WEBVTT 1 00:00:03.680 --> 00:00:09.940 WEBTOON Basics Daylight Correction 2 00:00:09.941 --> 00:00:12.441 GCC Academy 3 00:00:24.038 --> 00:00:26.038 Hello, I am webtoon artist Joomyung 4 00:00:26.618 --> 00:00:30.498 It is time to learn about daylight correction using Clip Studio 5 00:00:30.818 --> 00:00:36.140 Daylight correction is the most basic correction in webtoon correction 6 00:00:36.320 --> 00:00:38.961 If you learn about daylight correction 7 00:00:38.961 --> 00:00:41.081 before learning about afternoon and evening correction 8 00:00:41.081 --> 00:00:44.840 you can do afternoon and evening corrections more easily 9 00:00:45.000 --> 00:00:47.921 Then, let's learn about daylight correction 10 00:00:47.921 --> 00:00:52.021 Transparent Pixel Lock 11 00:00:52.781 --> 00:00:55.080 Let's start with daylight correction 12 00:00:56.060 --> 00:00:57.500 Before we start the correction 13 00:00:57.761 --> 00:01:00.061 let's learn how to adjust the tone of the painted light and shade 14 00:01:00.180 --> 00:01:02.240 to suit the mood 15 00:01:02.241 --> 00:01:05.121 by locking transparent pixels 16 00:01:07.080 --> 00:01:11.160 This is how to change the light and shade color using locking transparent pixels 17 00:01:11.480 --> 00:01:18.040 First, let's move the reference layer on the first pen touch layer 18 00:01:18.180 --> 00:01:22.140 down to the base color layer 19 00:01:22.500 --> 00:01:27.580 The way to move the reference layer is the same as when you applied the reference layer 20 00:01:27.900 --> 00:01:31.161 Right-click on the layer thumbnail 21 00:01:31.161 --> 00:01:34.511 and click Set as Reference Layer at the bottom 22 00:01:34.751 --> 00:01:40.360 or click the lighthouse-shaped icon at the top of the layer window 23 00:01:40.860 --> 00:01:44.140 And now, let's move to the light and shade layer above 24 00:01:45.740 --> 00:01:50.080 Now, we will lock transparent pixels on the light and shade layer 25 00:01:50.320 --> 00:01:53.240 Here's how to lock transparent pixels 26 00:01:53.480 --> 00:01:56.440 It's the same as when you set the reference layer 27 00:01:56.920 --> 00:02:00.920 Right-click on the thumbnail 28 00:02:00.920 --> 00:02:05.240 and if you scroll down, you'll see "Lock transparent pixels" 29 00:02:05.540 --> 00:02:07.440 Click on that 30 00:02:07.441 --> 00:02:10.822 or if you look at the top of the layer window 31 00:02:12.260 --> 00:02:15.801 At the fifth 32 00:02:15.801 --> 00:02:18.791 click on the part called Lock Transparent Pixels 33 00:02:19.340 --> 00:02:22.980 Then, in the upper right corner of the layer 34 00:02:23.640 --> 00:02:26.841 you will see a small icon 35 00:02:26.841 --> 00:02:30.227 that looks like a pixel lock 36 00:02:30.920 --> 00:02:34.840 This means that the transparent pixel lock is activated 37 00:02:35.660 --> 00:02:38.800 What is the transparent pixel lock? 38 00:02:39.540 --> 00:02:41.600 I will show you directly 39 00:02:43.140 --> 00:02:47.480 Like this, if I paint a layer in red 40 00:02:49.000 --> 00:02:53.880 the parts other than the areas where the shading is drawn will not be colored 41 00:02:54.940 --> 00:02:56.460 This means that 42 00:02:56.900 --> 00:03:03.260 Except for the areas where the picture is drawn on the selected layer, the layer is transparent 43 00:03:03.260 --> 00:03:08.740 So this means that it's going to lock all the transparent parts 44 00:03:08.740 --> 00:03:12.160 So, except for the shaded parts that have been worked on 45 00:03:12.161 --> 00:03:15.488 the transparent parts won't be colored 46 00:03:15.820 --> 00:03:18.640 This is the function of locking transparent pixels 47 00:03:19.220 --> 00:03:21.740 What this can do is 48 00:03:21.960 --> 00:03:26.920 when you want to change the shade color, you can paint it with a brush like this 49 00:03:26.921 --> 00:03:29.214 only the shade will be painted 50 00:03:29.680 --> 00:03:35.140 You can also change it through the color tone adjustment 51 00:03:35.600 --> 00:03:38.220 