1 00:00:25.188 --> 00:00:28.980 Coloring Base Color 2 00:00:28.980 --> 00:00:30.536 Now, it's coloring step 3 00:00:30.536 --> 00:00:34.020 First, I will talk about coloring base color 4 00:00:35.208 --> 00:00:40.767 Coloring base color is the step of adding color to the manuscript 5 00:00:40.767 --> 00:00:46.139 Professional artists often leave this step to their assistants 6 00:00:46.139 --> 00:00:50.646 Although this is a time-consuming task since it is a simple task 7 00:00:50.646 --> 00:00:53.916 They often play music or watch a movie while working 8 00:00:55.193 --> 00:00:59.920 This is a manuscript in which pen line and sketch are completed 9 00:01:01.109 --> 00:01:05.519 By creating a coloring layer underneath the manuscript 10 00:01:05.519 --> 00:01:09.743 I'll add a base color to this layer here 11 00:01:11.080 --> 00:01:14.854 As you can see, when I color 12 00:01:15.200 --> 00:01:20.965 I separated the outline and detail layers at the pen line step 13 00:01:21.559 --> 00:01:25.699 Because of this, coloring tends to become a little easier 14 00:01:25.699 --> 00:01:29.657 The coloring layer should be done on the raster layer 15 00:01:30.023 --> 00:01:34.675 That's because the paint fill tool does not apply to vector layers 16 00:01:35.220 --> 00:01:38.496 There are several ways to color the base color 17 00:01:38.496 --> 00:01:40.677 Among the coloring method, I have tried 18 00:01:40.677 --> 00:01:44.128 I will tell you the fastest and easiest method 19 00:01:45.059 --> 00:01:46.995 The coloring layer is the raster layer 20 00:01:46.995 --> 00:01:50.044 I named it as 'color' as you can see 21 00:01:50.044 --> 00:01:51.653 Here's one coloring layer 22 00:01:52.099 --> 00:01:57.572 Assuming that the pen line layer is a vector layer, color it like this 23 00:01:58.067 --> 00:01:59.194 Look carefully 24 00:01:59.580 --> 00:02:02.323 Here is the fill tool, which is called the paint bucket 25 00:02:02.323 --> 00:02:03.917 Go to the fill tool 26 00:02:06.474 --> 00:02:12.546 Mine is in English, anyway, select Refer only to editing layer 27 00:02:13.259 --> 00:02:18.374 And at the Tool property, who have to select 28 00:02:18.731 --> 00:02:22.601 Refer multiple here 29 00:02:24.898 --> 00:02:28.016 Check this Refer multiple 30 00:02:28.580 --> 00:02:31.787 Then, you have to select first and second button 31 00:02:31.787 --> 00:02:38.430 Click this Refer layer and leave everything else 32 00:02:38.430 --> 00:02:43.997 Click the Fill up to vector path option just below it 33 00:02:46.259 --> 00:02:50.966 Instead of filling right away, there's one more step 34 00:02:51.966 --> 00:02:55.555 I dragged the layer panel, and if you look at it 35 00:02:57.740 --> 00:03:01.740 There is a vector layer panel and a vector pen panel 36 00:03:01.740 --> 00:03:04.016 The pen's characteristic 37 00:03:06.220 --> 00:03:08.088 Can you see the small button? 38 00:03:10.179 --> 00:03:12.562 You must set it as a reference 39 00:03:13.938 --> 00:03:18.015 Set this vector pen as a reference layer 40 00:03:21.580 --> 00:03:25.481 In the specific fill layer 41 00:03:25.798 --> 00:03:31.619 Click Reference layer and Fill up to vector path 42 00:03:31.619 --> 00:03:35.502 By clicking this, you can start coloring 43 00:03:36.710 --> 00:03:38.711 We will color the coloring layer 44 00:03:39.335 --> 00:03:41.335 The color I should paint it with is 45 00:03:47.419 --> 00:03:51.061 I made a swatch file in advance 46 00:03:51.061 --> 00:03:55.445 Open this with Clip Studio 47 00:04:00.633 --> 00:04:05.746 Tap this person's skin color with an eyedropper 48 00:04:10.259 --> 00:04:12.876 Tap it to the relevant area 49 00:04:13.881 --> 00:04:14.881 Didn't work out 50 00:04:15.450 --> 00:04:20.434 When coloring does not work out, it's because there is an empty space somewhere 51 00:04:20.899 --> 00:04:22.618 Let's see where's empty 52 00:04:23.084 --> 00:04:26.179 It's a little empty here and a little here too 53 00:04:26.179 --> 00:04:32.396 If you fill in the empty parts, you can color properly again 54 00:04:44.811 --> 00:04:49.411 By tapping this person's hair color with an eyedropper 55 00:04:50.263 --> 00:04:52.653 I'll paint the area like this 56 00:05:53.693 --> 00:06:00.059 If you don't need to use