WEBVTT 1 00:00:05.413 --> 00:00:09.963 WEBTOON Advanced Tamiboo's Guide to Comedy Webtoons 2 00:00:25.653 --> 00:00:28.446 Hi, I'm Tamiboo, a Webtoon artist 3 00:00:28.446 --> 00:00:33.465 Have you ever wondered how comedy webtoons are created? 4 00:00:33.465 --> 00:00:37.136 Do you think those with a natural comedic sense 5 00:00:37.136 --> 00:00:41.020 create those stories spontaneously? 6 00:00:41.020 --> 00:00:44.287 Having a natural comedic sense is important 7 00:00:44.287 --> 00:00:46.800 But if you rely solely 8 00:00:46.800 --> 00:00:49.980 on spontaneous ideas and sense 9 00:00:49.980 --> 00:00:53.653 it’ll be hard to meet the deadlines we’ve promised 10 00:00:53.653 --> 00:00:58.238 Even comedy Webtoons has a structured 11 00:00:58.238 --> 00:01:00.702 writing process and principles 12 00:01:00.702 --> 00:01:04.277 to creating humor as well 13 00:01:04.277 --> 00:01:06.934 Just as having great ingredients alone 14 00:01:06.934 --> 00:01:09.341 doesn’t make a delicious dish 15 00:01:09.341 --> 00:01:11.436 without a recipe for it 16 00:01:11.436 --> 00:01:16.225 you need techniques to consistently 17 00:01:16.225 --> 00:01:19.042 turn ideas and material into manuscripts 18 00:01:19.042 --> 00:01:22.624 with reliable humor by the deadline 19 00:01:22.624 --> 00:01:25.467 In this session, I’ll share my 10 years of experience 20 00:01:25.467 --> 00:01:27.554 in comedy webtoons to explore 21 00:01:27.554 --> 00:01:31.257 the art of comedy Webtoon creation 22 00:01:31.257 --> 00:01:33.604 Are you ready to laugh together? 23 00:01:34.242 --> 00:01:38.094 Basic Principles of Comedy 24 00:01:38.569 --> 00:01:40.304 Before making a comedy Webtoon 25 00:01:40.304 --> 00:01:43.693 we need to understand the principles of humor 26 00:01:43.693 --> 00:01:46.713 The philosopher Immanuel Kant once said 27 00:01:46.713 --> 00:01:50.340 Laughter arises when an expected situation 28 00:01:50.340 --> 00:01:53.376 turns out to be nothing 29 00:01:53.376 --> 00:01:54.676 Think of those moments 30 00:01:54.676 --> 00:01:58.584 when you chuckled at a dad joke 31 00:01:58.584 --> 00:02:00.175 Unexpected outcomes 32 00:02:00.175 --> 00:02:01.848 or surprise 33 00:02:01.848 --> 00:02:06.960 are at the core of comedy 34 00:02:06.960 --> 00:02:10.218 For instance, imagine a Webtoon drawn 35 00:02:10.218 --> 00:02:13.822 with an action-style illustration that turns out to be absurd comedy 36 00:02:13.822 --> 00:02:16.704 Or a protagonist who looks like an MMA fighter 37 00:02:16.704 --> 00:02:20.713 but is actually a 7-year-old girl 38 00:02:20.713 --> 00:02:24.279 What if a peaceful kindergarten resembles a prison 39 00:02:24.279 --> 00:02:27.485 on a remote island straight out of a Hollywood movie? 40 00:02:27.485 --> 00:02:30.300 The comedy Webtoon Brilliant Action Kindergarten 41 00:02:30.300 --> 00:02:34.782 was created based on such unexpected twists 42 00:02:34.782 --> 00:02:39.570 Every episode involved constant thinking about 43 00:02:39.570 --> 00:02:42.515 how to subvert readers’ expectations 44 00:02:42.515 --> 00:02:44.483 This use of surprise 45 00:02:44.483 --> 00:02:46.931 isn’t limited to comedy 46 00:02:46.931 --> 00:02:52.104 In thrillers, a seemingly good character can turn out to be the villain 47 00:02:52.104 --> 00:02:55.540 In romance, a cold-hearted character 48 00:02:55.540 --> 00:02:58.287 might reveal an endearing clumsy side 49 00:02:58.287 --> 00:03:01.419 What makes comedy Webtoons unique 50 00:03:01.419 --> 00:03:05.376 is that this element of surprise is focused on eliciting laughter 51 00:03:05.376 --> 00:03:10.604 So, how do we make the most of surprise in comedy? 