Let's open the color tone adjustment window 52 00:03:38.680 --> 00:03:42.260 Go into the tool window edit above 53 00:03:42.500 --> 00:03:45.320 and scroll down to see color tone correction 54 00:03:45.760 --> 00:03:50.380 In color tone correction, press hue saturation brightness 55 00:03:50.880 --> 00:03:53.340 The shortcut key is Ctrl U 56 00:03:54.800 --> 00:03:58.640 This will open the hue saturation brightness adjustment window 57 00:03:58.641 --> 00:04:00.480 If you adjust the hue 58 00:04:03.020 --> 00:04:07.900 it won’t change because it’s currently gray 59 00:04:08.300 --> 00:04:12.660 Right now, only the brightness will probably be adjusted 60 00:04:13.680 --> 00:04:16.460 You can adjust only the brightness like this 61 00:04:16.460 --> 00:04:23.780 but if you change the color and then adjust the hue again 62 00:04:24.400 --> 00:04:28.600 you’ll be able to adjust it because it’s no longer a gray tone 63 00:04:29.400 --> 00:04:35.000 This ability to quickly change the brightness to the color you want 64 00:04:35.060 --> 00:04:37.700 is the function of locking transparent pixels 65 00:04:42.420 --> 00:04:48.120 Then, let's choose a shade color that matches 66 00:04:48.120 --> 00:04:52.420 the background and atmosphere well and paint it 67 00:04:52.880 --> 00:04:55.680 Paint an appropriate color like this 68 00:04:55.960 --> 00:05:01.560 adjust the hue for the detailed parts 69 00:05:01.560 --> 00:05:05.780 and change the saturation slightly 70 00:05:06.560 --> 00:05:08.860 You can change it to the desired shade color 71 00:05:09.480 --> 00:05:12.880 by adjusting the brightness to some extent 72 00:05:14.300 --> 00:05:17.060 Secondly, let's learn how to 73 00:05:17.061 --> 00:05:20.049 change the shade color of a specific part 74 00:05:22.380 --> 00:05:24.360 When we paint a shade like this 75 00:05:24.360 --> 00:05:28.020 we paint the entire shade with one color 76 00:05:28.440 --> 00:05:33.920 This has advantages in terms of convenience and speed 77 00:05:34.300 --> 00:05:38.200 but there are cases where the shade color of a female character 78 00:05:38.200 --> 00:05:40.420 each character 79 00:05:40.421 --> 00:05:44.448 or bright clothes like this does not match 80 00:05:45.280 --> 00:05:47.321 Here's a way to quickly change 81 00:05:47.321 --> 00:05:51.167 the color of a specific area in preparation for such a case 82 00:05:51.520 --> 00:05:56.300 Use the selection tool for the reference layer to grab the skin all at once 83 00:05:57.640 --> 00:06:00.820 I will once again use the function called selection range in the Layer 84 00:06:01.000 --> 00:06:03.140 Go to the tool window above 85 00:06:03.613 --> 00:06:04.313 and click Layer 86 00:06:04.645 --> 00:06:07.725 If you come down from the Layer 87 00:06:08.280 --> 00:06:11.600 there is a selection range 88 00:06:11.601 --> 00:06:15.000 at the bottom 89 00:06:15.300 --> 00:06:20.220 Each of these options provides various options 90 00:06:20.220 --> 00:06:22.000 and it would be good to explain them one by one 91 00:06:22.001 --> 00:06:24.310 but it may be confusing for now 92 00:06:24.420 --> 00:06:26.920 so I'll explain only what you need 93 00:06:27.800 --> 00:06:31.720 This function separately selects only the shading 94 00:06:31.721 --> 00:06:35.420 painted on the face in the currently selected area 95 00:06:35.820 --> 00:06:36.980 I'll click on it 96 00:06:38.020 --> 00:06:43.020 In this case, only the shading painted on the skin will be separately selected 97 00:06:43.400 --> 00:06:46.340 In this state, you can change the color 98 00:06:46.920 --> 00:06:51.120 by selecting a specific color, as we saw earlier 99 00:06:51.360 --> 00:06:54.040 and through Alt Backspace 100 00:06:54.041 --> 00:06:56.666 you can change it to the drawing color at once 101 00:06:57.980 --> 00:07:02.081 or you can use the shortcut key Ctrl U 102 00:07:02.081 --> 00:07:04.380 Hue Saturation Lightness 103 00:07:04.380 --> 00:07:10.120 Here, change the hue to a color