1 00:00:25.594 --> 00:00:28.485 The final step is retouching 2 00:00:29.050 --> 00:00:31.772 This makes our work shine 3 00:00:33.248 --> 00:00:38.337 Retouching is something only possible in digital painting 4 00:00:38.337 --> 00:00:42.683 Because it adds another layer to the existing ones 5 00:00:42.683 --> 00:00:46.525 Calculates mathematically the RGB value of each pixel 6 00:00:46.525 --> 00:00:48.455 And sets it 7 00:00:49.089 --> 00:00:52.267 This allows for those who are not comfortable with coloring 8 00:00:52.267 --> 00:00:55.871 To have a complete-looking image 9 00:00:57.218 --> 00:01:02.871 So here, the left only has the background image 10 00:01:02.871 --> 00:01:06.198 And let me show you how to make the final version 11 00:01:06.198 --> 00:01:10.366 As you see on the right, with the sunshine at the back 12 00:01:11.109 --> 00:01:15.079 Retouching Using Layer Property 13 00:01:15.079 --> 00:01:19.407 For digital painting, at Photoshop or Clip Studio 14 00:01:19.407 --> 00:01:21.188 There are various layer properties 15 00:01:21.802 --> 00:01:25.178 And we will be using these properties to add 16 00:01:25.178 --> 00:01:27.059 Light and darkness to our work 17 00:01:28.000 --> 00:01:32.703 In 'Detailed Coloring' part, we added shadow to figures 18 00:01:33.188 --> 00:01:38.257 And for retouching, we will add light existing in the work 19 00:01:40.426 --> 00:01:48.307 See how we have layers for pen, color and background, respectively 20 00:01:49.000 --> 00:01:53.317 I will be showing you the retouching process 21 00:01:53.317 --> 00:01:56.355 First, make a layer 22 00:01:58.028 --> 00:01:59.713 And without adding anything 23 00:02:01.465 --> 00:02:04.000 Let's add this coral color 24 00:02:04.436 --> 00:02:10.446 And let's drag in the layer window 25 00:02:10.970 --> 00:02:16.653 And on the top we have a dropdown tab called Layer Property 26 00:02:16.653 --> 00:02:20.683 And see how many layer properties there are 27 00:02:21.020 --> 00:02:24.000 I don't think you need to know everything here 28 00:02:24.000 --> 00:02:30.089 The four: multiply, screen, overlay, soft light 29 00:02:30.089 --> 00:02:35.881 These four layer properties are very useful to know 30 00:02:36.733 --> 00:02:40.772 The first property is called multiply 31 00:02:41.535 --> 00:02:45.634 As we change this coral into multiply, it got darker 32 00:02:46.000 --> 00:02:49.663 Because, this property called multiply 33 00:02:50.535 --> 00:02:55.000 It multiplies the alpha values of the layers, on top and below 34 00:02:55.000 --> 00:02:59.347 So darker areas become darker 35 00:02:59.822 --> 00:03:03.267 So we use a multiply layer when we want more darkness 36 00:03:04.000 --> 00:03:08.728 If any of the layers above or below is black 37 00:03:08.728 --> 00:03:11.000 Because it's a zero, with multiplying it becomes another zero 38 00:03:11.485 --> 00:03:13.493 And if any is white 39 00:03:13.493 --> 00:03:17.485 The other value will not change 40 00:03:19.000 --> 00:03:24.094 So if the layer above is 06 and the layer below 03 41 00:03:24.094 --> 00:03:28.188 It multiplies into 018, which is darker 42 00:03:28.842 --> 00:03:32.634 So multiply layer is for darker colors 43 00:03:32.634 --> 00:03:36.621 For example, for shadows, a cloudy sky 44 00:03:36.621 --> 00:03:38.406 Or some dark night 45 00:03:40.436 --> 00:03:42.889 Second, it is called screen 46 00:03:42.889 --> 00:03:46.000 And screen is the opposite of multiply 47 00:03:46.000 --> 00:03:49.079 Notice how bright it became with screen 48 00:03:49.762 --> 00:03:53.362 It's the opposite, between the layers above and below 49 00:03:53.749 --> 00:03:56.376 It's the opposite of multiply 50 00:03:57.752 --> 00:04:01.515 So it combines the values above and below to make it brighter 51 00:04:02.297 --> 00:04:05.188 Notice how different these two properties are 52 00:04:06.000 --> 00:04:09.495 We also had overlay 53 00:04:10.376 --> 00:04:14.525 And overlay is very similar to hard light 54 00:04:14.931 --> 00:04:16.941 But the difference is 55 00:04:17.802 --> 00:04:21.416 The biggest difference is how it processes black 56 00:04:24.465 --> 00:04:31.525 See, using overlay for the coral looks like this 57 00:04:32.000 --> 00:04:34.515 And hard light looks like this 58 00:04:35.277 --> 00:04:40.802 Overlay changes the color of the layer above based on the layer below 59 00:04:41.000 --> 00:04:45.861 And hard light swaps the order, so the layer below changes 60 00:04:45.861 --> 00:04:47.307 Based on the color of the layer above 61 00:04:47.307 --> 00:04:50.246 So it's almost the same, but with black 62 00:04:50.246 --> 00:04:53.703 Meaning, with a layer with value zero for brightness 63 00:04:53.703 --> 00:04:56.624 These two properties react a bit differently 64 00:04:57.129 --> 00:04:58.856 In my own experience 65 00:04:58.856 --> 00:05:01.970 I use hard light for some stronger lighting 66 00:05:02.515 --> 00:05:06.545 And overlay for some weaker or dimmer lighting 67 00:05:06.545 --> 00:05:09.842 I more often use the overlay property 68 00:05:10.644 --> 00:05:18.733 See how only black changes here 69 00:05:20.000 --> 00:05:23.723 The rest looks pretty similar with the two 70 00:05:26.505 --> 00:05:30.000 So that was the four, multiply 71 00:05:30.000 --> 00:05:34.574 Screen, overlay 72 00:05:35.000 --> 00:05:37.054 And hard light 73 00:05:37.381 --> 00:05:41.970 These four consist of the most of the retouching process 74 00:05:44.238 --> 00:05:48.881 Let's begin adding changes to this image 75 00:05:49.545 --> 00:05:51.703 See how the background color is there 76 00:05:54.832 --> 00:05:56.501 And the pen line 77 00:05:56.501 --> 00:06:02.158 One for vector pen line and another for detailed pen line 78 00:06:05.277 --> 00:06:08.380 Like this version here 79 00:06:08.627 --> 00:06:11.743 I will add some light source from the back 80 00:06:12.099 --> 00:06:17.267 So for that, let's first add some shadow 81 00:06:19.000 --> 00:06:23.564 Add a layer, change the name 82 00:06:23.931 --> 00:06:25.941 And add multiply property 83 00:06:28.287 --> 00:06:33.119 And this is my go-to lasso tool 84 00:06:33.119 --> 00:06:36.713 It's called Lasso Flil Tool, and use this to 85 00:06:54.396 --> 00:06:57.859 Select the areas where shadows are cast 86 00:06:57.859 --> 00:07:00.317 And it automatically fills the color 87 00:07:06.901 --> 00:07:10.851 We will come back to this, so no need to make it perfect now 88 00:07:13.069 --> 00:07:17.248 I added some rough shadow for the light 89 00:07:37.604 --> 00:07:39.502 This looks different already, right? 