52 00:03:10.604 --> 00:03:16.277 The key lies in leveraging stereotypes 53 00:03:16.277 --> 00:03:20.296 Stereotypes help readers quickly 54 00:03:20.296 --> 00:03:22.980 and easily understand a story 55 00:03:22.980 --> 00:03:27.574 That’s why you start with stereotypes 56 00:03:27.574 --> 00:03:32.079 It's okay to use familiar themes from daily life 57 00:03:32.079 --> 00:03:36.653 or well-known fairy tales and movies as inspiration 58 00:03:36.653 --> 00:03:40.086 Even clichés can be 59 00:03:40.086 --> 00:03:45.287 excellent materials for building a comedic Webtoon 60 00:03:45.287 --> 00:03:48.881 Let’s take a look at a work, 'I’m Pet' 61 00:03:48.881 --> 00:03:52.624 The timid protagonist works overtime even on their birthday 62 00:03:52.624 --> 00:03:57.594 Feeling drained from daily life, stops by a pet shop on her way home 63 00:03:57.594 --> 00:04:01.621 Oh, this is a healing story, you may think 64 00:04:01.621 --> 00:04:03.436 That's the expectation 65 00:04:03.436 --> 00:04:06.340 But upon entering the pet shop 66 00:04:06.340 --> 00:04:08.744 a strange-looking dog sitting with its legs crossed 67 00:04:08.744 --> 00:04:10.535 lost in solitude 68 00:04:10.535 --> 00:04:15.485 This dog walks on two legs, gives the protagonist 69 00:04:15.485 --> 00:04:21.000 a suggestive look, and even proposes they live together 70 00:04:21.000 --> 00:04:24.733 Here, stereotypes about pets and healing genres 71 00:04:24.733 --> 00:04:29.188 are broken, generating laughter 72 00:04:29.188 --> 00:04:33.248 But simply breaking stereotypes does not guarantee humor 73 00:04:33.248 --> 00:04:38.168 It could end up being unfamiliar and not funny at all 74 00:04:38.168 --> 00:04:42.713 Breaking one stereotype with another familiar stereotype works better 75 00:04:42.713 --> 00:04:45.363 In I’m Pet, the character Antonio, a dog 76 00:04:45.363 --> 00:04:47.941 walks on two legs and speaks like a human 77 00:04:47.941 --> 00:04:50.119 but his attitude and mannerisms towards the protagonist 78 00:04:50.119 --> 00:04:54.485 resemble those of a close male friend or a butler 79 00:04:54.485 --> 00:04:56.636 These are familiar stereotypes 80 00:04:56.636 --> 00:04:59.238 the close male friend or a butler 81 00:04:59.238 --> 00:05:03.000 Antonio combines traits of a loyal dog and a butler 82 00:05:03.000 --> 00:05:06.465 creating an entertaining character by focusing on 83 00:05:06.465 --> 00:05:09.512 their shared trait of loyalty 84 00:05:09.512 --> 00:05:12.149 like a butler or a male friend 85 00:05:12.149 --> 00:05:15.772 Famous movies have also inspired content and concepts 86 00:05:15.772 --> 00:05:18.372 For example, New World and Infernal Affairs 87 00:05:18.372 --> 00:05:21.030 explore a police officer infiltrating a crime syndicate 88 00:05:21.030 --> 00:05:25.297 and a gangster posing as a cop 89 00:05:25.297 --> 00:05:28.385 Drawing from this, New Cat World was created 90 00:05:28.385 --> 00:05:31.574 about a dog infiltrating the world of cats 91 00:05:31.574 --> 00:05:33.774 The stereotype of dogs and cats being different 92 00:05:33.774 --> 00:05:36.069 and not getting along was blended 93 00:05:36.069 --> 00:05:40.604 with a parody of a famous movie 94 00:05:40.604 --> 00:05:44.814 he protagonist, Shinse, a police officer disguised as a cat 95 00:05:44.814 --> 00:05:47.297 suffers from a collapsing sense of identity 96 00:05:47.297 --> 00:05:51.030 eventually becoming neither fully dog nor cat 97 00:05:51.030 --> 00:05:53.847 It's a hybrid 98 00:05:53.847 --> 00:05:56.396 a cat-dog, at this point 99 00:05:56.396 --> 00:05:58.455 Do you get the idea? 100 00:05:58.455 --> 00:06:00.795 Pairing one stereotype with another 101 00:06:00.795 --> 00:06:03.386 unexpected one creates humor 102 00:06:03.386 --> 00:06:07.594 This is the essence of comedy 103 00:06:07.594 --> 00:06:10.507 Let's talk about making a comedy Webtoon 104 00:06:10.507 --> 00:06:13.287 following these rules of comedy 105 00:06:14.882 --> 00:06:18.516 How to Create a Comedy Webtoon 106 00:06:19.150 --> 00:06:20.912 When I create a comedy Webtoon 107 00:06:20.912 --> 00:06:23.059 the first thing I consider is 108 00:06:23.059 --> 00:06:26.703 the target audience 109 00:06:26.703 --> 00:06:28.442 Here's a comparison with food 110 00:06:28.442 --> 00:06:30.277 For older adults 111 00:06:30.277 --> 00:06:31.830 you might want to serve softer 112 00:06:31.830 --> 00:06:34.663 less spicy dishes 113 00:06:34.663 --> 00:06:38.861 for children, sweet yet nutritious options are preferable 114 00:06:38.861 --> 00:06:40.847 for those who enjoy drinking 115 00:06:40.847 --> 00:06:44.485 snacks that pair well with alcohol are ideal 116 00:06:44.485 --> 00:06:48.149 Similarly, deciding who you want to make laugh helps set clear guidelines 117 00:06:48.149 --> 00:06:53.614 for the material, concept, and