the paint bucket tool for small areas like this 57 00:06:00.059 --> 00:06:02.806 You can paint them with a pen 58 00:06:38.148 --> 00:06:40.940 Base coloring is done 59 00:06:41.693 --> 00:06:43.010 One, two, three, four 60 00:06:44.435 --> 00:06:47.000 I colored four cuts 61 00:06:53.039 --> 00:06:57.544 When you get rid of the pen line, it's perfectly colored 62 00:06:59.237 --> 00:07:02.287 This is the strength of vector pen line 63 00:07:04.554 --> 00:07:09.482 Drawing pen line using vector makes the coloring much neater 64 00:07:10.472 --> 00:07:11.930 So I enjoy using it 65 00:07:14.772 --> 00:07:18.693 If you look at it, it's neat and clear 66 00:07:23.861 --> 00:07:24.980 There's no protrusion anywhere 67 00:07:30.752 --> 00:07:36.902 If you paint them all individually with a pen or pencil 68 00:07:36.902 --> 00:07:41.059 It will take 5 to 10 times longer 69 00:07:41.643 --> 00:07:49.237 So, this method is the fastest and most accurate for me 70 00:07:49.990 --> 00:07:57.792 Even if I gave up the taste of coloring myself, I gained efficiency 71 00:07:57.792 --> 00:08:00.640 If there is a feeling I want 72 00:08:00.640 --> 00:08:04.840 And have to paint it by hand to get that 73 00:08:04.840 --> 00:08:08.148 I think it's right to give up efficiency and paint it by hand 74 00:08:09.663 --> 00:08:15.188 For example, if you, like me, are not the type of person who fills up the pen lines and color 75 00:08:15.514 --> 00:08:20.691 But instead, leaves the edges of the pen line a little empty and color in 76 00:08:21.245 --> 00:08:23.089 You could do like this 77 00:08:29.505 --> 00:08:32.316 You color the outlines one by one by hand 78 00:08:37.802 --> 00:08:44.792 The color like this 79 00:08:47.940 --> 00:08:49.623 Some of you like this kind of feeling, right? 80 00:08:50.128 --> 00:08:53.697 If you prefer a coloring method 81 00:08:53.697 --> 00:08:55.862 that doesn't cover all the outline 82 00:08:55.862 --> 00:08:59.188 There is no problem with coloring by hand like this 83 00:08:59.524 --> 00:09:02.643 Instead, it would take a lot of time, right? 84 00:09:05.960 --> 00:09:08.732 One thing to be careful of when coloring base color is that 85 00:09:15.841 --> 00:09:21.386 Although it may not be visible now, it is easy to miss these parts 86 00:09:21.386 --> 00:09:26.099 I painted the white part just now 87 00:09:26.099 --> 00:09:29.326 But it may be missing 88 00:09:29.326 --> 00:09:30.960 Forgot and didn't color 89 00:09:32.138 --> 00:09:35.960 If you look at it now, it seems fine now 90 00:09:36.247 --> 00:09:38.702 You can't see it because the background is white 91 00:09:38.979 --> 00:09:46.821 But if you remove the background, the uncolored part will look like this, right? 92 00:09:47.455 --> 00:09:50.079 You need to paint everything up to this point 93 00:09:50.079 --> 00:09:54.217 Be sure to paint all areas so that there are no uncolored parts 94 00:09:54.217 --> 00:09:56.429 Otherwise, when you add the background later 95 00:09:56.429 --> 00:09:59.059 The background will be visible 96 00:10:00.604 --> 00:10:07.346 So, like me, turn off the background and the paper layer, and start coloring 97 00:10:07.346 --> 00:10:16.396 Some people start by adding color to the paper layer 98 00:10:29.059 --> 00:10:32.653 In some cases, there are people who add color and paint like this 99 00:10:32.653 --> 00:10:34.247 You can also do like this 100 00:10:35.257 --> 00:10:39.093 Also, when coloring, and coloring base color 101 00:10:39.459 --> 00:10:42.465 Doing like this will save time 102 00:10:42.762 --> 00:10:46.491 Once decide on a character's skin color 103 00:10:46.957 --> 00:10:50.435 Paint the character's skin all the way to the last file 104 00:10:50.435 --> 00:10:55.742 Then, go back to the first page and color the hair 105 00:10:56.564 --> 00:10:59.534 Also, after going back to the first page and coloring the clothes 106 00:10:59.534 --> 00:11:04.170 Color them all in the same color and move on to the next color 107 00:11:04.170 --> 00:11:06.009 It saves a lot of time 108 00:11:07.178 --> 00:11:10.584 Many people have concerns about applying the base color 109 00:11:10.584 --> 00:11:13.537 How to choose a color? 