57.505 --> 00:14:01.446 Running raises your heart rate and improves blood circulation 253 00:14:01.446 --> 00:14:04.891 delivering more oxygen and nutrients to your brain 254 00:14:04.891 --> 00:14:07.337 This enhances brain activity 255 00:14:07.337 --> 00:14:11.099 and creates the mental space for fresh ideas 256 00:14:11.099 --> 00:14:12.747 While running 257 00:14:12.747 --> 00:14:16.347 your cortisol levels, the stress hormone, decrease 258 00:14:16.347 --> 00:14:19.832 and endorphins, which promote positive feelings, are released 259 00:14:19.832 --> 00:14:21.710 This helps calm your mind 260 00:14:21.710 --> 00:14:23.611 naturally 261 00:14:23.611 --> 00:14:26.954 making it easier to think creatively 262 00:14:26.954 --> 00:14:30.851 If running still doesn't clear the block 263 00:14:30.851 --> 00:14:36.257 my final method is to dive into research 264 00:14:36.257 --> 00:14:39.000 I usually head to the library 265 00:14:39.000 --> 00:14:43.059 gather books on the topic related to the part of the story I'm stuck on 266 00:14:43.059 --> 00:14:45.752 and skim through them 267 00:14:45.752 --> 00:14:47.288 Sometimes, the reason for the block 268 00:14:47.288 --> 00:14:50.059 is simply a lack of knowledge 269 00:14:50.059 --> 00:14:51.683 on the subject 270 00:14:51.683 --> 00:14:54.000 So, in the shortest time possible 271 00:14:54.000 --> 00:14:56.089 I try to input as much information as possible 272 00:14:56.089 --> 00:14:58.603 giving my brain an emergency infusion of content 273 00:14:58.603 --> 00:15:01.911 and get the keywords we need 274 00:15:01.911 --> 00:15:06.188 This is often enough to break through the block and get the story moving again 275 00:15:06.188 --> 00:15:11.139 And if you're still stuck after all this 276 00:15:11.139 --> 00:15:14.198 it's time to move past the blocked part 277 00:15:14.198 --> 00:15:18.842 Just gloss over it and move on to another part of the story 278 00:15:18.842 --> 00:15:22.970 Sitting in front of the computer for two or three days 279 00:15:22.970 --> 00:15:28.000 waiting for inspiration won't help 280 00:15:28.000 --> 00:15:29.099 But there is no way 281 00:15:29.099 --> 00:15:31.624 You simply can't afford to miss the deadline 282 00:15:31.624 --> 00:15:37.277 Write through it for now, and revisit the section 283 00:15:37.277 --> 00:15:39.644 closer to the final deadline 284 00:15:39.644 --> 00:15:41.967 If inspiration strikes at the last minute 285 00:15:41.967 --> 00:15:44.931 you can always make revisions 286 00:15:44.931 --> 00:15:47.406 before submitting 287 00:15:47.406 --> 00:15:49.409 However, if nothing comes to mind 288 00:15:49.409 --> 00:15:52.168 even when it's time to send the work 289 00:15:52.168 --> 00:15:55.079 it's better to leave that part and move forward 290 00:15:55.079 --> 00:16:00.624 For a creator, serialization and meeting deadlines are the top priorities 291 00:16:00.624 --> 00:16:03.921 I've shared four ways to break through writer's block 292 00:16:03.921 --> 00:16:07.861 Among them, I would like to talk in more detail about 293 00:16:07.861 --> 00:16:10.881 how to research and report on data 294 00:16:10.881 --> 00:16:15.069 The word "fieldwork" might seem intimidating 295 00:16:15.069 --> 00:16:18.495 You might wonder, "What do I say to an expert? How do I approach them?" 296 00:16:18.495 --> 00:16:22.327 My story needs specific information 297 00:16:22.327 --> 00:16:25.772 What should I do to get it? 298 00:16:25.772 --> 00:16:29.574 These thoughts can make it seem overwhelming 299 00:16:29.574 --> 00:16:31.512 but there's no need to feel that way 300 00:16:31.512 --> 00:16:34.564 Fieldwork and research simply refer to 301 00:16:34.564 --> 00:16:37.782 any method of gathering information for your story 302 00:16:37.782 --> 00:16:41.525 