90 00:07:40.165 --> 00:07:42.327 This shadow makes a very big difference 91 00:07:42.703 --> 00:07:45.683 I often end here for the draft 92 00:07:46.000 --> 00:07:49.455 But for something more dramatic, I add more 93 00:07:50.446 --> 00:07:56.960 Remember how I used purple with low saturation for shadow? 94 00:07:57.158 --> 00:07:58.851 So, why purple? 95 00:07:59.703 --> 00:08:04.446 It's because purple is a mixture of red and blue 96 00:08:04.772 --> 00:08:08.000 It's neither advancing or receding 97 00:08:08.000 --> 00:08:11.381 So in my opinion, it suits with red colors 98 00:08:11.381 --> 00:08:13.525 As well as blue colors 99 00:08:13.525 --> 00:08:16.406 So it's a very nice color in between for shadow 100 00:08:18.802 --> 00:08:21.026 And one thing to note is 101 00:08:21.026 --> 00:08:24.653 Be careful with using black for shadow 102 00:08:24.653 --> 00:08:29.675 Because for black or gray with zero saturation 103 00:08:29.675 --> 00:08:31.416 The color will look very murky 104 00:08:31.416 --> 00:08:36.386 So I do not recommend that 105 00:08:36.386 --> 00:08:39.881 I instead recommend this low saturation purple 106 00:08:39.881 --> 00:08:42.941 High saturation will make the color pop out too much 107 00:08:43.416 --> 00:08:46.792 So I used purple that has as low saturation as possible 108 00:08:47.871 --> 00:08:51.752 Now that we are done with dark areas 109 00:08:52.158 --> 00:08:56.208 Let's now move on to bright areas 110 00:08:58.733 --> 00:09:03.000 We used multiply property for shadow 111 00:09:03.000 --> 00:09:07.228 And now, for light, let's create another layer 112 00:09:07.693 --> 00:09:09.495 And use overlay 113 00:09:12.406 --> 00:09:15.079 Let's name it 'Sunlight' 114 00:09:16.327 --> 00:09:18.376 Choose a bright yellow 115 00:09:19.030 --> 00:09:23.851 And let's use Airbrush Tool for a bold stroke 116 00:09:28.426 --> 00:09:31.673 We don't have any background here, so let's add one 117 00:09:32.001 --> 00:09:35.486 For the background 118 00:09:50.020 --> 00:09:51.822 Let's add a solid color background 119 00:09:55.000 --> 00:09:59.069 And I added some clouds 120 00:10:01.198 --> 00:10:02.356 Using some shadow brushes I have 121 00:10:03.396 --> 00:10:08.495 And now let's change the background color 122 00:10:08.495 --> 00:10:11.139 How do we change the color? 123 00:10:13.416 --> 00:10:19.297 Go to the tab where you can adjust HSL 124 00:10:19.297 --> 00:10:21.931 Let's move the color wheel a little 125 00:10:22.426 --> 00:10:23.297 That was too much 126 00:10:25.792 --> 00:10:28.861 Move little by little, and you will get the desired color 127 00:10:29.109 --> 00:10:30.208 Select okay 128 00:10:32.426 --> 00:10:35.931 And for our overlay layer 129 00:10:39.505 --> 00:10:45.921 Let's add some rough strokes using Airbrush Tool 130 00:10:45.921 --> 00:10:47.455 Add some like so 131 00:10:48.792 --> 00:10:52.208 See how different it is with the strokes 132 00:10:52.535 --> 00:10:53.891 The one without, the one with 133 00:11:00.515 --> 00:11:04.089 If you want more lighting on areas like this 134 00:11:04.495 --> 00:11:05.911 You can add some 135 00:11:21.109 --> 00:11:24.792 This looks much better now 136 00:11:26.762 --> 00:11:30.822 As we can see with and without 137 00:11:31.495 --> 00:11:34.554 I may not have done anything big 138 00:11:34.851 --> 00:11:36.842 But this looks complete enough for me 139 00:11:37.069 --> 00:11:39.257 If you want to do something more 140 00:11:39.792 --> 00:11:42.000 You can add more details 141 00:11:43.287 --> 00:11:47.158 You can add more redness to the lips 142 00:12:03.277 --> 00:12:05.782 Or some blushing cheeks 143 00:12:09.515 --> 00:12:11.723 And see this shadow 144 00:12:12.000 --> 00:12:16.000 The boundary is looking too harsh 145 00:12:16.564 --> 00:12:19.257 Compared to here, where it's more sheer 146 00:12:19.723 --> 00:12:22.376 For this harsh boundary 147 00:12:23.168 --> 00:12:25.000 We just need a filter 148 00:12:25.139 --> 00:12:26.663 Click on Blur 149 00:12:27.525 --> 00:12:33.703 Use Gaussian Blur, add around 6 or 8 pixels 150 00:12:34.752 --> 00:12:38.000 And blur the harsh boundaries like this 151 00:12:38.386 --> 00:12:39.594 And if needed 152 00:12:40.416 --> 00:12:43.495 You can erase some using Eraser 153 00:12:45.238 --> 00:12:49.238 And if you think there should be more light in areas like this 154 00:12:54.168 --> 00:12:56.436 You can add some with Eraser 155 00:13:18.010 --> 00:13:20.455 By adding harsh boundary to the shadow 156 00:13:20.455 --> 00:13:24.337 This represents the shining areas on the hair 157 00:13:47.970 --> 00:13:49.951 And this is something I use very often 158 00:13:51.485 --> 00:13:52.970 Go to our overlay layer 159 00:13:53.743 --> 00:13:56.545 And add bits of texture 160 00:14:01.495 --> 00:14:03.208 These are the textures I use 161 00:14:03.208 --> 00:14:04.970 Here, I'm adding the thick pencil brush 162 00:14:05.663 --> 00:14:07.852 To add some texture 163 00:14:09.297 --> 00:14:11.426 This really