110 00:11:14.022 --> 00:11:17.059 People ask this question a lot 111 00:11:17.831 --> 00:11:22.792 I think one of the strengths of webtoons is the color 112 00:11:23.168 --> 00:11:28.346 Unlike published comics, with the tool of color, adding another dimension to the black-and-white manuscript 113 00:11:28.346 --> 00:11:30.792 It'a a real blessing for the artist 114 00:11:31.178 --> 00:11:35.168 To tell the story more beautifully 115 00:11:35.604 --> 00:11:38.146 Since the color are so infinite 116 00:11:38.146 --> 00:11:41.435 For beginners drawing webtoons for the first time 117 00:11:41.435 --> 00:11:43.831 It is difficult to know how to use the color 118 00:11:44.316 --> 00:11:48.712 So one of the things that is very difficult is color 119 00:11:50.059 --> 00:11:52.376 Let's talk about the color 120 00:11:59.564 --> 00:12:03.779 Usually, during the planning stage, character design is usually done meticulously 121 00:12:03.779 --> 00:12:07.019 And the color scheme of the character will already be decided 122 00:12:07.514 --> 00:12:13.888 The characters' skin color, hair, eye color, color of clothes they usually wear, etc. 123 00:12:13.888 --> 00:12:16.960 It will already be represented in the character sheet 124 00:12:17.406 --> 00:12:22.478 So, the pieces of those colors that put together are 125 00:12:22.874 --> 00:12:27.366 Called the color swatches I'm showing you 126 00:12:28.673 --> 00:12:34.326 If you look at it this way, it's great because you can see the colors right next to each other 127 00:12:36.673 --> 00:12:39.643 It's also great because you can see the combination of colors at a glance 128 00:12:40.227 --> 00:12:45.198 If you have a base coloring assistant 129 00:12:45.198 --> 00:12:48.792 You can give this swatch to them 130 00:12:49.950 --> 00:12:56.059 I am showing you a swatch of a work called 'Running After a Breakup' 131 00:13:01.574 --> 00:13:05.861 This is a swatch of the 'Cartoonist Island' I showed you earlier 132 00:13:09.415 --> 00:13:12.215 If you specify the color in detail like this 133 00:13:12.215 --> 00:13:14.940 You will have less trouble applying the base color later 134 00:13:15.722 --> 00:13:18.910 You can create an image like this 135 00:13:19.208 --> 00:13:24.257 The method I'm using now is to go into Clip Studio 136 00:13:24.257 --> 00:13:28.633 And drag it in like this 137 00:13:31.693 --> 00:13:36.833 You can designate it as a swatch file 138 00:13:37.843 --> 00:13:40.316 And take a picture in Clip Studio 139 00:13:41.227 --> 00:13:45.564 However, so many colors appear in the work 140 00:13:45.564 --> 00:13:49.435 So, you must write down the name to know what it is 141 00:13:49.930 --> 00:13:56.217 I specified white and black, sketch blue, and pen line color 142 00:13:57.287 --> 00:14:04.013 Mainly used green, bright sky blue, moonlight color 143 00:14:04.013 --> 00:14:06.653 And shadow color 144 00:14:07.039 --> 00:14:12.386 All important color information, such as the main character's skin color 145 00:14:12.386 --> 00:14:16.613 Hair color and the color of their clothes are saved here 146 00:14:18.069 --> 00:14:20.613 Color is really difficult 147 00:14:20.613 --> 00:14:24.297 Choosing and using a color is difficult 148 00:14:24.297 --> 00:14:29.059 What makes sense is that there are infinite colors in nature 149 00:14:29.059 --> 00:14:32.435 But the colors we think of are typical 150 00:14:33.673 --> 00:14:37.623 When you enter the world of color, there are tens of thousands of options 151 00:14:39.059 --> 00:14:41.297 And the choice is usually made like this 152 00:14:42.366 --> 00:14:48.059 Open the Color Wheel and go to re to adjust brightness and saturation 153 00:14:48.643 --> 00:14:52.386 Then go to blue and adjust while looking at the Color Wheel 154 00:14:53.326 --> 00:14:58.673 Since colors exist in this digital world, the types of colors are limited 155 00:14:58.673 --> 00:15:02.019 But you may not know which one to choose among them 156 00:15:02.326 --> 00:15:06.742 Even with the same red color, there are dark red colors with low brightness 157 00:15:06.742 --> 00:15:10.059 And bright red colors with high saturation 158 00:15:10.059 --> 00:15:14.762 It will be very difficult for you to choose between these colors 159 00:15:14.762 --> 00:15:18.891 So, I recommend opening