storytelling approach 118 00:06:53.614 --> 00:06:58.168 The narrower the target audience, the better 119 00:06:58.168 --> 00:07:02.257 For instance, when I created The Vampire Student 120 00:07:02.257 --> 00:07:05.792 my goal was to make my third-grade son laugh 121 00:07:05.792 --> 00:07:08.907 For I’m Pet, the target audience was single women 122 00:07:08.907 --> 00:07:11.822 in their early 30s like Kwon Ah-im the character 123 00:07:11.822 --> 00:07:15.990 During serialization, I had numerous conversations 124 00:07:15.990 --> 00:07:19.614 with a producer in this age group to refine the story 125 00:07:19.614 --> 00:07:21.591 As for Brilliant Action Kindergarten 126 00:07:21.591 --> 00:07:23.554 my target audience was men over 40 127 00:07:23.554 --> 00:07:25.269 who had loved action manga like 128 00:07:25.269 --> 00:07:29.149 Fist of the North Star in their youth and had 129 00:07:29.149 --> 00:07:31.673 experience raising young children 130 00:07:31.673 --> 00:07:35.703 In essence, I created it for people like myself 131 00:07:35.703 --> 00:07:38.031 Occasionally, when I ask aspiring Webtoon creators 132 00:07:38.031 --> 00:07:40.911 about their target audience, and they answer 133 00:07:40.911 --> 00:07:45.228 Everyone in all age groups 134 00:07:45.228 --> 00:07:49.004 While it’s natural to want your work 135 00:07:49.004 --> 00:07:52.059 to appeal to a broad range of readers 136 00:07:52.059 --> 00:07:54.717 setting too broad a target often results 137 00:07:54.717 --> 00:07:58.941 in a story that resonates with no one 138 00:07:58.941 --> 00:08:00.966 Narrowly defined targets allows you 139 00:08:00.966 --> 00:08:04.396 to anticipate reader reactions to some extent 140 00:08:04.396 --> 00:08:06.176 When working on a long-term series 141 00:08:06.176 --> 00:08:10.277 here are times when the story’s direction may be lost 142 00:08:10.277 --> 00:08:14.068 In such cases, it’s helpful to recall 143 00:08:14.068 --> 00:08:16.871 your target audience 144 00:08:16.871 --> 00:08:21.584 This work targets third-grade elementary school children 145 00:08:21.584 --> 00:08:24.784 so it shouldn’t become too serious or heavy 146 00:08:24.784 --> 00:08:28.535 That's the direction of the story 147 00:08:28.535 --> 00:08:31.567 For The Vampire Student 148 00:08:31.567 --> 00:08:35.644 I wanted to make elementary school boys laugh out loud 149 00:08:35.644 --> 00:08:40.950 but my friends said it was too childish for them to read 150 00:08:40.950 --> 00:08:44.327 which didn’t bother me 151 00:08:44.327 --> 00:08:48.624 because it wasn’t aimed at adults anyway 152 00:08:48.624 --> 00:08:52.368 But when my son said 153 00:08:52.368 --> 00:08:55.198 Dad, my friends are saying The Vampire Student 154 00:08:55.198 --> 00:08:58.446 is getting too serious and not fun anymore 155 00:08:58.446 --> 00:09:01.285 I would break into a cold sweat 156 00:09:01.285 --> 00:09:03.823 and rewrite the draft entirely to make it suitable 157 00:09:03.823 --> 00:09:06.040 for elementary school tastes 158 00:09:06.040 --> 00:09:08.421 Who's your target audience? 159 00:09:08.421 --> 00:09:11.265 Once you’ve decided who your target audience is 160 00:09:11.265 --> 00:09:13.644 the next step is finding ideas 161 00:09:13.644 --> 00:09:17.220 Cooking starts with deciding on a menu 162 00:09:17.220 --> 00:09:20.099 and checking if you have the right ingredients 163 00:09:20.099 --> 00:09:24.248 Sometimes, you decide based on what’s available in the fridge 164 00:09:24.248 --> 00:09:26.633 like finding eggs and 165 00:09:26.633 --> 00:09:30.158 deciding to make steamed eggs 166 00:09:30.158 --> 00:09:33.554 Finding ideas is like opening the fridge 167 00:09:33.554 --> 00:09:36.769 Just as you need a variety of ingredients 168 00:09:36.769 --> 00:09:39.228 stocked to start cooking 169 00:09:39.228 --> 00:09:43.242 you should develop a habit of 170 00:09:43.242 --> 00:09:46.594 stocking up ideas for your work 171 00:09:46.594 --> 00:09:49.545 This requires a habit of taking notes 172 00:09:49.545 --> 00:09:52.324 I always note down ideas as they come to mind 173 00:09:52.324 --> 00:09:55.248 even if unrelated to my current project 174 00:09:55.248 --> 00:09:58.232 despite the fact that it has 175 00:09:58.232 --> 00:10:00.861 nothing to do with my work now 176 00:10:00.861 --> 00:10:03.357 In the past, I used a notebook 177 00:10:03.357 --> 00:10:07.713 but now I use my smartphone and note apps 178 00:10:07.713 --> 00:10:09.724 Ideas that come during showers 179 00:10:09.724 --> 00:10:12.129 get scribbled on foggy mirrors 180 00:10:12.129 --> 00:10:14.079 Those that pop up while driving are recorded 181 00:10:14.079 --> 00:10:16.029 as voice memos on the dashcam 182 00:10:16.029 --> 00:10:18.485 to be written down later 183 00:10:18.485 --> 00:10:20.532 However, most of these ideas 184 00:10:20.532 --> 00:10:24.287 turn out to be useless upon review 185 00:10:24.287 --> 00:10:26.206 If I can get two or three decent ones 186 00:10:26.206 --> 00:10:28.713 out of a hundred, I feel lucky 187 00:10:28.713 --> 00:10:30.363 That's still worth it 188 00:10:30.363 --> 00:10:34.505 Ideas must always be noted and recorded 189 00:10:34.505 --> 00:10:37.725 Then, from the pile of random ideas 190 00:10:37.725 --> 00:10:41.832 I sort out and organize the useful ones 191 00:10:41.832 --> 00:10:44.184 For comedy Webtoons, I classify 192 00:10:44.184 --> 00:10:47.376 ideas based on the type of humor 193 00:10:47.376 --> 00:10:48.399 That’s right 194 00:10:48.399 --> 00:10:50.594 There are different types of comedy 195 00:10:50.594 --> 00:10:57.329 My classification includes relatable comedy, parody 196 00:10:57.329 --> 00:10:59.020 wordplay or dad jokes 197 00:10:59.020 --> 00:11:03.762 comedy from contradiction, and slapstick 198 00:11:03.762 --> 00:11:06.437 This is just my way of categorizing them 199 00:11:06.437 --> 00:11:08.465 so no pressure here 200 00:11:08.465 --> 00:11:12.646 Relatable comedy is based on observing daily life 201 00:11:12.646 --> 00:11:14.921 and recreating it in detail 202 00:11:14.921 --> 00:11:18.129 often used in slice-of-life Webtoon 203 00:11:18.129 --> 00:11:20.698 Detailing relatable daily life 204 00:11:20.698 --> 00:11:23.772 is a great technique to evoke laughter 205 00:11:23.772 --> 00:11:27.753 Parody comedy involves taking well-known stories, movies 206 00:11:27.753 --> 00:11:32.683 TV shows, or comics and repurposing them humorously 207 00:11:32.683 --> 00:11:36.891 This makes comedy by repurposing something 208 00:11:36.891 --> 00:11:40.223 The episode-based comic strips 209 00:11:40.223 --> 00:11:42.762 that appeared in newspapers are an example 210 00:11:42.762 --> 00:11:45.848 For example, in Brilliant Action Kindergarten 211 00:11:45.848 --> 00:11:48.031 I parodied Romeo and Juliet 212 00:11:48.031 --> 00:11:50.950 and Dragon Ball for some scenes 213 00:11:50.950 --> 00:11:54.337 Wordplay comedy involves adding 214 00:11:54.337 --> 00:11:57.119 small puns in dialogues or sound effects 215 00:11:57.119 --> 00:11:59.678 It may not elicit big laughs 216 00:11:59.678 --> 00:12:04.436 but serves as a spice between major comedy moments 217 00:12:04.436 --> 00:12:07.683 creating an overall humorous tone for the work 218 00:12:07.683 --> 00:12:11.327 So it's a very nice spice 219 00:12:11.327 --> 00:12:14.786 Contradiction relies on mismatched situations 220 00:12:14.786 --> 00:12:16.337 to induce laughter 221 00:12:16.337 --> 00:12:19.802 and is one of my most used techniques 222 00:12:19.802 --> 00:12:21.823 In the past 223 00:12:21.823 --> 00:12:24.950 I did something differently 224 00:12:24.950 --> 00:12:27.149 I would include a straight character 225 00:12:27.149 --> 00:12:30.079 to point out the contradiction 226 00:12:30.079 --> 00:12:31.911 and have them react to it 227 00:12:31.911 --> 00:12:36.644 But nowadays, I no longer do this 228 00:12:36.644 --> 00:12:40.723 Readers highlight such moments in the comments 229 00:12:40.723 --> 00:12:42.323 Sometimes, I even plan contradictions 230 00:12:42.323 --> 00:12:46.287 to engage readers in the comments 231 00:12:46.287 --> 00:12:49.167 Slapstick uses exaggerated 232 00:12:49.167 --> 00:12:52.396 facial expressions or actions for humor 233 00:12:52.396 --> 00:12:54.889 I often use character costumes, hairstyles 234 00:12:54.889 --> 00:12:58.257 and accessories for comedic effect 235 00:12:58.257 --> 00:13:00.711 like muscular characters in kindergarten uniform 236 00:13:00.711 --> 00:13:04.396 