Reading, listening, observing, or exploring 303 00:16:41.525 --> 00:16:46.386 The first step in fieldwork is preliminary research 304 00:16:46.386 --> 00:16:50.059 This is a relaxed and broad topic exploration 305 00:16:50.059 --> 00:16:54.475 often starting with the internet to get a general sense of things 306 00:16:54.475 --> 00:16:58.584 For example, if you need to learn about a lawyer's daily life 307 00:16:58.584 --> 00:17:01.740 you can search for "a lawyer's daily life" 308 00:17:01.740 --> 00:17:04.317 on a search engine 309 00:17:04.317 --> 00:17:06.634 It's like skimming the surface 310 00:17:06.634 --> 00:17:09.970 You can look at community comments, Q&A forums, Wikipedia, and other sources 311 00:17:09.970 --> 00:17:14.020 to understand the general public's perception 312 00:17:14.020 --> 00:17:16.663 of the subject you're working on 313 00:17:16.663 --> 00:17:19.660 I do a lot of fieldwork myself 314 00:17:19.660 --> 00:17:21.772 and during the preliminary research phase 315 00:17:21.772 --> 00:17:25.792 for example, when working on 'Tale of Fairy' and needing biological knowledge 316 00:17:25.792 --> 00:17:31.535 or insights into biologists, professors, and researchers 317 00:17:31.535 --> 00:17:34.772 I first searched for communities 318 00:17:34.772 --> 00:17:37.426 where these experts interact 319 00:17:37.426 --> 00:17:39.102 Once I found such communities 320 00:17:39.102 --> 00:17:42.881 I observed what they usually discuss 321 00:17:42.881 --> 00:17:45.802 and what terminology they commonly use 322 00:17:45.802 --> 00:17:48.416 I read their posts 323 00:17:48.416 --> 00:17:52.950 taking notes or typing key points into a memo 324 00:17:52.950 --> 00:17:58.604 This way, I can roughly get a glimpse of the professional knowledge 325 00:17:58.604 --> 00:18:02.446 of the content I'm drawing and then go into the interview 326 00:18:02.446 --> 00:18:05.597 Preliminary research often includes information 327 00:18:05.597 --> 00:18:09.693 that may not be entirely accurate or professional. 328 00:18:09.693 --> 00:18:12.564 That's why we follow it up with in-depth research 329 00:18:12.564 --> 00:18:18.307 During preliminary research, you don't need to worry about the accuracy of the information 330 00:18:18.307 --> 00:18:21.396 Think of it as observing the general atmosphere 331 00:18:21.396 --> 00:18:26.851 and gathering ideas to stimulate your imagination 332 00:18:26.851 --> 00:18:28.248 After completing your preliminary research 333 00:18:28.248 --> 00:18:31.297 you can stop there if you feel it's sufficient 334 00:18:31.297 --> 00:18:33.602 However, if you’re looking for more specialized knowledge 335 00:18:33.602 --> 00:18:37.000 or want to explore the topic more deeply, you can move on to in-depth research 336 00:18:37.000 --> 00:18:42.238 At this stage, your story should have a solid framework 337 00:18:42.238 --> 00:18:45.465 You'll likely have a synopsis, a logline 338 00:18:45.465 --> 00:18:49.208 one-line treatments for each episode 339 00:18:49.208 --> 00:18:51.139 and perhaps even some dialogue 340 00:18:51.139 --> 00:18:55.020 With these elements in place 341 00:18:55.020 --> 00:18:58.886 in-depth research focuses on verifying the accuracy of your information 342 00:18:58.886 --> 00:19:02.000 and filling in the gaps with expert knowledge 343 00:19:02.000 --> 00:19:04.525 For example, if your story involves a lawyer's daily life 344 00:19:04.525 --> 00:19:07.854 you would contact a real lawyer 345 00:19:07.854 --> 00:19:10.634 and seek their professional advice 346 00:19:10.634 --> 00:19:12.881 Bring along your materials 347 00:19:12.881 --> 00:19:17.535 such as your script, synopsis, logline, character profiles, and world-building details 348 00:19:17.535 --> 00:19:20.970 Take these and