the Color Wheel 160 00:15:19.178 --> 00:15:24.059 And moving it around to find your desired color 161 00:15:24.445 --> 00:15:29.000 By changing the saturation 162 00:15:30.475 --> 00:15:34.544 And brightness 163 00:15:35.128 --> 00:15:38.475 And color 164 00:15:39.693 --> 00:15:44.891 Experiment a lot like this 165 00:15:45.307 --> 00:15:50.326 And choosing colors that suit you is a good idea 166 00:15:50.326 --> 00:15:54.350 However, to approach in this way 167 00:15:54.587 --> 00:15:57.059 Choosing the color can be difficult 168 00:15:57.059 --> 00:15:59.351 At that time, my recommendation is 169 00:15:59.727 --> 00:16:03.782 To quote other authors' works 170 00:16:14.544 --> 00:16:16.792 For example, there is a website like this 171 00:16:17.267 --> 00:16:23.613 On this website, they captured a scene from a famous movie 172 00:16:23.613 --> 00:16:27.059 And studied the colors present in it 173 00:16:27.059 --> 00:16:30.198 It's kindly created a swatch and uploaded it 174 00:16:35.524 --> 00:16:39.967 I think it's nice to see the main colors and their combinations 175 00:16:39.967 --> 00:16:42.752 Used on the screen separately 176 00:16:43.158 --> 00:16:46.495 So, if you like an atmosphere, take a look at it 177 00:16:46.495 --> 00:16:48.762 If you like this atmosphere 178 00:16:49.059 --> 00:16:53.851 One way is to apply that swatch to your manuscript 179 00:16:55.198 --> 00:16:56.752 Also 180 00:17:01.821 --> 00:17:06.911 There's even a website that collects and displays color combinations like this 181 00:17:06.911 --> 00:17:13.327 If you click on pastel, you can see color combinations of pastel tones 182 00:17:13.327 --> 00:17:16.757 There's a vintage tab, retro tab 183 00:17:17.826 --> 00:17:22.001 A neon tab and a gold tab 184 00:17:22.357 --> 00:17:24.694 It's done very well, and the colors are pretty 185 00:17:26.694 --> 00:17:28.832 So, if you want to get ideas about colors 186 00:17:28.832 --> 00:17:32.962 I think one way is to look around 187 00:17:32.962 --> 00:17:34.486 Websites like these 188 00:17:35.931 --> 00:17:39.179 Like this, I create a personal board on Pinterest 189 00:17:39.416 --> 00:17:41.954 And collect color combinations 190 00:17:42.360 --> 00:17:46.209 And illustrations I like 191 00:17:46.209 --> 00:17:51.842 So, I tend to go to Pinterest and look at various colored works 192 00:17:51.842 --> 00:17:53.119 For inspiration 193 00:17:54.713 --> 00:18:00.704 When I look at many pictures and collect the ones I like on my board 194 00:18:00.961 --> 00:18:04.644 I think it's good to know that this is what I want 195 00:18:05.060 --> 00:18:08.020 So, please see what color combinations appear 196 00:18:08.020 --> 00:18:11.110 Frequently on boards of your choice 197 00:18:13.209 --> 00:18:17.159 I'd like to introduce you to a really useful website 198 00:18:19.060 --> 00:18:22.060 It's a website called Adobe Color 199 00:18:22.892 --> 00:18:24.169 This is very useful 200 00:18:24.169 --> 00:18:29.842 On this website, each color is taken one by one, and then the adjacent color, monotones 201 00:18:30.337 --> 00:18:33.189 And the color that form the triangle on the Color Wheel 202 00:18:34.902 --> 00:18:38.060 Monotones, right? Triangular color 203 00:18:40.842 --> 00:18:43.515 Complementary colors, etc. 204 00:18:46.555 --> 00:18:51.981 By moving the color wheel, it creates colors 205 00:18:52.614 --> 00:18:56.159 When drawing, there are many times when you need to use complementary colors 206 00:18:56.159 --> 00:18:59.139 But each time, instead of just selecting the appropriate color and using it 207 00:18:59.139 --> 00:19:01.555 It chooses an exact complementary color like this 208 00:19:02.456 --> 00:19:06.545 And let you know that there is a complementary color like this or a close color like this 209 00:19:06.545 --> 00:19:07.614 It's very useful, right? 210 00:19:08.575 --> 00:19:14.555 One thing to be careful about when using complementary colors is not using them in a 50:50 ratio 211 00:19:14.555 --> 00:19:18.664 Instead, use one color as the main color and make that complementary color the point 212 00:19:19.209 --> 00:19:23.971 If you look at the image, the main color is mint 213 00:19:24.238 --> 00:19:28.060 The complementary color, coral, is used subtly as reflective light, right? 