adds to the outcome 164 00:14:11.426 --> 00:14:12.861 Adding this texture 165 00:14:13.436 --> 00:14:19.238 It almost looks like shimmering light 166 00:14:20.921 --> 00:14:21.768 Good 167 00:14:22.629 --> 00:14:24.069 How does this look? 168 00:14:24.069 --> 00:14:27.545 Fine, right? Notice how I haven't used anything complicated 169 00:14:27.941 --> 00:14:31.000 One overlay layer, one multiply layer 170 00:14:31.000 --> 00:14:35.653 And add some strokes, that's all 171 00:14:37.158 --> 00:14:40.327 This is a simple procedure 172 00:14:42.238 --> 00:14:44.604 That really adds to the outcome 173 00:14:45.554 --> 00:14:48.822 And to add something here 174 00:14:49.644 --> 00:14:54.436 As in, if you want to adjust the overall tone 175 00:14:54.772 --> 00:14:58.535 We need hard light, not overlay 176 00:15:00.891 --> 00:15:03.020 And create another layer for that 177 00:15:05.089 --> 00:15:07.287 Adjust with hard light 178 00:15:11.030 --> 00:15:15.139 Change the name, and what color should we use? 179 00:15:15.653 --> 00:15:19.297 If you'd like, choose blue 180 00:15:19.297 --> 00:15:20.356 And then 181 00:15:25.168 --> 00:15:27.584 If needed, use Gradation 182 00:15:31.604 --> 00:15:33.228 And blue again 183 00:15:34.238 --> 00:15:36.941 See how sheer this blue is 184 00:15:36.941 --> 00:15:39.089 I mean, it's not sheer yet, but it will be soon 185 00:15:39.554 --> 00:15:41.871 We can add that gradation 186 00:15:42.554 --> 00:15:44.604 If this is too much blue 187 00:15:46.465 --> 00:15:49.594 You can adjust at Transparency 188 00:15:50.228 --> 00:15:52.792 Try dropping it at around 40 189 00:15:56.238 --> 00:15:57.624 Or try bringing it up 190 00:15:58.000 --> 00:16:00.772 If you don't like how blue looks on this 191 00:16:02.386 --> 00:16:06.208 You can go to that color adjusting wheel I talked about 192 00:16:06.792 --> 00:16:09.574 And move around the wheel bar 193 00:16:12.356 --> 00:16:15.624 Oh, I like this, what is this? Pink 194 00:16:16.663 --> 00:16:19.574 You could use some light pink like this 195 00:16:20.693 --> 00:16:22.267 With this, I think 196 00:16:25.416 --> 00:16:27.426 I will change the color of the sky 197 00:16:28.485 --> 00:16:35.386 Let's change the sky like this 198 00:16:36.178 --> 00:16:39.891 And this will be a turn to the overall atmosphere 199 00:16:41.465 --> 00:16:46.000 Okay, that was using overlay, hard light and multiply 200 00:16:46.000 --> 00:16:47.426 For the retouching process 201 00:16:49.000 --> 00:16:51.644 We could end here 202 00:16:51.871 --> 00:16:53.782 I keep saying that, but 203 00:16:54.109 --> 00:16:56.683 I sometimes do something else 204 00:16:56.683 --> 00:17:00.426 I sometimes add some highlights 205 00:17:04.703 --> 00:17:06.376 So, in order for highlights 206 00:17:06.376 --> 00:17:08.743 Add a layer 207 00:17:12.723 --> 00:17:14.802 Name it 'highlight' 208 00:17:16.317 --> 00:17:21.267 And for highlight, I go with the default layer property 209 00:17:21.267 --> 00:17:23.208 I usually use Pen here 210 00:17:25.277 --> 00:17:31.772 I add some sparkle in the eyes 211 00:17:34.545 --> 00:17:39.079 And sometimes more highlight to the hair 212 00:17:42.000 --> 00:17:45.059 I use some bright color, using G-pen 213 00:17:51.208 --> 00:17:53.485 Because, when we have a human face 214 00:17:53.842 --> 00:17:56.267 The first thing we look at is the eyes 215 00:17:58.010 --> 00:17:59.891 That's why the eyes have the shimmer 216 00:18:00.802 --> 00:18:02.564 Eyes are what sparkles the most on a human face 217 00:18:02.564 --> 00:18:04.644 And for that, I use white 218 00:18:06.079 --> 00:18:07.921 It's because white is the brightest color 219 00:18:08.337 --> 00:18:13.941 And next, hair sparkles 220 00:18:16.317 --> 00:18:18.564 But I do not use white for the hair 221 00:18:19.386 --> 00:18:21.713 Because hair has its own color 222 00:18:21.713 --> 00:18:24.287 I use that color of the hair 223 00:18:24.287 --> 00:18:27.178 And make it brighter for highlight 224 00:18:28.683 --> 00:18:30.039 And that's how I complete it 225 00:18:32.772 --> 00:18:34.198 If the highlight looks too strong 226 00:18:34.198 --> 00:18:37.822 I use Airbrush in Eraser 227 00:18:37.822 --> 00:18:42.257 To blur the boundary, which now looks natural 228 00:18:43.050 --> 00:18:45.792 And then, where else do we need highlight? 229 00:18:45.792 --> 00:18:47.802 One thing is, do not overuse highlight 230 00:18:48.366 --> 00:18:54.921 It will really do its job only when you use it where it's absolutely necessary 231 00:18:56.485 --> 00:18:59.149 This is the beauty of retouching 232 00:18:59.149 --> 00:19:00.416 All I did was add some strokes 233 00:19:00.911 --> 00:19:03.347 And some layers 234 00:19:03.762 --> 00:19:06.327 And look how the outcome looks so alive 235 00:19:06.327 --> 00:19:10.317 So retouching is often like casting some magic 236 00:19:10.871 --> 00:19:13.158 So, now that we're done with retouching 237 00:19:13.158 --> 00:19:15.564 We're finally seeing our destination 238 00:19:16.594 --> 00:19:21.267 Final steps include adding effect line, sound effect, and speech bubble 239 00:19:21.267 --> 00:19:23.871 So let's look at how we finally complete this 240 00:19:25.997 --> 00:19:29.997 Adding Effect Line, Sound Effect, and Speech Bubble 241 00:19:30.000 --> 00:19:33.604 Let's add effect line and sound effect 242 00:19:37.604 --> 00:19:41.465 First of all, why do we need effect line? 243 00:19:47.356 --> 00:19:51.149 Even without effect line, we can understand the content 244 00:19:52.208 --> 00:19:54.168 But by adding some effect line 245 00:19:54.168 --> 00:19:57.713 It really brings out the dynamics, the sense of movement and speed 246 00:19:58.188 --> 00:20:00.733 Because this is a medium of static images 247 00:20:00.733 --> 00:20:04.465 It cannot