meet the expert 349 00:19:20.970 --> 00:19:23.688 If the expert 350 00:19:23.688 --> 00:19:26.267 finds your story interesting 351 00:19:26.267 --> 00:19:29.385 they might help clarify the facts and provide valuable insights 352 00:19:29.385 --> 00:19:32.297 to strengthen your narrative 353 00:19:32.297 --> 00:19:36.248 While preliminary research is about grasping the general atmosphere 354 00:19:36.248 --> 00:19:41.000 in-depth research focuses on enhancing the story’s authenticity 355 00:19:41.000 --> 00:19:44.040 If the expert is busy 356 00:19:44.040 --> 00:19:49.000 you can research via email instead of in-person meetings 357 00:19:49.000 --> 00:19:51.688 For instance, in my webtoon 358 00:19:51.688 --> 00:19:54.139 Yulri 359 00:19:54.139 --> 00:19:58.545 This work has a planet like Earth 360 00:19:58.545 --> 00:20:00.250 with two moons 361 00:20:00.250 --> 00:20:03.030 two satellites, and a sun like this 362 00:20:03.030 --> 00:20:07.842 I couldn't figure out how these two satellites orbit the planet 363 00:20:07.842 --> 00:20:11.005 or things like the orbital plane 364 00:20:11.005 --> 00:20:12.683 or the orbital period 365 00:20:12.683 --> 00:20:16.812 So I interviewed an astronomer in the U.S. 366 00:20:16.812 --> 00:20:18.644 At that time, I conducted the research via email 367 00:20:18.644 --> 00:20:21.366 since I couldn't meet the expert in person 368 00:20:21.366 --> 00:20:25.901 Hello, I'm a webtoon creator working on this project 369 00:20:25.901 --> 00:20:30.069 The story includes these settings and characters 370 00:20:30.069 --> 00:20:33.950 and I'd like to depict this situation in this particular scene 371 00:20:33.950 --> 00:20:37.079 Would this setup be realistic or plausible? 372 00:20:37.079 --> 00:20:40.594 I introduced myself and explained my work like this 373 00:20:40.594 --> 00:20:43.644 So you can do it by email 374 00:20:43.644 --> 00:20:46.438 However, I believe meeting experts for fieldwork 375 00:20:46.438 --> 00:20:48.198 is the most effective 376 00:20:48.198 --> 00:20:52.050 Whether you conduct the research through email or meet them face-to-face 377 00:20:52.050 --> 00:20:54.624 it's essential to express your sincere gratitude 378 00:20:54.624 --> 00:20:57.802 to those who take the time to assist you 379 00:20:57.802 --> 00:21:00.442 Since they're dedicating their time 380 00:21:00.442 --> 00:21:02.802 to speak with you 381 00:21:02.802 --> 00:21:06.149 you should take the opportunity to introduce yourself and your work properly 382 00:21:06.149 --> 00:21:09.168 Hello, my name is something 383 00:21:09.168 --> 00:21:11.693 and I'm a creator working on this 384 00:21:11.693 --> 00:21:16.921 I'm currently at a point where I truly need the advice of an expert like you 385 00:21:16.921 --> 00:21:19.921 I think it's necessary to explain it like this 386 00:21:19.921 --> 00:21:24.168 When conducting fieldwork 387 00:21:24.168 --> 00:21:30.505 avoid shifting the focus away from their insights or criticizing their opinions 388 00:21:30.505 --> 00:21:35.208 It's essential to respect the expert's knowledge and expertise 389 00:21:35.208 --> 00:21:37.276 You must respect and recognize that 390 00:21:37.276 --> 00:21:41.297 I am receiving help with my work 391 00:21:41.297 --> 00:21:47.356 Some creators offer a small honorarium 392 00:21:47.356 --> 00:21:51.505 often around 100,000 KRW 393 00:21:51.505 --> 00:21:53.894 but many experts decline such payments 394 00:21:53.894 --> 00:21:56.366 In those cases, I show my appreciation by gifting desserts 395 00:21:56.366 --> 00:22:01.277 or sending a gift voucher online 396 00:22:01.277 --> 00:22:05.446 After the main interview, you will start working on the work 397 00:22:05.446 --> 00:22:07.861 So, from that point, you will start writing the