214 00:19:28.060 --> 00:19:30.515 Instead of using 50:50 like this 215 00:19:30.872 --> 00:19:35.228 It is best to use something like 90:10 or 95:5 216 00:19:36.387 --> 00:19:38.902 Color is mysterious 217 00:19:39.783 --> 00:19:42.753 And it's hard to pinpoint it with just one methodology 218 00:19:43.060 --> 00:19:45.704 So I've asked artists around me about it 219 00:19:45.704 --> 00:19:49.426 When asked how colors are used in manuscripts 220 00:19:50.199 --> 00:19:54.585 Many responded I don't know. 221 00:19:54.872 --> 00:20:00.218 I heard the answer, I just open the Color Wheel and pick the color 222 00:20:00.931 --> 00:20:02.614 I also use it like that 223 00:20:03.268 --> 00:20:05.119 You could say things like 224 00:20:05.119 --> 00:20:07.347 I use low saturation 225 00:20:07.347 --> 00:20:10.486 I use low saturation and high brightness 226 00:20:10.486 --> 00:20:12.793 I got these vague answers 227 00:20:13.129 --> 00:20:17.674 But there was no specific methodology for choosing a color 228 00:20:18.139 --> 00:20:20.258 When I thought about the reason 229 00:20:21.486 --> 00:20:24.902 Established artists like us have been drawing for quite a long time 230 00:20:24.902 --> 00:20:27.506 By accumulating them over a long time 231 00:20:27.506 --> 00:20:31.595 So, I thought we had already created our swatches 232 00:20:32.129 --> 00:20:34.426 So, based on decades of experience 233 00:20:34.426 --> 00:20:38.733 I thought the best color combination was chosen experientially 234 00:20:39.228 --> 00:20:43.911 As such, color is naturally difficult for aspirants and beginners 235 00:20:44.209 --> 00:20:49.100 This is because layers gradually accumulate based on experience over time 236 00:20:50.228 --> 00:20:53.218 So, if you have difficulty with colors, don't be impatient 237 00:20:53.218 --> 00:20:57.476 Try using different colors and create your color combination 238 00:20:58.535 --> 00:21:02.426 Detail Coloring 239 00:21:02.426 --> 00:21:07.298 Once the coloring and base coloring steps have been completed 240 00:21:07.298 --> 00:21:09.644 It is time to draw the details finally 241 00:21:10.218 --> 00:21:14.822 This includes adding shadows, highlighting, describing skin, etc. 242 00:21:15.060 --> 00:21:18.119 Some artists don't draw shadows 243 00:21:18.575 --> 00:21:19.486 That's my case 244 00:21:20.060 --> 00:21:23.060 Some artists use 1st degree contrast 245 00:21:23.060 --> 00:21:27.179 While others use 2nd and 3rd degree and more 246 00:21:27.179 --> 00:21:29.407 However, I do not add shadows 247 00:21:30.060 --> 00:21:36.020 And only use them in specific scenes where the light is emphasized, such as bright sunlight 248 00:21:37.317 --> 00:21:41.159 If this is without light and shade, this can be considered 1st degree contrast 249 00:21:41.159 --> 00:21:43.951 And this can be seen 2nd degree contrast 250 00:21:46.189 --> 00:21:50.268 However, when adding light and shade, you must understand 251 00:21:50.723 --> 00:21:54.565 The curve of the human body and light 252 00:21:57.030 --> 00:22:04.060 As you can see, depending on the direction of the light 253 00:22:04.704 --> 00:22:05.812 The shadow changes 254 00:22:05.812 --> 00:22:09.644 When coming from above, side, or behind 255 00:22:09.644 --> 00:22:13.446 The shadows and light and shade on the face are all different 256 00:22:14.060 --> 00:22:18.238 The property of light is straight, so it moves in a straight line 257 00:22:18.238 --> 00:22:22.614 However, the properties of the face and the human body are curve 258 00:22:22.614 --> 00:22:24.119 And they are diverse and complex 259 00:22:24.446 --> 00:22:27.238 There are shadows and light and shades in some parts 260 00:22:27.634 --> 00:22:30.872 In some parts, light shines 261 00:22:31.060 --> 00:22:36.100 So, when it's mainly natural light, the light comes from top to bottom 262 00:22:36.100 --> 00:22:40.902 So the high points on the face, forehead, head, nose bridge, lips, and chin are mainly brightened 263 00:22:40.902 --> 00:22:45.377 While the areas under the nose, eyebrows, lips, and chin are mainly in shadow 264 00:22:46.060 --> 00:22:50.872 When light shines from the side, only one side becomes bright, and the other