that suits you appropriately 104 00:07:10.120 --> 00:07:13.160 and adjust the saturation or lightness 105 00:07:14.631 --> 00:07:17.871 to change it to match your bright skin tone 106 00:07:19.080 --> 00:07:23.240 Then, press Ctrl D to deselect the selected area 107 00:07:23.920 --> 00:07:29.800 Then, it will change to a bright light and shade color that suits bright skin tone 108 00:07:33.440 --> 00:07:37.600 You can change the color you want like this 109 00:07:38.020 --> 00:07:40.580 but let me explain one thing here 110 00:07:40.580 --> 00:07:44.000 There is also a way to access it quickly with a shortcut key 111 00:07:44.420 --> 00:07:46.140 What we used earlier 112 00:07:46.141 --> 00:07:49.800 was selection in the selection range 113 00:07:49.800 --> 00:07:54.640 and the shortcut key is to press Ctrl, Alt, and Shift at the same time 114 00:07:54.640 --> 00:07:58.620 If you click on the light and shade layer thumbnail 115 00:07:59.460 --> 00:08:02.940 you will only select the light and shade color 116 00:08:03.680 --> 00:08:08.520 You can change it to the desired color tone in this state 117 00:08:09.481 --> 00:08:13.801 Daylight Correction 118 00:08:14.261 --> 00:08:18.140 Thirdly, we will learn about correction using layer properties 119 00:08:18.560 --> 00:08:21.100 Now, this is where 120 00:08:21.101 --> 00:08:23.545 we will start the correction in earnest 121 00:08:24.200 --> 00:08:28.200 First, let's create a new layer 122 00:08:28.500 --> 00:08:30.940 We will move the layer to the top 123 00:08:31.520 --> 00:08:34.420 This is because we will create a new folder 124 00:08:35.020 --> 00:08:38.960 We will make the newly created layer a folder 125 00:08:39.620 --> 00:08:43.180 You can access the folder by clicking the new layer folder icon at the top 126 00:08:43.180 --> 00:08:45.521 or using Ctrl G 127 00:08:45.521 --> 00:08:47.921 the shortcut key 128 00:08:49.701 --> 00:08:53.360 Change the folder name to Effects 129 00:08:53.660 --> 00:08:55.360 The layer below it 130 00:08:57.820 --> 00:08:58.580 will be called Multiply 131 00:09:01.000 --> 00:09:02.900 We will change it to Multiply 132 00:09:02.900 --> 00:09:06.940 Just like the name, you must change the properties as well 133 00:09:07.420 --> 00:09:10.160 We will create several layers 134 00:09:10.880 --> 00:09:13.920 Let's create one, two, three, four, five, six, seven 135 00:09:13.920 --> 00:09:15.522 Let's create it first 136 00:09:16.000 --> 00:09:18.560 Then, from the bottom to the top 137 00:09:18.561 --> 00:09:21.792 we will change the properties of the layers one by one 138 00:09:22.400 --> 00:09:26.220 The layer above is Color Dodge 139 00:09:27.420 --> 00:09:29.140 Let's change it to Color Dodge 140 00:09:30.060 --> 00:09:32.920 Likewise, you have to change the layer properties as well 141 00:09:33.500 --> 00:09:35.060 The second is Soft Light 142 00:09:41.280 --> 00:09:44.840 Let's make another one with Color Dodge 143 00:09:49.340 --> 00:09:51.720 And above that, Multiply again 144 00:09:52.340 --> 00:09:55.040 Even if it overlaps, make it the same 145 00:09:56.420 --> 00:09:58.660 And above that, Screen 146 00:10:04.400 --> 00:10:08.000 Let's finish by making it Add 147 00:10:08.280 --> 00:10:08.880 Add 148 00:10:09.520 --> 00:10:12.660 And we won't start the correction right away here 149 00:10:12.920 --> 00:10:14.920 If you come to the folder above 150 00:10:14.920 --> 00:10:17.800 the folder property is set to Standard 151 00:10:17.800 --> 00:10:21.800 If you set it to Standard, the correction won't work properly 152 00:10:22.080 --> 00:10:26.820 So, let's change the folder property to Pass 153 00:10:26.980 --> 00:10:31.320 If you don't see Pass, try dragging it up 154 00:10:31.600 --> 00:10:34.300 If you drag it up, you'll see Pass 155 00:10:34.900 --> 00:10:39.060 You have to change it to Pass to reveal the correction effect properly 156 00:10:44.260 --> 00:10:46.400 Now that we've configured the layers 157 00:10:46.400 --> 00:10:49.780 let's put them in a folder 158 00:10:49.781 --> 00:10:51.510 and make the corrections 159 00:10:52.000 --> 00:10:54.840 Let's start with the Multiply at the bottom 160 00:10:57.420 --> 00:10:59.520 As I said in the previous lecture 161 00:11:00.000 --> 00:11:01.580 Oh, here it is 162 00:11:03.580 --> 00:11:05.100 I said we should paint the entire thing 163 00:11:05.101 --> 00:11:07.681 in gray before the base color 164 00:11:08.820 --> 00:11:11.380 This gray part is very useful 165 00:11:11.381 --> 00:11:13.495 when making corrections 166 00:11:14.740 --> 00:11:17.420 I'm going to apply the overall atmosphere to the Multiply 167 00:11:17.420 --> 00:11:23.360 If you hold down the Ctrl and left-click on the gray layer 168 00:11:23.360 --> 00:11:27.040 the entire thing will be selected 169 00:11:27.880 --> 00:11:30.220 From this state, I'll go to the Multiply 170 00:11:30.221 --> 00:11:32.781 and apply the overall atmosphere 171 00:11:33.860 --> 00:11:38.680 After applying an appropriate color by pressing Alt and Backspace 172 00:11:39.340 --> 00:11:41.741 I think it's a little dark 173 00:11:41.741 --> 00:11:44.438 so I'll open the color adjustment window 174 00:11:45.340 --> 00:11:47.740 and change it appropriately 175 00:11:48.660 --> 00:11:51.340 I will raise the brightness slightly 176 00:11:52.073 --> 00:11:54.553 to make the color a little brighter 177 00:11:54.553 --> 00:11:58.000 Since it's daytime, it shouldn't be too dark 178 00:12:05.500 --> 00:12:10.580 Try moving the color like this to see which color suits 179 00:12:11.160 --> 00:12:14.460 I will work on a warm tone 180 00:12:14.461 --> 00:12:16.272 because the background is a little blue 181 00:12:16.272 --> 00:12:20.560 I'm going to work on making the character warm-toned 182 00:12:21.240 --> 00:12:22.940 I think it'll be okay 183 00:12:22.940 --> 00:12:26.021 Now, let's go up to the color dodge 184 00:12:26.221 --> 00:12:29.640 and use it to give another gradient 185 00:12:29.920 --> 00:12:33.400 The gradient is not a gradient that you press 186 00:12:33.500 --> 00:12:35.800 I'll show you 187 00:12:36.700 --> 00:12:39.040 We're going to use it to find brightness 188 00:12:39.040 --> 00:12:42.560 To get the gradient tool, go to the tool window on the left 189 00:12:43.260 --> 00:12:45.260 If you come here to gradient 190 00:12:45.260 --> 00:12:49.120 use the transparent option in the drawing color 191 00:12:49.120 --> 00:12:50.800 It's the most basic option 192 00:12:51.580 --> 00:12:52.860 Let's just click here 193 00:12:53.290 --> 00:12:54.110 What do you think? 194 00:12:54.110 --> 00:12:55.110 It's too bright, right? 195 00:12:55.340 --> 00:12:57.240 If you use it too brightly 196 00:12:57.240 --> 00:13:00.080 the picture will look awkward and too bright 197 00:13:01.240 --> 00:13:05.660 so I recommend using the gradient tool from a bit of a distance 198 00:13:05.760 --> 00:13:08.620 Use it gently from a distance like this 199 00:13:08.920 --> 00:13:11.240 The color has been added now, did you see? 200 00:13:13.860 --> 00:13:16.240 Ctrl Z, Ctrl Y 201 00:13:17.000 --> 00:13:19.480 Can you see the color changing slightly? 202 00:13:19.960 --> 00:13:21.180 This is enough 203 00:13:21.180 --> 00:13:24.580 And a little bit below 204 00:13:25.466 --> 00:13:28.606 I'll lightly lay down a warm tone 205 00:13:29.200 --> 00:13:31.220 I've laid down the mood to this extent 206 00:13:31.220 --> 00:13:34.500 I think the gradation is okay 207 00:13:35.240 --> 00:13:38.920 so once I select the airbrush 208 00:13:38.920 --> 00:13:42.420 and use a soft brush 209 00:13:50.540 --> 00:13:55.820 I'll lightly touch the part where the scarf is once again 210 00:13:57.260 --> 00:14:00.420 and since the clothes are also a bit bright in yellow 211 00:14:00.980 --> 00:14:05.900 I'll lightly touch the necessary parts of the clothes as well 212 00:14:06.520 --> 00:14:07.560 Okay, this much should be good 213 00:14:07.561 --> 00:14:08.480 Don't do