manuscript 398 00:22:07.861 --> 00:22:13.059 When you are writing the story, if you suddenly come across a confusing part 399 00:22:13.059 --> 00:22:18.168 or a fact that you are stuck on 400 00:22:18.168 --> 00:22:22.643 or find something that you need to supplement 401 00:22:22.643 --> 00:22:24.842 you will do follow-up interviews 402 00:22:24.842 --> 00:22:28.624 Follow-up interviews are not mandatory 403 00:22:28.624 --> 00:22:32.356 but are optional whenever necessary 404 00:22:32.356 --> 00:22:36.069 If this work requires accurate information 405 00:22:36.069 --> 00:22:39.515 follow-up interviews will be necessary sometimes 406 00:22:39.515 --> 00:22:42.307 When you do follow-up interviews 407 00:22:42.307 --> 00:22:47.703 return to the expert you met earlier and say 408 00:22:47.703 --> 00:22:48.931 I was the creator 409 00:22:48.931 --> 00:22:52.901 I'm working hard with your help on this piece 410 00:22:52.901 --> 00:22:54.822 but I'm stuck at this part 411 00:22:54.822 --> 00:22:57.287 Can you give me some advice? 412 00:22:57.287 --> 00:22:59.959 So, you do follow-up interviews with a similar mindset 413 00:22:59.959 --> 00:23:01.218 to the main interview 414 00:23:01.218 --> 00:23:05.405 and finish your work 415 00:23:05.405 --> 00:23:07.851 by verifying the facts 416 00:23:07.851 --> 00:23:11.822 I've talked about interviews so far 417 00:23:11.822 --> 00:23:15.683 but the method of researching data is similar 418 00:23:15.683 --> 00:23:19.545 First, start with the easiest information 419 00:23:19.545 --> 00:23:22.604 and conduct a broad, surface-level preliminary investigation 420 00:23:22.604 --> 00:23:25.891 Then, move on to more detailed research 421 00:23:25.891 --> 00:23:28.743 using specialized books 422 00:23:28.743 --> 00:23:31.911 As I mentioned, I begin my preliminary research 423 00:23:31.911 --> 00:23:36.099 by going to the library 424 00:23:36.099 --> 00:23:38.535 stacking relevant books 425 00:23:38.535 --> 00:23:42.703 For in-depth research, I go to the library 426 00:23:42.703 --> 00:23:45.604 and carefully read through these books 427 00:23:45.604 --> 00:23:50.495 to extract the specialized knowledge I need 428 00:23:50.495 --> 00:23:53.624 I take detailed notes or make photocopies 429 00:23:53.624 --> 00:23:57.376 Going to the library and reading books is great 430 00:23:57.376 --> 00:24:01.386 but I sometimes turn to academic papers 431 00:24:01.386 --> 00:24:05.040 for more precise and factual information 432 00:24:05.040 --> 00:24:08.238 While accessing research papers often involves a cost 433 00:24:08.238 --> 00:24:09.960 I believe it's worth it 434 00:24:09.960 --> 00:24:12.594 and frequently pay to access the needed papers 435 00:24:12.594 --> 00:24:15.782 For example, when I worked on the marathon-themed webtoon 436 00:24:15.782 --> 00:24:18.040 The Day After the Breakup: Running 437 00:24:18.040 --> 00:24:22.663 I needed detailed information about marathons 438 00:24:22.663 --> 00:24:24.040 This included how muscles work during running 439 00:24:24.040 --> 00:24:27.752 what processes occur in the body 440 00:24:27.752 --> 00:24:30.832 and how running has evolved throughout human history 441 00:24:30.832 --> 00:24:34.267 In such cases, I searched for 442 00:24:34.267 --> 00:24:37.277 and referenced various academic papers 443 00:24:37.277 --> 00:24:39.901 Papers with a high citation index 444 00:24:39.901 --> 00:24:43.277 are generally reliable, as they've undergone 445 00:24:43.277 --> 00:24:47.158 peer review and strict verification processes 446 00:24:47.158 --> 00:24:49.851 However, even these papers 447 00:24:49.851 --> 00:24:54.079 shouldn't be trusted unconditionally 448 00:24:54.079 --> 00:24:58.000 Some may come from 449 00:24:58.000 --> 00:25:00.089 less credible