becomes dark 265 00:22:51.248 --> 00:22:54.387 When light comes from the bottom up 266 00:22:54.753 --> 00:22:58.941 Areas usually in shadow during natural light become brighter 267 00:22:59.614 --> 00:23:01.862 But this is when there is only one light source 268 00:23:01.862 --> 00:23:05.723 And nothing around to reflect the light 269 00:23:06.228 --> 00:23:10.644 Our lives are full of objects that reflect light 270 00:23:10.971 --> 00:23:15.317 Outdoors, there is sunlight, and indoors, there are various lights 271 00:23:16.100 --> 00:23:20.407 Light reflects off the snow and emerges from the bottom when snow 272 00:23:20.763 --> 00:23:24.555 When you are next to a fire, you see a light, and at night, there is moonlight 273 00:23:24.555 --> 00:23:28.060 When you look at your cell phone at night, the cell phone lights up 274 00:23:28.060 --> 00:23:32.753 That's why the light expressed may vary depending on the situation 275 00:23:33.060 --> 00:23:39.327 When there is strong sunlight, the overall brightness, saturation 276 00:23:40.199 --> 00:23:42.763 And shadows are very strong 277 00:23:42.763 --> 00:23:45.921 All you have to do is express a shadow coming from one direction 278 00:23:45.921 --> 00:23:50.060 It is very bright because the sunlight comes mainly from top to bottom 279 00:23:50.605 --> 00:23:54.426 Overall, brightness and saturation are high, and contrast is strong 280 00:23:55.575 --> 00:24:02.357 Also, on rainy or cloudy days, the saturation and brightness are very low 281 00:24:02.357 --> 00:24:05.822 It is dark because clouds block a lot of sunlight 282 00:24:06.169 --> 00:24:10.199 And because there is a lot of water vapor in the air, sunlight is reflected, and shadows become lighter 283 00:24:10.793 --> 00:24:15.793 The weather is such that reflected light shines more than direct sunlight 284 00:24:15.793 --> 00:24:18.030 Have you ever looked at the dawn sky? 285 00:24:18.288 --> 00:24:19.644 There's something very mysterious about it 286 00:24:20.209 --> 00:24:24.614 There is no strong light source at this time, so the shadows are very light 287 00:24:24.921 --> 00:24:31.060 Gradually becoming brighter from the bottom, and the object is dark overall 288 00:24:31.060 --> 00:24:33.515 And the shadows are not dark 289 00:24:33.515 --> 00:24:37.327 There is no direct light source yet, so the shadows are very light 290 00:24:38.080 --> 00:24:42.001 Also, the night is dark overall 291 00:24:42.001 --> 00:24:45.535 It is dark and varies depending on the light source 292 00:24:47.001 --> 00:24:52.436 If with bright moonlight, you can depict the moonlight softly 293 00:24:52.931 --> 00:24:59.010 Also, if it is an urban background, street lights, and indoor lighting are used as the main light sources 294 00:24:59.010 --> 00:25:02.169 Depending on the color of the light, it may be expressed as red 295 00:25:02.169 --> 00:25:03.644 Or blue 296 00:25:04.931 --> 00:25:07.268 Shall we take a look at the sunset? 297 00:25:07.268 --> 00:25:10.852 The sun is almost lying down at sunset, so the light comes from the side 298 00:25:10.852 --> 00:25:14.872 So, the sides and arms receive a lot of light 299 00:25:15.614 --> 00:25:19.060 Orange and red colors return to our eyes 300 00:25:20.100 --> 00:25:23.951 The light gets very powerful, and it becomes very red 301 00:25:24.327 --> 00:25:27.981 So, because the atmosphere is very dramatic and emotional 302 00:25:27.981 --> 00:25:30.238 It is mainly used in emotional scenes 303 00:25:31.812 --> 00:25:33.575 Let's try the demonstration 304 00:25:34.743 --> 00:25:35.862 As you can see 305 00:26:04.842 --> 00:26:11.060 The shadow falls downward in strong sunlight like his 306 00:26:50.496 --> 00:26:53.486 Here's how I drew the shadow 307 00:26:56.941 --> 00:27:02.555 I created a layer and named it 'Shadow' 308 00:27:04.931 --> 00:27:06.575 Why is this happening here? 309 00:27:08.852 --> 00:27:11.426 Then, I turned this into a Multiply Layer 310 00:27:12.060 --> 00:27:17.476 Then, I chose a low-saturation purple color 311 00:27:21.218 --> 00:27:22.842 And colored over it 312 00:27:24.060 --> 00:27:26.951 It gets dark like this 313 00:27:26.951 --> 00:27:29.218 The area I colored comes dark 314 00:27:36.555 --> 00:27:37.753 You can