suspicious tails covering private areas 237 00:13:04.396 --> 00:13:06.191 or a wolf cut hairstyle on a lion 238 00:13:06.191 --> 00:13:10.208 All these are examples of slapstick 239 00:13:10.208 --> 00:13:12.786 In Brilliant Action Kindergarten 240 00:13:12.786 --> 00:13:15.436 I used slapstick comedy by depicting 241 00:13:15.436 --> 00:13:17.434 a character’s face, inspired by 242 00:13:17.434 --> 00:13:21.723 a child’s first attempt at makeup, to resemble the Joker 243 00:13:21.723 --> 00:13:24.041 Classifying comedy types 244 00:13:24.041 --> 00:13:26.139 is a crucial work 245 00:13:26.139 --> 00:13:29.089 as they determine the intensity of laughter 246 00:13:29.089 --> 00:13:30.955 helping decide which type to use 247 00:13:30.955 --> 00:13:34.703 as the main dish and which as seasoning 248 00:13:34.703 --> 00:13:37.723 For example, in Brilliant Action Kindergarten 249 00:13:37.723 --> 00:13:41.267 with an average of 40 panels per episode 250 00:13:41.267 --> 00:13:44.657 I needed to use the right type of comedy 251 00:13:44.657 --> 00:13:48.673 to induce the right amount of laughter each episode 252 00:13:48.673 --> 00:13:52.030 Contradiction was used for major laughs 253 00:13:52.030 --> 00:13:55.134 while slapstick, parody, and wordplay 254 00:13:55.134 --> 00:13:57.173 were added as spices 255 00:13:57.173 --> 00:14:00.287 for moderate and subtle humor 256 00:14:00.287 --> 00:14:03.167 Just as ordering sundae soup at a Korean restaurant 257 00:14:03.167 --> 00:14:07.436 comes with side dishes 258 00:14:07.436 --> 00:14:09.285 a comedy webtoon should balance 259 00:14:09.285 --> 00:14:12.135 main laughs, the main dish 260 00:14:12.135 --> 00:14:15.475 and small giggles, the side dishes 261 00:14:15.475 --> 00:14:19.069 This categorization reflects my personal method 262 00:14:19.069 --> 00:14:21.158 Even among comedy Webtoon creators 263 00:14:21.158 --> 00:14:25.574 each has their unique main and side dishes 264 00:14:25.574 --> 00:14:28.715 How should our sundae soup be different 265 00:14:28.715 --> 00:14:32.000 to attract more customers among so many restaurants? 266 00:14:32.000 --> 00:14:34.267 Just like this 267 00:14:34.267 --> 00:14:37.911 you need your own style of comedy 268 00:14:37.911 --> 00:14:42.129 To do this, understanding your strengths 269 00:14:42.129 --> 00:14:44.896 in comedic techniques and the type of humor you aim 270 00:14:44.896 --> 00:14:47.317 to deliver is essential 271 00:14:47.317 --> 00:14:48.672 Once you’ve set your target audience 272 00:14:48.672 --> 00:14:51.337 and determined the idea and concept 273 00:14:51.337 --> 00:14:55.238 the next step is creating the story 274 00:14:55.238 --> 00:14:58.093 Start with a main storyline 275 00:14:58.093 --> 00:15:02.069 and build smaller episodes around it 276 00:15:02.069 --> 00:15:05.326 For Brilliant Action Kindergarten 277 00:15:05.326 --> 00:15:09.736 the main story is enduring intense kindergarten training 278 00:15:09.736 --> 00:15:14.485 to become stronger elementary school students 279 00:15:14.485 --> 00:15:17.191 From the first episode to the finale 280 00:15:17.191 --> 00:15:19.376 this remains consistent 281 00:15:19.376 --> 00:15:22.092 This main storyline determines 282 00:15:22.092 --> 00:15:26.208 the smaller arcs, or the episodes 283 00:15:26.208 --> 00:15:28.108 In an episode 284 00:15:28.108 --> 00:15:30.525 there is another main storyline 285 00:15:30.525 --> 00:15:33.131 and its smaller arcs 286 00:15:33.131 --> 00:15:35.604 that are equivalent to events 287 00:15:35.604 --> 00:15:37.982 The beginning of the main storyline 288 00:15:37.982 --> 00:15:40.000 represents the head 289 00:15:40.000 --> 00:15:41.871 and the tail becomes 290 00:15:41.871 --> 00:15:43.960 the ending 291 00:15:43.960 --> 00:15:45.381 Usually people brainstorm for a new story 292 00:15:45.381 --> 00:15:49.663 starting with the head of the main storyline 293 00:15:49.663 --> 00:15:53.105 If I can’t envision the ending, or the tail 294 00:15:53.105 --> 00:15:55.851 I don’t start creating 295 00:15:55.851 --> 00:15:58.788 Without a clear destination 296 00:15:58.788 --> 00:16:01.327 I will lose my way 297 00:16:01.327 --> 00:16:05.366 Once the head and tail are clear 298 00:16:05.366 --> 00:16:07.894 maintaining a consistent tone 299 00:16:07.894 --> 00:16:13.050 and concept throughout multiple episodes becomes easier 300 00:16:13.050 --> 00:16:15.480 Once the story is somewhat developed 301 00:16:15.480 --> 00:16:18.802 the next step is character development 302 00:16:18.802 --> 00:16:20.729 Sometimes the order switches 303 00:16:20.729 --> 00:16:22.517 where characters are created first 304 00:16:22.517 --> 00:16:26.000 and the story is built around them 305 00:16:26.000 --> 00:16:27.817 If the story is the train tracks 306 00:16:27.817 --> 00:16:31.228 then characters are the train running on them 307 00:16:31.228 --> 00:16:34.911 Typically, tracks come first 308 00:16:34.911 --> 00:16:37.411 but sometimes the train is designed first 309 00:16:37.411 --> 00:16:42.772 and tracks are laid to fit it 310 00:16:42.772 --> 00:16:46.140 In any genre, including comedy Webtoon 311 00:16:46.140 --> 00:16:49.248 characters are crucial 312 00:16:49.248 --> 00:16:51.118 Readers often recognize 313 00:16:51.118 --> 00:16:53.733 a work by its character 314 00:16:53.733 --> 00:16:56.566 The character is the subject of the story 315 00:16:56.566 --> 00:16:58.721 or even the story itself 316 00:16:58.721 --> 00:17:04.139 And it's even the work itself 317 00:17:04.139 --> 00:17:09.475 Now, let’s delve into creating characters for comedy Webtoons 318 00:17:09.475 --> 00:17:13.760 The first principle is simplicity 319 00:17:13.760 --> 00:17:17.822 Characters should be intuitive and easy to understand 320 00:17:17.822 --> 00:17:20.234 so that adding unpredictability later 321 00:17:20.234 --> 00:17:23.832 enhances the impact 322 00:17:23.832 --> 00:17:28.465 Using familiar images or real-life inspirations 323 00:17:28.465 --> 00:17:31.324 allows readers to grasp characters 324 00:17:31.324 --> 00:17:34.337 without excessive explanation 325 00:17:34.337 --> 00:17:38.093 Intuitive visual design also helps 326 00:17:38.093 --> 00:17:43.228 in quick communication with the readers 327 00:17:43.228 --> 00:17:45.727 For Brilliant Action Kindergarten 328 00:17:45.727 --> 00:17:49.441 characters were designed based on fighters 329 00:17:49.441 --> 00:17:52.713 action stars, and athletes 330 00:17:52.713 --> 00:17:56.566 to evoke a strong, intimidating image 331 00:17:56.566 --> 00:17:59.911 upon their first appearance 332 00:17:59.911 --> 00:18:02.085 A character’s debut in a work 333 00:18:02.085 --> 00:18:05.327 is like a first handshake with the audience 334 00:18:05.327 --> 00:18:08.484 so the appearance alone 335 00:18:08.484 --> 00:18:10.645 should convey their traits 336 00:18:10.645 --> 00:18:15.953 and draw readers into the story 337 00:18:15.953 --> 00:18:17.980 This is an important point 338 00:18:17.980 --> 00:18:21.832 Two, growing intrigue 339 00:18:21.832 --> 00:18:24.525 The second principle is growing intrigue 340 00:18:24.525 --> 00:18:27.636 If a character reveals everything at once 341 00:18:27.636 --> 00:18:29.683 their charm quickly fades 342 00:18:29.683 --> 00:18:33.393 As the story progresses, gradually reveal 343 00:18:33.393 --> 00:18:36.311 the character’s hidden charms 344 00:18:36.311 --> 00:18:39.881 to keep readers intrigued and engaged 345 00:18:39.881 --> 00:18:43.901 This principle is even more crucial for long-form work 346 00:18:43.901 --> 00:18:45.545 Just like in dating 347 00:18:45.545 --> 00:18:48.686 you are drawn to someone who reveals 348 00:18:48.686 --> 00:18:50.336 new sides over time 349 00:18:50.336 --> 00:18:52.790 Characters should also unveil 350 00:18:52.790 --> 00:18:56.604 more charm as the story develops 351 00:18:56.604 --> 00:18:59.517 For example, a tough-looking child 352 00:18:59.517 --> 00:19:02.514 might actually love flowers and nature 353 00:19:02.514 --> 00:19:05.178 with their sensitive trait 354 00:19:05.178 --> 00:19:07.905 A seemingly creepy character of a dog 355 00:19:07.905 --> 00:19:11.608 might be a loyal and dependable 356 00:19:11.608 --> 00:19:14.149 companion to its owner 357 00:19:14.149 --> 00:19:18.722 Characters that become more captivating 358 00:19:18.722 --> 00:19:21.234 with each episode play a vital role 359 00:19:21.234 --> 00:19:24.604 in immersing readers in the story 360 00:19:24.607 --> 00:19:28.122 Three, likability 361 00:19:28.122 --> 00:19:30.861 The third principle is likability 362 00:19:30.861 --> 00:19:34.624 Comedy webtoon protagonists should be likable 363 00:19:34.624 --> 00:19:37.621 because readers want to laugh 364 00:19:37.621 --> 00:19:39.703 along with characters they enjoy 365 00:19:39.703 --> 00:19:42.282 If the character is unlikable 366 00:19:42.282 --> 00:19:44.700 even the funniest situations 367 00:19:44.700 --> 00:19:47.455 can feel uncomfortable 368 00:19:47.455 --> 00:19:49.537 Ensure the audience sympathizes with 369 00:19:49.537 --> 00:19:52.000 and roots for the character 370 00:19:52.000 --> 00:19:54.946 Quirky, outlandish behavior is acceptable 371 00:19:54.946 --> 00:19:57.877 but if it leads to dislike 372 00:19:57.877 --> 00:20:01.574 readers will drift away 373 00:20:01.574 --> 00:20:05.259 Design characters so readers feel 374 00:20:05.259 --> 00:20:08.297 so that readers like them 375 00:20:08.297 --> 00:20:11.653 Four, imperfection 376 00:20:11.653 --> 00:20:15.366 Comedy webtoon characters don’t need to be perfect 377 00:20:15.366 --> 00:20:18.557 Flaws and shortcomings 378 00:20:18.557 --> 00:20:20.188 often evoke 379 00:20:20.188 --> 00:20:24.455 humor and relatability 380 00:20:24.455 --> 00:20:28.928 Just as a lived-in house feels more comfortable 381 00:20:28.928 --> 00:20:34.644 than a pristine and perfect, yet plastic model home 382 00:20:34.644 --> 00:20:36.923 Imperfections create a sense of ease 383 00:20:36.923 --> 00:20:39.208 as in this case 384 00:20:39.208 --> 00:20:41.959 A sense of ease 385 00:20:41.959 --> 00:20:45.168 prepares readers to laugh 386 00:20:45.168 --> 00:20:47.652 Even silly appearances or slapstick elements 387 00:20:47.652 --> 00:20:50.921 can contribute to this effect 388 00:20:50.921 --> 00:20:54.059 For example, I’m Pet 389 00:20:54.059 --> 00:20:56.940 uses intentionally messy artwork 390 00:20:56.940 --> 00:20:59.653 to create a relaxed reading experience 391 00:20:59.653 --> 00:21:04.191 It's not because I am bad at drawing 392 00:21:04.191 --> 00:21:06.993 I can tell you that 393 00:21:06.993 --> 00:21:11.644 It's all calculated imperfection 394 00:21:11.644 --> 00:21:14.710 To make a more multidimensional character 395 00:21:14.710 --> 00:21:18.851 based on the four principles, here's a tip for you 396 00:21:18.851 --> 00:21:24.277 Try defining aspects not covered in the story, 397 00:21:24.277 --> 00:21:30.276 such as their background, personality, preferences, or motto 398 00:21:30.276 --> 00:21:32.235 Even if not explicitly shown 399 00:21:32.235 --> 00:21:34.653 these details help create characters 400 00:21:34.653 --> 00:21:37.011 that feel alive and move naturally in the story 401 00:21:37.011 --> 00:21:42.723 some very multidimensional characters 402 00:21:42.723 --> 00:21:44.704 These multidimensional characters 403 00:21:44.704 --> 00:21:47.723 do their own work 404 00:21:47.723 --> 00:21:51.135 Imagine running into 405 00:21:51.135 --> 00:21:55.554 a longtime friend on the street, without expecting it 406 00:21:55.554 --> 00:21:57.547 How is it? 407 00:21:57.547 --> 00:22:01.420 You can easily picture their reactions, expressions 408 00:22:01.420 --> 00:22:04.109 and words, things like that 409 00:22:04.109 --> 00:22:07.980 This is what a multidimensional character is 410 00:22:07.980 --> 00:22:09.794 A great way to test this 411 00:22:09.794 --> 00:22:12.257 character development 412 00:22:12.257 --> 00:22:15.545 is through a character interview 413 00:22:15.545 --> 00:22:17.839 Ask any questions 414 00:22:17.839 --> 00:22:20.063 It can be structured 415 00:22:20.063 --> 00:22:23.267 or very spontaneous questions 416 00:22:23.267 --> 00:22:26.355 If answers flow naturally 417 00:22:26.355 --> 00:22:29.772 it’s proof the character is well-developed 418 00:22:29.772 --> 00:22:31.828 Once, I created 419 00:22:31.828 --> 00:22:35.347 a very rebellious character 420 00:22:35.347 --> 00:22:37.291 who outright refused the interview 421 00:22:37.291 --> 00:22:40.551 saying, no way I'm doing this 422 00:22:40.551 --> 00:22:42.832 I could picture that scene in my head 423 00:22:42.832 --> 00:22:46.521 In that moment, I felt assured 424 00:22:46.521 --> 00:22:48.515 