institutions 450 00:25:00.089 --> 00:25:02.851 and occasionally, errors in published papers 451 00:25:02.851 --> 00:25:05.733 lead to retractions 452 00:25:05.733 --> 00:25:08.752 That's why examining multiple papers 453 00:25:08.752 --> 00:25:10.931 rather than relying on a single source 454 00:25:10.931 --> 00:25:12.822 examine lots of papers 455 00:25:12.822 --> 00:25:15.267 and look for cited papers 456 00:25:15.267 --> 00:25:16.733 and follow-up papers 457 00:25:16.733 --> 00:25:21.010 and compare them in this way to research 458 00:25:21.010 --> 00:25:23.881 Research and fieldwork 459 00:25:23.881 --> 00:25:27.376 are time-consuming tasks 460 00:25:27.376 --> 00:25:30.980 typically done during the planning stage 461 00:25:30.980 --> 00:25:35.198 not after serialization 462 00:25:35.198 --> 00:25:38.485 My webtoon Yulri 463 00:25:38.485 --> 00:25:42.525 is a project I've been planning for 15 years 464 00:25:42.525 --> 00:25:46.139 Depending on the project, the planning phase can take 465 00:25:46.139 --> 00:25:51.000 as little as three months or, in my case, as long as 15 years 466 00:25:51.000 --> 00:25:53.198 Of course, I didn't spend all 15 years working exclusively 467 00:25:53.198 --> 00:25:54.871 I worked on other serializations 468 00:25:54.871 --> 00:26:00.287 and had a separate career while continuing to develop 469 00:26:00.287 --> 00:26:03.406 The planning stage is a time-intensive process 470 00:26:03.406 --> 00:26:06.574 and most of the research and fieldwork takes place 471 00:26:06.574 --> 00:26:10.000 At this point, you gather as much information as possible 472 00:26:10.000 --> 00:26:11.782 When serialization begins 473 00:26:11.782 --> 00:26:14.099 you refer to the materials 474 00:26:14.099 --> 00:26:20.535 you’ve already compiled 475 00:26:20.535 --> 00:26:23.178 Of course, there might be moments during the drafting process 476 00:26:23.178 --> 00:26:25.079 where you hit a block 477 00:26:25.079 --> 00:26:27.604 and need to conduct follow-up research 478 00:26:27.604 --> 00:26:32.297 But typically, you'll rely on the resources 479 00:26:32.297 --> 00:26:36.277 you've already gathered 480 00:26:36.277 --> 00:26:38.842 We all face the pressing reality 481 00:26:38.842 --> 00:26:42.624 of deadlines and time constraints 482 00:26:42.624 --> 00:26:46.525 Since time is limited, I hope you do 483 00:26:46.525 --> 00:26:49.099 as much research and coverage as possible 484 00:26:49.099 --> 00:26:51.693 during the planning stage and accumulate 485 00:26:51.693 --> 00:26:55.228 relevant expert knowledge 486 00:26:55.228 --> 00:26:58.000 before starting the series 487 00:26:58.000 --> 00:27:01.525 Today, I discussed how to 488 00:27:01.525 --> 00:27:04.426 structure a strong first episode 489 00:27:04.426 --> 00:27:10.297 and how to effectively wrap up the final episode 490 00:27:10.297 --> 00:27:14.604 I also shared tips on how to push through when you hit a creative block 491 00:27:14.604 --> 00:27:17.188 The first episode is undeniably challenging 492 00:27:17.188 --> 00:27:20.069 but I find the final episode 493 00:27:20.069 --> 00:27:22.129 even more difficult than the first episode 494 00:27:22.129 --> 00:27:24.465 The first episode can feel exciting and full of hope 495 00:27:24.465 --> 00:27:27.446 like sprinting forward with enthusiasm 496 00:27:27.446 --> 00:27:31.604 But with the final episode, you face the immense responsibility of 497 00:27:31.604 --> 00:27:35.188 tying up all the loose ends you’ve created 498 00:27:35.188 --> 00:27:37.970 In those moments, I rely on a checklist 499 00:27:37.970 --> 00:27:40.059 checking off tasks like, "Did I include this?" 500 00:27:40.059 --> 00:27:41.980 and also the last episode 501 00:27:41.980 --> 00:27:46.059 I tend to make a checklist like this 502 