visualize the directionality of speed and movement 248 00:20:05.040 --> 00:20:07.851 So this is a mimicry of motion blur which we find 249 00:20:07.851 --> 00:20:10.396 In a photo of a fast moving object, taken with 250 00:20:10.396 --> 00:20:13.238 A slow shutter speed; this is effect line 251 00:20:13.713 --> 00:20:17.000 Let's say a person is moving fast 252 00:20:17.000 --> 00:20:20.545 Then their hair or accessories on their clothes 253 00:20:21.129 --> 00:20:24.238 The faster the character is, the more behind they get due to inertia 254 00:20:24.535 --> 00:20:26.891 So the hair and the fluttering clothes 255 00:20:26.891 --> 00:20:28.980 They extend to the opposite direction of the movement 256 00:20:29.475 --> 00:20:32.911 So by adding effect line towards that movement 257 00:20:32.911 --> 00:20:36.723 The image now gains some dynamic, as if it is actually moving 258 00:20:37.119 --> 00:20:40.446 So this adds to the place where the figure would've been a second ago 259 00:20:40.446 --> 00:20:42.733 And it's an afterimage-like blurring effect 260 00:20:43.307 --> 00:20:46.416 In fact, for action scenes we often add 261 00:20:46.416 --> 00:20:49.079 Effect line as well as motion blur effect 262 00:20:50.010 --> 00:20:54.950 The bigger the effect, the faster the movement seems 263 00:20:55.515 --> 00:20:58.178 Therefore, effect line and blur effect 264 00:20:58.178 --> 00:21:00.208 Must only be used for areas of fast movement 265 00:21:00.842 --> 00:21:03.644 Let me demonstrate its use 266 00:21:06.564 --> 00:21:08.782 Is this a sort of an action scene? 267 00:21:08.782 --> 00:21:10.327 It does have some movement in it 268 00:21:11.317 --> 00:21:14.297 A figure is lying down and he is 269 00:21:14.861 --> 00:21:16.564 Spewing up some water 270 00:21:16.861 --> 00:21:20.297 And I'd like to add some effect line here 271 00:21:20.911 --> 00:21:25.703 When effect line is used to draw attention 272 00:21:25.703 --> 00:21:27.416 It is called focus line 273 00:21:27.723 --> 00:21:32.832 This focus line has a similar context 274 00:21:33.366 --> 00:21:38.752 For a movie, it's like a zoom-in camera blur effect 275 00:21:39.010 --> 00:21:41.683 Where a camera approaches something quickly 276 00:21:41.683 --> 00:21:43.594 And gives it the focus 277 00:21:44.139 --> 00:21:46.663 So by using focus line 278 00:21:46.663 --> 00:21:49.861 It visualizes how we're focusing on it 279 00:21:50.832 --> 00:21:54.119 Based on the line spacing, we have some dense focus line 280 00:21:54.119 --> 00:21:58.218 And some wide focus line as well 281 00:21:58.218 --> 00:22:01.693 And you can save them for future use 282 00:22:02.030 --> 00:22:08.545 Clip Studio has its builtin focus lines 283 00:22:10.040 --> 00:22:12.277 So just click it, drag it 284 00:22:12.881 --> 00:22:16.267 And adjust it for use 285 00:22:22.851 --> 00:22:25.941 If this doesn't suit your style of need 286 00:22:25.941 --> 00:22:27.287 You can draw it on your own 287 00:22:40.030 --> 00:22:42.772 There is a tool for drawing your own effect line 288 00:22:42.772 --> 00:22:44.030 You could use this 289 00:22:44.911 --> 00:22:46.436 See here 290 00:22:48.861 --> 00:22:50.772 We set the circle 291 00:22:50.772 --> 00:22:54.545 And it will create the focus line automatically 292 00:22:55.663 --> 00:22:56.782 Notice how thick the line is 293 00:22:56.782 --> 00:22:59.762 It's because I've set it to be thick 294 00:22:59.762 --> 00:23:01.624 Notice how the brush size is too big 295 00:23:01.994 --> 00:23:05.198 So let's make it smaller and try again 296 00:23:05.644 --> 00:23:09.000 Let's set brush size to around 10 297 00:23:09.168 --> 00:23:11.327 And now, see how it's much thinner 298 00:23:11.663 --> 00:23:14.842 Even for color, I have yellow selected here 299 00:23:15.495 --> 00:23:16.842 But I prefer brown 300 00:23:16.842 --> 00:23:20.376 Let's choose brown and try again 301 00:23:20.713 --> 00:23:24.238 Setting brush size to around 30 302 00:23:26.307 --> 00:23:29.564 And setting the focus area 303 00:23:29.564 --> 00:23:32.465 Now we have the right focus line 304 00:23:36.099 --> 00:23:41.475 If you need more customization, there are more properties 305 00:23:42.842 --> 00:23:44.574 So adjust each of them 306 00:23:44.574 --> 00:23:47.812 To create your own focus line 307 00:23:48.871 --> 00:23:50.673 Shall we make one now? 308 00:23:50.673 --> 00:23:53.881 You can reduce grouping 309 00:23:57.468 --> 00:23:58.299 And like this 310 00:24:03.149 --> 00:24:05.515 Notice how this is a little different 311 00:24:07.455 --> 00:24:13.129 So it's a way to set all the properties to your 312 00:24:13.129 --> 00:24:14.564 Desired sizes 313 00:24:14.921 --> 00:24:16.673 And if you don't want this 314 00:24:17.000 --> 00:24:18.970 You could just draw it on your own 315 00:24:19.911 --> 00:24:24.644 So I'll change the name to 'focus line' 316 00:24:24.644 --> 00:24:26.861 And here's a new layer with its name changed 317 00:24:27.248 --> 00:24:31.396 And select your desired tool, pencil or pen 318 00:24:31.812 --> 00:24:33.297 I will go with pencil 319 00:24:35.277 --> 00:24:36.861 And you can use Ruler 320 00:24:59.545 --> 00:25:04.257 It's the same tab where we used Perspective Ruler 321 00:25:05.475 --> 00:25:06.327 There's Special Ruler 322 00:25:06.327 --> 00:25:12.089 So go to Special Ruler and choose Radial Line 323 00:25:16.535 --> 00:25:18.614 Click and drag, and though we don't see it now 324 00:25:18.614 --> 00:25:21.782 It's setting the radial line guide 325 00:25:23.495 --> 00:25:30.396 All you need to do is to add strokes with your pen or pencil 326 00:25:30.772 --> 00:25:36.436 And it will snap automatically to your desired direction 327 00:25:36.871 --> 00:25:37.644 It's very convenient 328 00:25:38.673 --> 00:25:41.307 It takes not that long 329 00:25:42.149 --> 00:25:47.040 And it allows for your desired color, your desired pen type 330 00:25:47.545 --> 00:25:52.069 Or pencil type, any type of line that you want 331 00:25:53.010 --> 00:25:54.347 So this is very convenient 332 00:25:54.871 --> 00:25:57.079 It looks fine, right? That's how it works 333 00:25:57.624 --> 00:26:01.921 And if you like this line, you can save it 334 00:26:01.921 --> 00:26:05.248 You can save this material 335 00:26:06.337 --> 00:26:08.297 Save it to an image 336 00:26:12.861 --> 00:26:13.861 And let's delete this 337 00:26:17.248 --> 00:26:20.901 You can click and drag to bring it in again 338 00:26:20.901 --> 00:26:21.931 Convenient, right? 