too much 214 00:14:08.480 --> 00:14:11.880 If you do, the picture can pop out too much 215 00:14:12.901 --> 00:14:14.685 or the balance can't be right 216 00:14:14.685 --> 00:14:15.780 This much should be good 217 00:14:16.020 --> 00:14:18.980 I'll finish the color dodge here 218 00:14:18.980 --> 00:14:21.420 and go up to Soft Light 219 00:14:21.740 --> 00:14:25.820 Soft light is used to paint the area that receives light 220 00:14:30.520 --> 00:14:34.000 You can use any pen brush 221 00:14:34.000 --> 00:14:35.960 but I’ll be using the 222 00:14:36.302 --> 00:14:38.682 Mixing Round Brush available 223 00:14:38.682 --> 00:14:41.000 in the default "Thick" category 224 00:14:41.780 --> 00:14:46.220 I'll paint it with a moderately warm tone 225 00:14:49.260 --> 00:14:50.980 to see if it works 226 00:14:51.620 --> 00:14:53.180 It seems fine 227 00:14:53.760 --> 00:14:56.600 Let's go with this selection 228 00:15:00.560 --> 00:15:04.180 Earlier, we mentioned that holding Ctrl + Left Click 229 00:15:04.180 --> 00:15:06.420 on the base gray layer selects the entire area 230 00:15:06.760 --> 00:15:12.040 You can lock it in this state as well 231 00:15:12.820 --> 00:15:16.900 Now, lightly add highlights to find bright areas 232 00:15:22.340 --> 00:15:27.060 Adjust the brush size as needed while identifying these highlights 233 00:15:29.000 --> 00:15:30.640 There's no need to overdo it 234 00:15:31.260 --> 00:15:33.200 Another useful tip is to use 235 00:15:33.201 --> 00:15:35.408 a soft eraser 236 00:15:36.040 --> 00:15:39.680 Lightly erase areas where too much color has been applied 237 00:15:39.680 --> 00:15:41.360 to create a more natural look 238 00:15:41.860 --> 00:15:44.660 For the skin 239 00:15:47.240 --> 00:15:50.940 gently smooth it out with the soft eraser for a seamless finish 240 00:16:11.967 --> 00:16:17.927 For the hair, focus on the bright spots 241 00:16:18.387 --> 00:16:19.660 and smudge them a bit 242 00:16:21.300 --> 00:16:23.020 Don't overdo it 243 00:16:24.220 --> 00:16:26.200 You can use the scarf 244 00:16:27.380 --> 00:16:31.540 using the reference layer selection tool 245 00:16:31.840 --> 00:16:35.600 If you choose a scarf like this, it will be selected 246 00:17:09.240 --> 00:17:13.000 If you try to make the size smaller, you can erase any parts 247 00:17:13.674 --> 00:17:15.014 you think are awkward 248 00:17:21.160 --> 00:17:24.720 And for the parts like the clothes, just a little bit 249 00:17:24.721 --> 00:17:27.027 If you do too many bright parts 250 00:17:27.727 --> 00:17:30.900 the picture can become a little awkward 251 00:17:30.900 --> 00:17:34.440 and the texture of the clothes may not show up properly 252 00:17:34.780 --> 00:17:38.260 If the bright part shines too much on each wrinkle of the clothes 253 00:17:38.778 --> 00:17:40.838 it can look like vinyl clothes 254 00:17:41.040 --> 00:17:42.440 Or, like leather clothes 255 00:17:43.202 --> 00:17:47.162 Think about the characteristics of the material 256 00:17:47.840 --> 00:17:50.860 and find the shading or bright parts 257 00:17:52.560 --> 00:17:54.981 I'm zooming in and out too much 258 00:17:54.981 --> 00:17:57.155 so I apologize if it feels dizzying for viewers 259 00:17:57.420 --> 00:18:00.166 I ask for your understanding 260 00:18:11.660 --> 00:18:12.210 Good 261 00:18:12.211 --> 00:18:13.532 Now that we've finished with Soft Light 262 00:18:13.532 --> 00:18:15.979 let's move on to Color Dodge 263 00:18:16.840 --> 00:18:22.385 Color Dodge is used to brighten specific areas 264 00:18:22.385 --> 00:18:24.781 I'll show you 265 00:18:32.620 --> 00:18:34.679 I'll demonstrate it using a soft brush 266 00:18:57.260 --> 00:18:59.541 Before it really shines, there's a feeling 267 00:18:59.541 --> 00:19:02.623 that the overall saturation is a bit bright 268 00:19:04.160 --> 00:19:11.560 I'm going to find those parts appropriately and paint them in 269 00:19:13.960 --> 00:19:15.800 I won't do it too much 270 00:19:16.495 --> 