do like this 315 00:27:42.803 --> 00:27:44.664 Mark the shadows 316 00:27:57.298 --> 00:28:01.841 Create a sunlight layer, and with an airbrush 317 00:28:01.841 --> 00:28:05.100 I'll give a soft yellow glow 318 00:28:26.842 --> 00:28:29.793 Just by doing this, you can feel that it became brighter 319 00:28:30.694 --> 00:28:34.981 At this time, by reducing the brush size 320 00:28:48.624 --> 00:28:50.298 Add highlights 321 00:28:54.159 --> 00:28:58.337 If you add the sky like this, it becomes a bright sky 322 00:29:03.634 --> 00:29:07.298 I will provide more details later during the post-processing 323 00:29:08.080 --> 00:29:12.674 If we want to express a scene where it is raining 324 00:29:14.545 --> 00:29:17.902 We add a layer on top of the base color 325 00:29:35.030 --> 00:29:36.085 To make it darker 326 00:29:36.540 --> 00:29:37.515 It got dark, right? 327 00:29:38.436 --> 00:29:39.317 Then 328 00:29:49.288 --> 00:29:50.862 I'll add one more thing 329 00:29:55.496 --> 00:29:59.555 After creating an Overlay Layer like before 330 00:30:00.614 --> 00:30:06.010 Then I'll use the airbrush to give it a soft blue glow again 331 00:30:23.565 --> 00:30:24.496 And 332 00:30:41.238 --> 00:30:45.030 After making the shadow 333 00:31:00.783 --> 00:31:02.050 As light as possible 334 00:31:27.347 --> 00:31:31.614 I'll express the rain like this 335 00:32:20.773 --> 00:32:22.387 I'll do just like this 336 00:32:29.713 --> 00:32:32.877 Shall we try expressing the sunset? 337 00:32:32.877 --> 00:32:33.797 Let's try 338 00:32:37.446 --> 00:32:38.872 The sunset here 339 00:32:45.941 --> 00:32:48.337 First of all, the sky is very red at sunset, right? 340 00:32:48.892 --> 00:32:50.357 Let's put a red color on it 341 00:32:55.258 --> 00:32:57.535 There's something good here 342 00:33:40.634 --> 00:33:41.525 And then 343 00:33:42.902 --> 00:33:45.763 This is where it gets really fun 344 00:33:45.763 --> 00:33:46.753 To do this 345 00:34:01.248 --> 00:34:05.674 An Overlay Layer is created to express light 346 00:34:05.911 --> 00:34:07.931 I will draw with Pencil 347 00:34:08.436 --> 00:34:10.327 I said the light was very strong, right? 348 00:34:13.852 --> 00:34:17.575 So, because the light comes from the side during sunset 349 00:34:17.822 --> 00:34:21.060 The side of the face tends to become very bright, like this 350 00:34:21.060 --> 00:34:27.357 So if you just express the light in the direction like this 351 00:34:27.357 --> 00:34:29.407 A dramatic effect will appear 352 00:34:33.902 --> 00:34:39.595 Just by doing this, the light becomes very abundant, right? 353 00:34:50.218 --> 00:34:51.337 You can do like this 354 00:34:51.743 --> 00:34:53.476 The sunset is depicted 355 00:34:54.446 --> 00:34:58.199 If we know the properties of light well 356 00:35:00.347 --> 00:35:02.991 It's really fun to describe it in detail 357 00:35:05.308 --> 00:35:08.921 Then we also express the character's complexion 358 00:35:12.882 --> 00:35:14.397 You can skip this 359 00:35:14.397 --> 00:35:19.110 In my case, our face has moles, redness 360 00:35:19.110 --> 00:35:23.278 Dark circles under the eyes and lip colors 361 00:35:23.624 --> 00:35:25.614 I tend to express that 362 00:35:26.060 --> 00:35:30.832 The image you see now is the face of the main character, Hyang-mi, who appears in my comic 363 00:35:32.565 --> 00:35:39.704 I'll express the lip color and skin expression of Hyang-mi 364 00:35:46.743 --> 00:35:51.981 I will choose a light red color and add a layer 365 00:35:53.456 --> 00:35:55.090 And make it Multiply 366 00:35:55.090 --> 00:35:58.050 Then, just color it by hand like this 367 00:36:00.466 --> 00:36:01.624 After coloring 368 00:36:02.317 --> 00:36:06.476 When expressing moles or freckles on the face 369 00:36:13.119 --> 00:36:15.367 You can draw them individually with your hands 370 00:36:19.298 --> 00:36:22.090 You can mark each mole like this 371 00:36:22.496 --> 00:36:26.476 Or you can mark things like freckles and redness 372 00:36:26.902 --> 00:36:28.060 In my case 373 00:36:32.486 --> 00:36:33.070 Oops 374 00:36:40.050 --> 00:36:44.090 In my case, I use a textured brush and adjust the density to a very light tone 375 00:36:46.506 --> 00:36:48.605 As if applying makeup to the face 376 