339 00:26:22.515 --> 00:26:24.317 That's how focus line works 340 00:26:24.842 --> 00:26:26.287 Shall we add some sound effect? 341 00:26:26.802 --> 00:26:31.208 Sound effect is, because Webtoon has no sound to it 342 00:26:31.208 --> 00:26:33.485 We replace the sound element with letters 343 00:26:34.000 --> 00:26:37.802 So sound effects such as thud, plop, or flash 344 00:26:37.802 --> 00:26:40.069 These sounds are recreated in onomatopoeia 345 00:26:40.752 --> 00:26:43.683 And sound effect really brings out the situation 346 00:26:43.683 --> 00:26:45.960 By expressing that sound 347 00:26:46.842 --> 00:26:50.079 Sound effect is not something required 348 00:26:50.366 --> 00:26:52.000 But it will be missed if you don't have it 349 00:26:52.000 --> 00:26:55.030 So it really brings out the liveliness of the work 350 00:26:55.030 --> 00:26:57.000 That's the role of sound effect 351 00:26:58.000 --> 00:27:01.851 One thing is, you need to place it well so that 352 00:27:02.109 --> 00:27:05.149 The letters do not mix up with the image below them 353 00:27:06.356 --> 00:27:07.911 When you add some sound effect 354 00:27:09.614 --> 00:27:11.614 Let's create a layer 355 00:27:17.842 --> 00:27:19.851 I prefer to hand-write it 356 00:27:21.762 --> 00:27:24.525 I have my favorite Caligraphy Pen 357 00:27:25.119 --> 00:27:29.020 Let's choose brown 358 00:27:30.257 --> 00:27:33.743 For example, because this person is spewing some water 359 00:27:34.772 --> 00:27:37.000 Let's add the sound effect saying 'blurk' 360 00:27:37.277 --> 00:27:40.158 So I wrote the letters for 'blurk' myself 361 00:27:41.257 --> 00:27:43.584 But notice how brown isn't popping out too well 362 00:27:44.465 --> 00:27:46.752 It sort of blends into the background too 363 00:27:48.307 --> 00:27:50.604 For this, I have two solutions 364 00:27:50.604 --> 00:27:52.663 One way is to make this black 365 00:27:56.158 --> 00:27:59.000 I could simply make this into black 366 00:27:59.416 --> 00:28:01.158 This is more visible 367 00:28:01.762 --> 00:28:03.446 I think white will be visible too 368 00:28:03.446 --> 00:28:07.564 Let's set this to white, and it looks nice 369 00:28:08.059 --> 00:28:11.416 But my usual choice is, though black or white is nice 370 00:28:11.931 --> 00:28:13.891 I just add some outline 371 00:28:15.535 --> 00:28:17.139 Usually in white 372 00:28:19.861 --> 00:28:24.109 So adding some outline of around 10 to 15 pixels 373 00:28:24.109 --> 00:28:26.931 It really highlights the letters 374 00:28:26.931 --> 00:28:28.713 So this is what I usually do 375 00:28:29.406 --> 00:28:33.455 I used my own handwriting 376 00:28:33.822 --> 00:28:36.713 But you could type it out with some font 377 00:28:37.297 --> 00:28:39.693 You can check out Assets or 378 00:28:39.693 --> 00:28:42.158 Or any website that publishes free fonts 379 00:28:42.158 --> 00:28:43.733 There are many fonts available 380 00:28:43.733 --> 00:28:48.238 So you can search for some and download any font that you like 381 00:28:48.782 --> 00:28:52.723 For me, I recommend this Caligraphy Pen 382 00:28:52.723 --> 00:28:57.475 I think I also recommended this for storyboarding 383 00:28:57.911 --> 00:28:59.745 I like Caligraphy Pen because 384 00:29:00.171 --> 00:29:02.832 It's very easy to use 385 00:29:07.960 --> 00:29:09.624 The letters look like this 386 00:29:11.911 --> 00:29:17.396 Thicker to the sides and thinner vertically 387 00:29:21.594 --> 00:29:23.762 When you purchase Clip Studio 388 00:29:23.762 --> 00:29:25.317 This is one of the default pens 389 00:29:25.317 --> 00:29:27.851 So I just resize it a little bit 390 00:29:27.851 --> 00:29:30.218 To customize it as my own Caligraphhy Pen 391 00:29:30.584 --> 00:29:33.911 And I recommend adding sound effects using this pen 392 00:29:34.297 --> 00:29:35.465 Or you coud use fonts 393 00:29:35.752 --> 00:29:38.337 But there's a principle with sound effects 394 00:29:38.594 --> 00:29:44.347 Louder sounds are bigger, softer sounds are smaller in size of the letters 395 00:29:45.228 --> 00:29:47.168 The same 'thud' 396 00:29:47.624 --> 00:29:50.000 If the letters are bigger, it feels louder 397 00:29:50.000 --> 00:29:53.238 If the letters are tiny, it feels softer 398 00:29:53.653 --> 00:29:56.931 So if you want it to be a loud sound, make it bigger 399 00:29:57.287 --> 00:29:59.673 For softer sound, make it smaller 400 00:30:00.406 --> 00:30:02.733 Now it's time for speech bubbles 401 00:30:04.079 --> 00:30:06.030 Actually, rather than saying speech bubble 402 00:30:06.347 --> 00:30:08.683 It's more accurate to say speech balloon 403 00:30:09.505 --> 00:30:11.406 If you're using Clip Studio 404 00:30:11.406 --> 00:30:14.752 It's very simple to use their speech balloon function 405 00:30:15.228 --> 00:30:19.139 Because this program is aimed for making comics 406 00:30:19.139 --> 00:30:21.446 This speech balloon function is very convenient 407 00:30:21.950 --> 00:30:24.139 For example, let's say that the line is here 408 00:30:38.960 --> 00:30:43.059 I wrote, 'where am I?' 409 00:30:44.208 --> 00:30:46.337 Let's put it