00:19:18.575 I'll just find the right amount and leave 271 00:19:20.320 --> 00:19:20.801 Okay 272 00:19:20.801 --> 00:19:23.938 I'll stop here and finish the color dodge 273 00:19:24.580 --> 00:19:27.000 Next, let's move on to Multiply 274 00:19:27.420 --> 00:19:31.540 This layer mode is slightly different from the previous Multiply 275 00:19:32.040 --> 00:19:32.980 Here 276 00:19:32.981 --> 00:19:37.122 we'll darken specific areas to emphasize shadows 277 00:19:37.182 --> 00:19:39.300 This is often referred to as "pressing down" 278 00:19:39.606 --> 00:19:41.006 Let me show you how it works 279 00:19:42.560 --> 00:19:48.120 First, select the scarf using the reference layer selection tool 280 00:19:48.540 --> 00:19:56.420 We'll isolate the shadows within the scarf and work only within that area 281 00:19:57.080 --> 00:19:59.912 As I explained earlier 282 00:19:59.913 --> 00:20:03.179 there's a method for targeting only the shadows 283 00:20:04.500 --> 00:20:06.680 Select the shadow layer 284 00:20:06.888 --> 00:20:13.168 go to the Toolbox Layer menu, and choose Selection Range 285 00:20:13.620 --> 00:20:18.320 Then click Select, and only the shadows will be selected 286 00:20:18.660 --> 00:20:21.000 Now, switch to Multiply 287 00:20:21.960 --> 00:20:26.100 and we'll use a soft airbrush for this process 288 00:20:26.820 --> 00:20:28.900 I used a soft airbrush 289 00:20:29.570 --> 00:20:31.530 to capture the shading on the white 290 00:20:32.180 --> 00:20:33.780 By doing this 291 00:20:34.922 --> 00:20:43.122 I can lightly press the shading of a specific area like this 292 00:20:44.040 --> 00:20:47.680 Similarly, if you select the clothes 293 00:20:47.681 --> 00:20:52.981 and Ctrl, Alt, Shift, and click the thumbnail in the shading area 294 00:20:56.260 --> 00:20:58.780 you can select only the shading like this 295 00:21:01.000 --> 00:21:06.540 Using the soft airbrush, gently blend 296 00:21:06.890 --> 00:21:08.870 and press down specific areas 297 00:21:10.476 --> 00:21:17.056 This technique enriches the image and gives it a firmer, more defined look 298 00:21:17.596 --> 00:21:21.820 After painting like this and deselecting the selection area 299 00:21:22.040 --> 00:21:25.301 if you think you pressed too much 300 00:21:25.301 --> 00:21:27.487 use a soft eraser to erase the areas gently 301 00:21:35.160 --> 00:21:37.980 I think it's good enough 302 00:21:38.560 --> 00:21:42.820 Let's finish the Multiply here 303 00:21:42.980 --> 00:21:45.500 and move on to the screen 304 00:21:48.580 --> 00:21:55.180 Screen can be used to create a glowing light effect 305 00:21:55.180 --> 00:21:59.220 Let me show you how to apply it effectively 306 00:22:00.140 --> 00:22:03.520 and achieve a radiant look 307 00:22:03.900 --> 00:22:06.880 This will be a basic version using the screen properties 308 00:22:08.800 --> 00:22:13.240 and the most basic method will be using a soft brush 309 00:22:13.740 --> 00:22:16.301 I will select once with a soft brush 310 00:22:16.301 --> 00:22:19.441 and select the color of the light appropriately 311 00:22:20.340 --> 00:22:25.260 Then, I will paint to see 312 00:22:25.261 --> 00:22:29.828 if the color of this light matches the part where the light comes from 313 00:22:31.660 --> 00:22:34.320 Since it does not create overall light 314 00:22:34.860 --> 00:22:38.500 you can think of it as light used on the person 315 00:22:40.000 --> 00:22:42.260 The light used for the character 316 00:22:42.261 --> 00:22:45.080 since the character is warm-toned 317 00:22:45.080 --> 00:22:49.180 so I will also try to bring in warm-toned light 318 00:22:49.180 --> 00:22:53.240 Select a warm-toned color 319 00:22:54.900 --> 00:22:55.457 and do this gently 320 00:22:55.457 --> 00:22:59.397 If you press too hard, a lot of light will come out, but it'll look awkward 321 00:23:02.280 --> 00:23:03.680 So, like this 322 00:23:04.771 --> 00:23:09.131 by tapping with a soft brush 323 00:23:18.880 --> 00:23:24.580 you can create