00:36:50.416 --> 00:36:52.119 I apply a thin layer 377 00:36:52.614 --> 00:36:54.753 Express redness on the nose 378 00:37:05.535 --> 00:37:09.902 Also, draw the black part of the eyes like this 379 00:37:14.268 --> 00:37:16.506 I express the skin this much 380 00:37:17.842 --> 00:37:21.139 When an important figure as the main character 381 00:37:23.248 --> 00:37:26.238 I tend to slightly express the hair texture 382 00:37:32.505 --> 00:37:33.317 Like this 383 00:37:36.902 --> 00:37:39.832 There is a part of the hair that reflects 384 00:37:39.832 --> 00:37:43.644 With a bright brush 385 00:37:45.258 --> 00:37:46.704 I describe that part like this 386 00:37:50.981 --> 00:37:54.377 Even this is much better than doing nothing 387 00:38:01.416 --> 00:38:03.803 In my case, lastly 388 00:38:04.555 --> 00:38:08.169 I draw the highlight 389 00:38:09.209 --> 00:38:10.436 On Highlight Layer 390 00:38:11.862 --> 00:38:16.793 Select pure white 391 00:38:16.991 --> 00:38:24.496 Then, use a pen to highlight important areas like this 392 00:38:24.496 --> 00:38:27.486 Then there is a difference between when it is not there and is there 393 00:38:28.070 --> 00:38:30.060 This is when there's not, and this is when there is 394 00:38:30.565 --> 00:38:32.763 You might think that adding a highlight 395 00:38:33.060 --> 00:38:36.159 Will it make a difference? 396 00:38:36.159 --> 00:38:37.773 But suddenly, the picture comes to life 397 00:38:38.842 --> 00:38:42.476 So lastly, as a final touch 398 00:38:42.476 --> 00:38:44.842 I always draw highlights like this 399 00:38:45.476 --> 00:38:49.634 Doing this reminds me of the coloring book I did when I was young, and it's fun 400 00:38:50.911 --> 00:38:53.060 The strength of webtoons, the color 401 00:38:54.030 --> 00:38:56.575 By taking full advantage of this element, color 402 00:38:56.575 --> 00:38:59.941 I hope you also create an attractive manuscript 403 00:39:00.308 --> 00:39:02.298 How did you like coloring the manuscript? 404 00:39:02.545 --> 00:39:04.317 Wasn't it very interesting? 405 00:39:04.317 --> 00:39:05.515 I had a lot of fun 406 00:39:06.575 --> 00:39:10.258 Feel free to choose colors like this 407 00:39:11.456 --> 00:39:14.218 Especially if you are a beginner or an aspirant 408 00:39:14.812 --> 00:39:20.476 Thinking that you will gradually build up your palette over the next 3 to 5 years 409 00:39:20.634 --> 00:39:23.407 Take a good look at the colors around you 410 00:39:23.407 --> 00:39:26.723 Try studying the colors of other artists 411 00:39:27.228 --> 00:39:31.575 Also, to your work 412 00:39:31.575 --> 00:39:35.169 Try bringing the artists' main colors 413 00:39:35.169 --> 00:39:37.713 And apply them to your work 414 00:39:37.713 --> 00:39:40.624 If you study each color one by one 415 00:39:40.624 --> 00:39:45.139 You will find the dimension of color very attractive 416 00:39:45.139 --> 00:39:47.506 Everyone, thank you for listening 417 00:39:48.981 --> 00:39:50.570 Coloring Base Color The coloring layer uses a raster layer After opening the character sheet or color swatch created in the planning stage with Clip Studio, color the area with the eyedropper tool 418 00:39:50.570 --> 00:39:52.315 Be careful not to miss any white areas Save time by coloring the same color from the beginning to the end of the manuscript at once 419 00:39:52.315 --> 00:39:53.951 Choosing a color Since there is no set way to choose a color, you have to use various methods to create your own color combination Open the color wheel and move the cursor to find the desired color or change the saturation and brightness 420 00:39:53.951 --> 00:39:55.688 Coloring Details Shadows, highlight, skin depiction, etc. Details according to the Properties of Light Strong sunlight: High brightness and saturation, strong contrast 421 00:39:55.688 --> 00:39:57.384 Rainy, cloudy days: Brightness and saturation are low, and shadows are light Dawn: It is dark overall, and there is no strong light source, so the shadows are light 422 00:39:57.384 --> 00:39:58.892 Night: Dark overall, shadows and descriptions vary depending on light sources such as moonlight, street lights, and indoor lighting Sunset: Powerful, reddening light enters from the side, so only one side is illuminated