to the top 410 00:30:46.337 --> 00:30:47.851 The top of the layers 411 00:30:48.287 --> 00:30:49.614 And with this line 412 00:30:50.347 --> 00:30:55.000 Click Balloon at Clip Studio 413 00:30:59.228 --> 00:31:03.931 And choose Rounded Balloon here 414 00:31:05.465 --> 00:31:08.069 Now, click and drag on the text 415 00:31:08.069 --> 00:31:10.663 And it makes the balloon automatically 416 00:31:10.663 --> 00:31:12.911 It doesn't create a separate layer 417 00:31:13.218 --> 00:31:17.297 It sticks with the text, so it's convenient to move it around 418 00:31:17.505 --> 00:31:20.376 With the speech balloon, now we need the tail 419 00:31:20.673 --> 00:31:23.287 Choose Balloon Tail 420 00:31:23.554 --> 00:31:25.396 And set the starting point 421 00:31:25.980 --> 00:31:29.515 And let the mouse go where it should end 422 00:31:29.515 --> 00:31:32.792 And this automatically shapes the speech balloon 423 00:31:32.980 --> 00:31:33.901 It's very convenient 424 00:31:35.436 --> 00:31:38.317 If the bubble is too small 425 00:31:38.317 --> 00:31:40.198 Use Operation tool 426 00:31:40.465 --> 00:31:43.842 Let's use Operation to move it around 427 00:31:44.564 --> 00:31:47.426 If the text isn't centered 428 00:31:47.426 --> 00:31:50.327 You can only select the text and move it around 429 00:31:50.802 --> 00:31:53.515 If you think the speech balloon is too small 430 00:31:53.683 --> 00:31:56.485 Select the balloon and resize it 431 00:31:56.802 --> 00:31:59.782 It only extends the size of the balloon without resizing the text 432 00:32:00.564 --> 00:32:02.297 Or it can shrink it down 433 00:32:02.663 --> 00:32:05.396 And same thing with the tail, it can freely move around 434 00:32:05.683 --> 00:32:08.822 So this is such a convenient tool in this sense 435 00:32:09.990 --> 00:32:14.416 I think oval shape is the default 436 00:32:15.317 --> 00:32:17.356 This oval shape is the default 437 00:32:17.604 --> 00:32:19.574 In fact, it's not really an oval 438 00:32:19.574 --> 00:32:22.941 It's more like a rectangle with some very rounded edges 439 00:32:23.822 --> 00:32:27.594 I think this is the most effective shape for a speech balloon 440 00:32:28.050 --> 00:32:33.228 Because, if it's oval or just round in general 441 00:32:33.228 --> 00:32:34.851 It has a lot of dead space 442 00:32:34.851 --> 00:32:38.000 This will waste a lot of space 443 00:32:38.000 --> 00:32:41.119 So I prefer using rectangular speech bubble 444 00:32:41.119 --> 00:32:43.317 That has rounded edges 445 00:32:45.287 --> 00:32:49.822 And we can also have a thought balloon 446 00:32:50.812 --> 00:32:54.594 Notice how Hyang-Mi is thinking, 'where am I?' 447 00:32:54.835 --> 00:32:56.577 I mean, now she's saying it 448 00:32:56.792 --> 00:33:00.881 Because this shape of the tail is for speeches 449 00:33:01.485 --> 00:33:06.594 So instead of this, if a figure is expressing something in their thought 450 00:33:07.059 --> 00:33:10.129 We also have the thought tail 451 00:33:10.129 --> 00:33:13.525 Here at Balloon Tail 452 00:33:13.525 --> 00:33:16.178 Below Balloon Tail, we have Thought Balloon Tail 453 00:33:16.178 --> 00:33:19.584 And select it the way we did before 454 00:33:19.584 --> 00:33:23.475 So now it is some collection of circles 455 00:33:23.475 --> 00:33:25.653 This is the thought balloon tail 456 00:33:26.545 --> 00:33:31.673 And we can skip on having a balloon tail 457 00:33:31.673 --> 00:33:34.752 When the direction of the one speaking isn't clear 458 00:33:35.426 --> 00:33:40.059 And we may have situations where we need 459 00:33:41.050 --> 00:33:42.921 Something other than this rounded balloon 460 00:33:42.921 --> 00:33:45.782 Sometimes we can require some shape for shouting lines 461 00:33:45.782 --> 00:33:50.317 Or that for some robotic sound, like from a radio 462 00:33:51.257 --> 00:33:53.465 And these speech balloons are trickier 463 00:33:53.465 --> 00:33:57.030 I usually download them 464 00:33:57.495 --> 00:33:59.248 But you can make your own too 465 00:34:00.950 --> 00:34:04.614 Let's delete this speech balloon here 466 00:34:04.614 --> 00:34:05.723 Let's delete it 467 00:34:06.228 --> 00:34:08.465 This is my usual speech balloon 468 00:34:09.673 --> 00:34:14.455 When a character is shouting out loud, I use this spiky shape 469 00:34:14.455 --> 00:34:16.356 So this does look like she is shouting it out loud 470 00:34:17.059 --> 00:34:19.297 What other shapes do we have? 471 00:34:23.129 --> 00:34:25.535 We have some similar ones 472 00:34:27.040 --> 00:34:28.446 Or something like this 473 00:34:29.901 --> 00:34:31.574 This polygonal speech balloon 474 00:34:32.020 --> 00:34:35.040 This is for some robotic sound 475 00:34:35.287 --> 00:34:38.337 Or when someone is on their phone 476 00:34:38.950 --> 00:34:43.515 Or sometimes when it's some ghost that is speaking 477 00:34:44.505 --> 00:34:46.812 For these, we can use some unique shapes 478 00:34:47.535 --> 00:34:52.000 Also, we can choose the color of the speech balloon 479 00:34:52.891 --> 00:34:54.525 For this medium of Webtoon 480 00:34:54.525 --> 00:34:58.267 Color is one of its biggest advantages 481 00:34:59.574 --> 00:35:01.584 So with this speech balloon 482 00:35:01.584 --> 00:35:03.812 It doesn't have to be in black 483 00:35:04.109 --> 00:35:05.881 You can add more colors 484 00:35:07.050 --> 00:35:09.564 For example, let's say that 485 00:35:09.564 --> 00:35:12.723 I want red to be Hyang-Mi's color 486 00:35:12.723 --> 00:35:14.109 For that, I can simply select red 487 00:35:16.683 --> 00:35:17.416 And add it here 488 00:35:20.465 --> 00:35:22.129 Now it's the red speech balloon 489 00:35:23.257 --> 00:35:26.347 And some artists like to set 490 00:35:26.584 --> 00:35:30.228 Different, designated speech balloon colors for each character 491 00:35:30.228 --> 00:35:32.485 But the downside is 492 00:35:32.485 --> 00:35:34.644 That it takes a lot of work 493 00:35:34.644 --> 00:35:39.594 So I actually advise that you use one color, black 494 00:35:40.218 --> 00:35:41.337 So why black? 