that I had crafted them well 425 00:22:48.515 --> 00:22:52.099 Of course, that didn't feel nice 426 00:22:52.099 --> 00:22:55.188 The lion Kim Myung-soo was a case 427 00:22:55.188 --> 00:22:58.139 where the character came first 428 00:22:58.139 --> 00:23:01.534 Initially, I posted short comics featuring this character on Instagram 429 00:23:01.534 --> 00:23:06.436 and received positive reactions, leading to a 30-episode series 430 00:23:06.436 --> 00:23:09.548 The protagonist, Kim Myung-soo 431 00:23:09.548 --> 00:23:13.000 was inspired by my rebellious teenage son 432 00:23:13.000 --> 00:23:16.436 preferring burgers and ramen over raw meat 433 00:23:16.436 --> 00:23:18.597 enjoying the show Infinite Challenges 434 00:23:18.597 --> 00:23:21.089 and being so timid 435 00:23:21.089 --> 00:23:24.247 that it can't kill a fly 436 00:23:24.247 --> 00:23:26.211 yet deeply loving his human father 437 00:23:26.211 --> 00:23:29.205 whom he resembles 438 00:23:29.205 --> 00:23:31.554 That's the character of this lion 439 00:23:31.554 --> 00:23:34.626 His human father, also a protagonist 440 00:23:34.626 --> 00:23:38.515 was created as a clumsy and immature parent 441 00:23:38.515 --> 00:23:41.334 who feels guilty for raising Myung-soo 442 00:23:41.334 --> 00:23:43.239 like a spoiled human son 443 00:23:43.239 --> 00:23:45.965 So he decides to make him a true lion 444 00:23:45.965 --> 00:23:50.099 by sending Myung-soo to a carnivore training academy 445 00:23:50.099 --> 00:23:53.549 Timid and weak Myung-soo resents his father 446 00:23:53.549 --> 00:23:57.218 and struggles with the training 447 00:23:57.218 --> 00:23:59.911 That's how the story was developed 448 00:23:59.911 --> 00:24:02.426 Sometimes, the process of creating characters 449 00:24:02.426 --> 00:24:06.515 naturally generates a story 450 00:24:06.515 --> 00:24:08.879 Simply defining the relationship 451 00:24:08.879 --> 00:24:12.983 and thoughts between the human father and the lion son 452 00:24:12.983 --> 00:24:16.327 was enough to outline the narrative 453 00:24:16.327 --> 00:24:18.607 Making a character multidimensional 454 00:24:18.607 --> 00:24:24.075 is directly tied to crafting the overall story 455 00:24:24.075 --> 00:24:27.337 Always keep that in mind 456 00:24:27.337 --> 00:24:31.525 Today, we explored how to create comedy Webtoons 457 00:24:31.525 --> 00:24:33.859 While the process of brainstorming jokes 458 00:24:33.859 --> 00:24:36.765 and drafting scripts to make others laugh 459 00:24:36.765 --> 00:24:41.376 might not always feel enjoyable all the time 460 00:24:41.376 --> 00:24:44.647 remember that the fun of wanting 461 00:24:44.647 --> 00:24:46.603 to make others laugh 462 00:24:46.603 --> 00:24:49.303 is our great driving force behind 463 00:24:49.303 --> 00:24:52.327 comedy Webtoon creation 464 00:24:52.327 --> 00:24:55.395 I hope my humble experience provides 465 00:24:55.395 --> 00:24:58.407 even a small hint for your creative journey 466 00:24:58.407 --> 00:25:00.584 This concludes the lecture 467 00:25:00.584 --> 00:25:02.160 Enjoy creating 468 00:25:02.160 --> 00:25:02.960 Thank you 469 00:25:04.428 --> 00:25:05.978 Summary Basic Principles of Comedy Core Element Surprise 470 00:25:05.978 --> 00:25:07.498 Tips for Enhancing Surprise Utilize stereotypes Break stereotypes with other stereotypes Borrow ideas and themes from famous works 471 00:25:07.498 --> 00:25:09.458 Starting Stories Using Stereotypes Use daily life themes Use famous works Use clichés 472 00:25:09.458 --> 00:25:11.359 How to Create Comedy Webtoons Story Planning Relatable Comedy: Relatable everyday observations Parody: Parody widely known works 473 00:25:11.359 --> 00:25:12.993 Wordplay: Puns in dialogue or sound effects Contradiction: Mismatched situations Slapstick: Exaggerated facial expressions or actions 474 00:25:12.993 --> 00:25:14.438 Character Design Principles Easy to understand Grow more intriguing Likable Have flaws 475 00:25:14.438 --> 00:25:17.012 Comedy Webtoon Tips for Multidimensional Characters Set details not addressed in the story 476 00:25:17.012 --> 00:25:19.072 Use a character interview to test if the character is well-rounded A multidimensional character is closely tied to the overall story