the feeling that there's light inside the character 324 00:23:26.320 --> 00:23:31.500 The point is gently drawing the boundary between the shadow and the light 325 00:23:32.040 --> 00:23:34.720 I'm not painting the bright parts 326 00:23:35.380 --> 00:23:36.620 As you can see 327 00:23:37.139 --> 00:23:38.099 like this 328 00:23:41.150 --> 00:23:44.870 I'm painting the boundary between the light and the shadow like this 329 00:23:45.260 --> 00:23:46.260 Like this 330 00:23:48.480 --> 00:23:51.020 Lightly like this 331 00:23:55.400 --> 00:23:56.460 Like this 332 00:24:01.200 --> 00:24:05.660 And if it seems too much, use the eraser to erase it again gently 333 00:24:16.500 --> 00:24:21.280 And you have to keep zooming in and out of the picture 334 00:24:21.280 --> 00:24:25.221 to see it's going in properly 335 00:24:25.221 --> 00:24:27.221 and not too much 336 00:24:36.500 --> 00:24:42.280 And if you cover the pen lines too much, the drawing may look muddy 337 00:24:42.280 --> 00:24:43.720 Please be careful about that 338 00:24:44.060 --> 00:24:46.320 However, you can intentionally 339 00:24:46.321 --> 00:24:49.594 cover the pen lines for a production feel 340 00:24:49.594 --> 00:24:51.200 to create a new feeling 341 00:24:51.200 --> 00:24:54.580 For example, there are parts like this where a lot of ink has been used 342 00:24:55.000 --> 00:24:58.500 You can do this 343 00:25:03.640 --> 00:25:04.560 little by little 344 00:25:13.500 --> 00:25:18.860 You can change the feeling of the drawing a little bit 345 00:25:20.040 --> 00:25:28.480 This is the most basic way to find light using the screen properties 346 00:25:28.680 --> 00:25:30.901 Let's deactivate the layer for a moment 347 00:25:30.901 --> 00:25:35.706 and create a new screen 348 00:25:35.986 --> 00:25:40.240 This will show you how to find light 349 00:25:40.940 --> 00:25:43.840 using blur and screen properties 350 00:25:50.880 --> 00:25:56.780 Press Ctrl and select the entire base color gray 351 00:25:57.440 --> 00:25:59.720 Ctrl and mouse left click 352 00:26:00.580 --> 00:26:08.880 Then press Ctrl Alt and select the shading thumbnail 353 00:26:09.160 --> 00:26:15.000 Previously, we only captured shading from the base color 354 00:26:15.000 --> 00:26:19.360 but this time, we only captured shading from the base color 355 00:26:20.620 --> 00:26:23.200 For this part, go into the layer 356 00:26:23.201 --> 00:26:24.641 and below the layer 357 00:26:24.641 --> 00:26:27.342 go into the selection range from the layer 358 00:26:27.540 --> 00:26:30.100 Select from the selection range at the very bottom 359 00:26:30.101 --> 00:26:33.444 This is an option to find only darkness 360 00:26:33.444 --> 00:26:36.120 and if you press Delete in the selection range 361 00:26:36.121 --> 00:26:40.757 this is an option to exclude shading and find only light 362 00:26:42.740 --> 00:26:47.620 This way, you can paint only the light part 363 00:26:47.980 --> 00:26:52.300 Now, let's press Alt Backspace 364 00:26:52.420 --> 00:26:54.040 What do you think? 365 00:26:54.400 --> 00:27:00.100 Right now, there's too much light in the entire area 366 00:27:00.240 --> 00:27:01.880 This is because 367 00:27:02.087 --> 00:27:05.327 the light has been included even in the pen touch 368 00:27:05.827 --> 00:27:08.960 Press Ctrl Z again to go back 369 00:27:09.580 --> 00:27:12.760 and now we will exclude the pen touch 370 00:27:13.060 --> 00:27:17.360 If you press Ctrl Alt Pen Touch Layer Thumbnail 371 00:27:17.361 --> 00:27:19.221 the pen touch is excluded 372 00:27:19.621 --> 00:27:22.200 In this state, Alt Backspace again 373 00:27:23.380 --> 00:27:29.460 If you do this, only the bright part is now fully colored 374 00:27:31.980 --> 00:27:35.800 Then, duplicate the screen layer once 375 00:27:37.140 --> 00:27:40.100 After duplicating the screen layer, let's go down 376 00:27:40.101 --> 00:27:44.651 and blur this lower screen layer 377 00:27:44.871 --> 00:27:48.381 Come to the tool window, filter blur 378 00:27:48.381 --> 00:27:49.432 Gaussian blur 379 00:27:50.700 --> 00:27:54.500 the range is 80 to 100 380 00:27:54.880 --> 00:27:56.760 This may vary depending on the situation 381 00:27:56.761 --> 00:27:59.521 so by pressing the preview 382 00:27:59.522 --> 00:28:02.182 it's good for you to find the appropriate value 383 00:28:02.860 --> 00:28:05.660 I'll give it about 98 or 100 384 00:28:08.520 --> 00:28:09.740 What do you think? 