495 00:35:41.960 --> 00:35:46.347 I even use brown for the cut lines 496 00:35:46.653 --> 00:35:48.970 And even for my pen lines 497 00:35:49.505 --> 00:35:52.525 But for texts, I use black or white 498 00:35:52.842 --> 00:35:53.798 And the reason is 499 00:35:54.095 --> 00:35:56.475 Text is something we see most quickly 500 00:35:56.475 --> 00:36:01.000 And something we see the most, and something we consider as the most important 501 00:36:01.505 --> 00:36:04.109 You may think that character figures are the most important 502 00:36:04.109 --> 00:36:07.802 But I actually think text is more important than character figures 503 00:36:08.495 --> 00:36:09.733 Of course characters are important too 504 00:36:10.634 --> 00:36:13.297 Anyways, that's why I advise that 505 00:36:13.683 --> 00:36:18.337 You use black text against white background for speech balloons 506 00:36:19.584 --> 00:36:21.581 And we also have balloons for narration 507 00:36:21.581 --> 00:36:26.149 Narration balloon should be different from speech balloons 508 00:36:26.614 --> 00:36:29.000 Because, without any difference 509 00:36:29.000 --> 00:36:32.733 It will become confusing whether the voice is diegetic or not 510 00:36:33.257 --> 00:36:38.000 So for narration balloon, I make sure that 511 00:36:38.554 --> 00:36:41.089 I use this rectangular balloon 512 00:36:42.238 --> 00:36:45.386 Or I sometimes do not use any balloons for narrations 513 00:36:45.921 --> 00:36:46.881 Which is a possibility 514 00:36:47.040 --> 00:36:52.554 But make sure that the background isn't too busy 515 00:36:54.020 --> 00:36:57.030 Or that it isn't so dark that you can't read the text 516 00:36:58.109 --> 00:36:59.743 Because, then you won't see the narration 517 00:36:59.743 --> 00:37:02.515 So for me, I do this 518 00:37:02.901 --> 00:37:05.950 I add one rectangular balloon to cue that 519 00:37:05.950 --> 00:37:09.792 This is the narration; I think this is the best way 520 00:37:10.505 --> 00:37:14.802 Also, it's good to have consistent thickness for speech balloon lines 521 00:37:14.802 --> 00:37:19.515 If not for some special circumstance, have consistence thickness for balloons 522 00:37:19.901 --> 00:37:23.198 Notice how this line is 523 00:37:25.089 --> 00:37:27.168 Around 6 pixels thick 524 00:37:27.168 --> 00:37:30.000 But what if I make it a pixel thick? 525 00:37:30.000 --> 00:37:32.277 That will be too thin 526 00:37:32.277 --> 00:37:34.812 And that looks like a mistake 527 00:37:35.327 --> 00:37:41.000 So make sure all speech balloons have the same line thickness 528 00:37:42.079 --> 00:37:44.010 And for the font 529 00:37:44.683 --> 00:37:48.980 Now that more people read Webtoon on their phone 530 00:37:48.980 --> 00:37:51.119 The font size is getting bigger 531 00:37:51.584 --> 00:37:54.069 Therefore, for mobile devices, make sure that 532 00:37:54.069 --> 00:37:55.990 The fonts are not too small 533 00:37:56.743 --> 00:38:00.000 I think speech balloons decide the narrative dynamic of the work 534 00:38:00.000 --> 00:38:03.228 It's because when we are reading Webtoon 535 00:38:03.228 --> 00:38:06.000 The first thing we look at is text 536 00:38:06.000 --> 00:38:09.446 Meaning, we look at text first, and then the image 537 00:38:09.743 --> 00:38:11.455 So the location of the speech balloon 538 00:38:12.535 --> 00:38:16.218 That's what decides the pattern in which eyes move 539 00:38:17.149 --> 00:38:22.673 So notice how I, without intending it, added the balloons to the top left 540 00:38:22.990 --> 00:38:27.149 This is where we tend to look at first 541 00:38:27.564 --> 00:38:30.208 So if there is no special circumstance 542 00:38:30.208 --> 00:38:34.277 Place the first line on the top left 543 00:38:34.604 --> 00:38:38.327 And the next lines could be freely placed based on context 544 00:38:39.158 --> 00:38:44.644 But it is advised not to place them to the far margins 545 00:38:44.644 --> 00:38:47.356 Too close to either sides, vertical or horizontal 546 00:38:49.465 --> 00:38:53.257 Which will evidently cause 547 00:38:53.257 --> 00:38:56.000 Some eye-straining movements 548 00:38:56.000 --> 00:38:58.851 This may interrupt the flow of the readers 549 00:38:59.327 --> 00:39:03.782 So with the speech balloons, this completes our work 550 00:39:04.960 --> 00:39:07.119 Before that, proofread for any typos 551 00:39:07.426 --> 00:39:12.436 And save a copy of this file and adjust it for any appropriate size 552 00:39:13.396 --> 00:39:15.000 How do I adjust it? 553 00:39:15.782 --> 00:39:17.396 Let me show you the work here 554 00:39:18.069 --> 00:39:23.673 Here, see how I have the complete files, from file 1 to 13 555 00:39:25.267 --> 00:39:26.059 Shall we take a look? 556 00:39:28.356 --> 00:39:31.218 So, file no.3 557 00:39:31.752 --> 00:39:35.040 Lines, characters, backgrounds are all in there 558 00:39:35.891 --> 00:39:37.010 So it is complete 559 00:39:37.366 --> 00:39:39.723 So these files 560 00:39:39.723 --> 00:39:45.119 Let's export all of them simultaneously, from 1 to 13 561 00:39:45.455 --> 00:39:47.683 How do I do it? Go to File 562 00:39:49.129 --> 00:39:53.158 One great thing about Clip Studio is that it has features for Webtoon 563 00:39:53.644 --> 00:39:58.000 So it has a lot of tools needed for Webtoon production 564 00:39:58.000 --> 00:40:01.347 Notice how there's the 'Export Webtoon' function 565 00:40:01.347 --> 00:40:07.822 Click it, designate the folder 566 00:40:10.257 --> 00:40:11.762 As well as the name 567 00:40:11.762 --> 00:40:16.248 I named it as 'episode one' and