00:27:46.059 --> 00:27:48.743 So I hope you all can finish 503 00:27:48.743 --> 00:27:51.535 the first and last episode 504 00:27:51.535 --> 00:27:54.099 Also, when I get stuck on the story 505 00:27:54.099 --> 00:27:56.059 I have methods 506 00:27:56.059 --> 00:27:58.960 I run again 507 00:27:58.960 --> 00:28:02.129 to get my heart rate up 508 00:28:02.129 --> 00:28:03.752 and find a creative way to break through the story 509 00:28:03.752 --> 00:28:07.267 If that doesn't work, I just give up 510 00:28:07.267 --> 00:28:08.762 and move on to the manuscript 511 00:28:08.762 --> 00:28:11.198 and then I come back 512 00:28:11.198 --> 00:28:14.000 right before the final revision 513 00:28:14.000 --> 00:28:15.901 That's what I said 514 00:28:15.901 --> 00:28:19.485 I also shared my methods 515 00:28:19.485 --> 00:28:22.644 for conducting research and fieldwork 516 00:28:22.644 --> 00:28:26.386 which I find incredibly enjoyable tasks 517 00:28:26.386 --> 00:28:28.851 These steps allow you to approach your work 518 00:28:28.851 --> 00:28:32.317 with excitement, anticipation 519 00:28:32.317 --> 00:28:34.604 and a sense of discovery 520 00:28:34.604 --> 00:28:37.050 I love this part of the process 521 00:28:37.050 --> 00:28:40.208 and try to gather as much information as possible 522 00:28:40.208 --> 00:28:41.733 As long as time permits 523 00:28:41.733 --> 00:28:45.089 I recommend allocating plenty of time during the planning phase 524 00:28:45.089 --> 00:28:48.842 to meet with various people and experts 525 00:28:48.842 --> 00:28:52.287 and explore as much as possible online 526 00:28:52.287 --> 00:28:57.050 This way, when you start your serialization 527 00:28:57.050 --> 00:28:58.604 you'll have a wealth of resources to rely on 528 00:28:58.604 --> 00:29:02.594 giving you confidence and support 529 00:29:02.594 --> 00:29:06.554 as you move forward 530 00:29:06.554 --> 00:29:09.139 I hope you'll give them a try 531 00:29:09.139 --> 00:29:13.594 and maintain a healthy, fulfilling work routine 532 00:29:13.594 --> 00:29:15.000 This was Dolbae 533 00:29:15.000 --> 00:29:15.772 Thank you 534 00:29:17.129 --> 00:29:19.729 Aiming elements that target readers admire Presenting a strong incident from the first episode to arouse curiosity Essential elements for composing a story Description of the spatial background Description of the temporal background Appearance of the main character 535 00:29:19.729 --> 00:29:22.139 Target readers' desired elements Presenting a strong incident from the first episode to arouse curiosity Essential elements when composing the first episode Description of the spatial background Description of the temporal background Appearance of the main character 536 00:29:22.139 --> 00:29:24.485 The main character's name The main character's situation Description of the world view Unexpected events that befell the main character The main character's reaction to unexpected events Ability to predict the next episode 537 00:29:24.485 --> 00:29:26.718 Interview Methods Laboratory Interview: Get a general feel for the material by searching the Internet at ease Main Interview: When the story has a certain framework 538 00:29:26.718 --> 00:29:28.535 Interview Methods Preliminary Interview: Get a general feel for the material by searching the Internet at ease Main Interview: When the story has a certain framework 539 00:29:28.535 --> 00:29:30.378 The work of extracting the exact facts from the information I have Follow-up reporting: Reporting to supplement the parts that were lacking in the main reporting while working on the manuscript 540 00:29:30.378 --> 00:29:31.960 Research Methods A larval research that starts with the easiest information A full-scale research that learns related knowledge through specialized books