385 00:28:09.741 --> 00:28:11.901 It definitely feels bright 386 00:28:13.180 --> 00:28:16.180 If you want it to be more blurred 387 00:28:16.181 --> 00:28:20.372 duplicate the screen with this blur applied again 388 00:28:20.372 --> 00:28:21.160 It's brighter, right? 389 00:28:21.443 --> 00:28:26.344 This is too bright to be used 390 00:28:26.344 --> 00:28:27.908 only for specific productions 391 00:28:28.120 --> 00:28:29.940 so I think it's good for you to use it appropriately 392 00:28:29.940 --> 00:28:32.121 depending on the situation 393 00:28:32.761 --> 00:28:34.940 Go back by pressing Ctrl Z 394 00:28:35.800 --> 00:28:40.540 Here, you can adjust the opacity 395 00:28:40.876 --> 00:28:43.276 to adjust the glow 396 00:28:45.520 --> 00:28:51.060 I adjusted the opacity 397 00:28:57.120 --> 00:29:01.320 I've captured the glowing feeling like this 398 00:29:01.560 --> 00:29:03.920 Now, let's go to the Plus above 399 00:29:04.631 --> 00:29:12.531 and capture a little more glow around the entire figure 400 00:29:21.360 --> 00:29:24.320 I think it's good to think of it as a bit of a halo 401 00:29:27.840 --> 00:29:29.020 Just like this 402 00:29:29.021 --> 00:29:32.062 And with a soft eraser, I'll erase more parts 403 00:29:32.062 --> 00:29:33.543 that seem too much 404 00:29:34.620 --> 00:29:36.560 Okay, that's it 405 00:29:36.561 --> 00:29:41.122 And finally, I'll upload one more layer and create a screen 406 00:29:41.122 --> 00:29:42.846 I'll create one more screen 407 00:29:46.700 --> 00:29:49.000 What this screen is 408 00:29:49.640 --> 00:29:55.540 it's not about the figure, it's about creating the overall light and tone of the picture 409 00:29:57.640 --> 00:29:59.560 I'll go into the gradient tool 410 00:30:01.324 --> 00:30:04.044 and choose a color that fits the mood 411 00:30:04.640 --> 00:30:06.480 and I'll also lay this down 412 00:30:07.887 --> 00:30:09.527 from a little far away 413 00:30:19.460 --> 00:30:20.665 Okay 414 00:30:21.325 --> 00:30:23.739 It seems a little too much, so I'll erase a bit 415 00:30:28.264 --> 00:30:29.124 Okay 416 00:30:30.936 --> 00:30:35.100 So, we've looked at the daylight correction 417 00:30:36.600 --> 00:30:40.980 In this lecture, we learned about Clip Studio's daylight correction 418 00:30:41.540 --> 00:30:45.160 Next time, we will learn about afternoon correction 419 00:30:45.160 --> 00:30:46.360 Thank you 420 00:30:46.360 --> 00:30:48.912 Transparent Pixel Lock Transparent pixel lock means Only the drawn part of the selected layer can be painted, and the transparent part cannot be painted 421 00:30:48.912 --> 00:30:51.093 Benefits of transparent pixel lock You can change the brightness and shade of the desired area by painting with a brush You can adjust the hue saturation and brightness of the brightness 422 00:30:51.093 --> 00:30:52.305 Daylight Correction Create a new layer as a folder and change the folder properties to pass through 423 00:30:52.305 --> 00:30:53.366 How to Correct Multiply Layer 1: Apply overall color to the figure with a color that matches the background Color Dodge Layer: Apply gradient to the figure Soft Light Layer: Add color to the areas receiving light 424 00:30:53.366 --> 00:30:54.286 Color Dodge Layer: Brighten the color of the layer and reduce the contrast Multiply Layer 2: Paint the light and dark areas darker in some areas Scree 425 00:30:54.286 --> 00:30:56.147 Add Layer: Create a feeling of light near the figure Add Screen Layer: Create overall light and tone for the picture