this will make 568 00:40:16.248 --> 00:40:19.030 Each file's name as 'episode one_001' 569 00:40:19.485 --> 00:40:22.109 'episode one_002' and so on 570 00:40:22.446 --> 00:40:25.911 And what would be the size? 571 00:40:25.911 --> 00:40:30.248 I will set its width as 690 pixels 572 00:40:30.584 --> 00:40:34.950 And decide whether you want this for all pages or some pages 573 00:40:36.158 --> 00:40:40.931 Here, choose 'export pages separately' and press OK 574 00:40:41.545 --> 00:40:46.683 This finally exports the copy of my work 575 00:40:46.683 --> 00:40:48.525 To the designated folder 576 00:40:50.812 --> 00:40:51.416 Shall we? 577 00:40:51.416 --> 00:40:59.604 Notice how we have jpg files, from 1 to 13 578 00:40:59.604 --> 00:41:01.624 And this is how the final outcome looks like 579 00:41:02.743 --> 00:41:07.366 For Naver Webtoon, the sizing is 690 pixels width 580 00:41:08.059 --> 00:41:13.921 For jpg setting, the quality is around 80, though I set it as 100 581 00:41:14.574 --> 00:41:16.653 I forgot to mention this 582 00:41:16.653 --> 00:41:19.812 If you set File Quality as 80 here 583 00:41:20.119 --> 00:41:22.277 It will drastically decrease its file size 584 00:41:22.545 --> 00:41:26.089 And honestly you can't tell much difference 585 00:41:26.089 --> 00:41:28.119 So I usually go with around 80 586 00:41:28.436 --> 00:41:33.020 It's optimal for each file to be under 2MB in size 587 00:41:33.020 --> 00:41:37.931 Here, this file is 571KB 588 00:41:38.426 --> 00:41:40.089 Which is a small file size 589 00:41:40.495 --> 00:41:44.455 And you hand over this small file size version 590 00:41:45.713 --> 00:41:49.228 So set it like this, export 591 00:41:49.604 --> 00:41:51.911 And all these jpg files that we saved 592 00:41:51.911 --> 00:41:55.277 I will send these to the designated PD via email 593 00:41:55.495 --> 00:41:58.624 And after I send the email, that's the end of the work 594 00:42:00.198 --> 00:42:04.337 Now I just wait for my Webtoon to be uploaded, do some chores, get some rest 595 00:42:04.822 --> 00:42:06.673 You did a fantastic job, everyone 596 00:42:08.109 --> 00:42:13.040 Everyone, see how an episode of Webtoon requires so much work for it to be completed 597 00:42:13.040 --> 00:42:18.495 Writing and drawing storyboard, sketching, pen lining, flat coloring, details 598 00:42:18.495 --> 00:42:20.832 Background, and finally retouching 599 00:42:21.436 --> 00:42:24.891 A Webtoon artist isn't someone who only specializes in one thing 600 00:42:24.891 --> 00:42:28.475 They should write well, even lines, and have great ideas 601 00:42:28.743 --> 00:42:32.099 And they should also be able to visualize that idea well 602 00:42:32.099 --> 00:42:36.416 They should be great with production, human body depiction as well as emotional depictions 603 00:42:36.416 --> 00:42:38.901 They should have understanding of colors and light 604 00:42:38.901 --> 00:42:40.366 And they should draw great backgrounds 605 00:42:40.891 --> 00:42:43.663 No Webtoon artist can do all these 100% well 606 00:42:44.347 --> 00:42:46.535 We are able to simply do a bit of each part 607 00:42:46.911 --> 00:42:49.624 So do not try to be a perfect person from the beginning 608 00:42:49.624 --> 00:42:53.653 Give it a go with the mindset of 'doing its 5% well is enough' 609 00:42:54.297 --> 00:42:57.574 And by jumping in without too much pressure 610 00:42:57.574 --> 00:43:01.337 In a few years, you will realize that 611 00:43:01.337 --> 00:43:03.238 You now can do more than 50% of everything well 612 00:43:03.743 --> 00:43:06.277 Creating completing an episode may seem like such a big work 613 00:43:06.277 --> 00:43:10.119 But one day it will become part of your routine 614 00:43:10.119 --> 00:43:13.703 And you will be able to complete your work well in due 615 00:43:14.119 --> 00:43:16.069 It really isn't too difficult 616 00:43:16.069 --> 00:43:18.842 If it feels so, it's because you're trying to do it too well 617 00:43:18.842 --> 00:43:23.079 There's one thing I always remind myself when I open an empty canvas 618 00:43:23.079 --> 00:43:24.287 'Let's fill it in, with something, with anything' 619 00:43:24.980 --> 00:43:27.980 By doing so, sometimes it will be filled with great things 620 00:43:27.980 --> 00:43:30.416 And sometimes, with really bad things 621 00:43:31.475 --> 00:43:35.129 But as I keep filling in each canvas 622 00:43:35.129 --> 00:43:38.188 I will have 10 canvases a week, 550 a year 623 00:43:38.188 --> 00:43:41.228 And in 5 years I will have a few thousand 624 00:43:41.733 --> 00:43:45.010 And that's what forms me as an artist 625 00:43:45.010 --> 00:43:48.554 I really hope that you get to fill in 626 00:43:48.554 --> 00:43:51.297 A lot of empty canvases with your own colors 627 00:43:52.139 --> 00:43:53.495 Thank you 628 00:43:56.173 --> 00:43:58.523 Retouching Using Layer Properties Layer Property Multiply: For darkness Screen: For light 629 00:43:58.523 --> 00:44:00.906 Overlay: For shimmering, soft light Hard light: Similar to overlay, but the value for black will look different 630 00:44:00.906 --> 00:44:02.515 Adding Effect Line, Sound Effect, and Speech Balloon Effect Line Adding effect line to the direction of movement visualizes the sense of speech, movement and dynamics 631 00:44:02.515 --> 00:44:04.131 Sound Effect Adds liveliness to the comics, where sound should be expressed through letters Sound effect letters should not blend in with the image Louder is bigger, softer is smaller in size 632 00:44:04.131 --> 00:44:05.031 Speech Balloon Click and drag can easily shape a balloon tail; it is easy to resize and move Advised: black for speech balloon line, white for background, black for text 633 00:44:05.031 --> 00:44:05.895 Speech Balloons must have consistent line thickness