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Time for picture storyboards

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moving from word script to picture script

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is where our visual creativity comes into play

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I think this part is the most difficult

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and energy consuming of all

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so when I am doing this part I don't even put on music

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and try to make an environment where I can  properly focus

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This is also the most time consuming part

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and we will start to do what we call 'production'

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There is an empty canvas

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I will draw in a panel here

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and arrange character, background, objects

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props and etc.

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What and how would we place them in this square?

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Let's talk about the panel first

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I will talk about the size of the panel

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There will be variety of sizes of panels

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the size of the cut dictates how long the reader stays there

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If the panel is bigger, their eyes stay there longer

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if it is smaller, the time will be shorter

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Panel shapes

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determine the emotions of the content

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panel disposition determines reading speed and rhythm

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panel structure set the efficacy inside it

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panel contents will have whatever the author chooses to place there

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panel gaps, the longer they are the scrolls will be longer

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and you can express time in that way

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to express shorter time we use shorter gaps

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To start with panel size

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As I said earlier, the bigger the cut 

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the longer readers stay there and vice versa

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Which means you can use panel size to adjust reading speed

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Capture significant things largely like this and have it be recognized as important

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if relatively less significant, you can make them small

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and make the readers move forward quickly

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If you ask to make all the panel sizes

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the same instead of using different sizes

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of course that is fine as well

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those kind of works exists

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There are works where all the panel sizes repeat 

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like this

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that is not a problem

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this type of presentation

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can create the effect of watching a movie or drama

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the webtoon Mystic Pop-up Bar

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only uses one sized panels for the whole story

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so it makes you feel like you are watching a drama

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I prefer to use different sizes for panels

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There are clear advantages to varying the size of the panels

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You can control the audience's reading speed

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you can emphasize on certain things

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and smaller cuts, which  I personally think 

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are very cute, they take less effort

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so you can save up your energy whilst doing smaller cuts

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and use them for emphasizing on important things

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Also the variety of sizes reduces boredom for the artist as well

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Now I will talk about the different shapes of panels

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Here you can see a rectangle

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a ploygon

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one with no outlines

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characters going outside the panels

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double lined panels

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a panel interrupted by another character, etc.

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A published comic would prefer a wide range of panels

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but webtoons are a bit different

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Unlike published comics

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webtoons have limitation on the width size

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so the shapes have limitations too

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most shapes take form of squares and rectangles

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That is just stable and not intrusive

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but panel shape is really up to the artist

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If you see here

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the action scenes are slanted rectangles

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and I tried to give a sense of dynamic with that slanted form

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If you want you can make your panels hearts

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or circles

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You should make the decision

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to use various shapes

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or like me you can mostly use rectangles and squares

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and when you want to give some dynamics

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you can give some angles or make them slightly slanted

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Now to talk about panel arrangements

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Most people arrange them like this

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If there is a manuscript

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the flow usually goes like this

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it is streamlinedd

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like this

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What this means is that

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when arranging the cuts

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you can put one here and there

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a big one here

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like this

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you can set a flow first

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and then make arrangements from there

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I personally try to disregard that

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and I tend to do it based on my gut feeling

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but I try to mix and match the sizes

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small panel after big one, middle size after the small one like this

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then you can lead the readers rhythmically

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Now panel structure talks about what and how things go inside the panel

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this is the difficult part

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in a director's perspective

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how would you arrange things inside the panel

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how to place a character inside the pannel

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you have to put a lot of thought into this part

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The basic rule is this

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What you want to show the most will be arranged to be shown

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Easy

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For example if you want to show a character's emotion

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You can emphasize the character's facial expressions from up close

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Let's say

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a happy emotion

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you can zoom in on the person laughing

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you can tell this is a happy scene

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So you can present them like this

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If you feel that props are important

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place the prop inside the panel

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let's say a broken watch

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draw the broken watch

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and place it where it is most visible

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Where would that be?

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usually it is in the middle of the panel

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What I want to say is

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Inside the panel

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draw lines in thirds

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and where they intersect

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these red dots

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If you place important elements here

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that is pretty much it

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When we are talking photos or videos

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We place the important element in the middle

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or slightly off the middle

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That is the most visible and 

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natural

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webtoon directing is very similar

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There is one good practice 

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for composition

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I sometimes practice silhouettes like this

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This refers to creating abstract composition

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in black and white with small panels

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I think a good drawing 

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has good silhouettes

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To practice them well

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use black and white

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for emphasis

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check if it is an adaquet size

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and check the tangent

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tangents are 

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the points that touch the lines

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For example

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There is a panel and 

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a person like this

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You see they come together here

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Does this bother you?

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It bothers me a lot

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These are what we call tangents

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you need to be mindful of these

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If this kind of composition is inevitable

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try placing the person a bit

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away from the corner

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Now we don't have a tangent

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You want to do this

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When we have a person here

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talking to another person

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and there are extras in the background

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see there is a tangent here

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try to avoid these as well

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place them away from the main elements

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like this

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be mindful of these points 

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and practice silhouettes

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use brightness contrast

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Increase the contrast on where you want the emphasis to be

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and lowering the contrast

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towards the edges

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I think this silhouette practices are really helpful to keep in hand

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I personally got tremendous help from this practice

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Even when I draw the concept art

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I make the silhouette first on the far left

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and then go into adding details

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to draw them

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Panel contents

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This is what you have already written in the script step

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lines, narrations, character expressions, activities

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background, props, sound effects, effect lines, etc

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These will be going in the drawings

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Some will be skipped, 

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combined or separated

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in the process of transferring word to drawing

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Having a word script

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does not mean you have to follow it 100%

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The reason for the word script

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is to simplify the drawing script process

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So anything could be revised

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in the process of making the picture script

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Let's talk about Camera Plan

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Think of it this way

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picture a scene from the webtoon

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and imagine the filming set in your head

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there will be characters I created in the set that I made

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I am invisible here

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and my eyes are the camera

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Being invisible I will be next to them

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watching them have conversations

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or I can watch them from afar

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or even watch them from the outside

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If they want to talk about a prop

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I could be looking at the prop from up close

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To understand the details of their conversation

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really well

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where should I be?

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That is the Camera

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First, there is space between the camera and the character

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If the camera is close, there will be more emotions

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If the camera is far, it is more objectified and otherized

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Looking up close you can see the facial expressions very well

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which brings out more empathy

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to the contrary watching from afar you can't really see the face

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but the character to background, and their situation is

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better conveyed

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This scene is from Running after a Breake up

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The camera is far away and it is up top

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we call this a CCTV you can have information on the

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background and also how these two people are related here

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It is a camera that is objectified, otherized, focused on conveying information

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In order to present emotions, the camer comes closer

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He is subtly conveying feelings of gratitude

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So it is better to bring the camera closer to the character here

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Other than camera distance, there is camera position

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top, bottom, side, front, back

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when the camera is at the bottom it is called low-angle

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This low-angle creates the angle like a child looking up at an adult

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or a pet looking up at a person

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This is used to convey the subject is a strong and powerful being

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On the other hand, the camera is on top

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When you look down, like at a child

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or when you look at a cute pet

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it shows that the subject is a small and fragile being

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If the camera goes to the front you can see the facial expressions better

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you empathize with the subject more

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this is paired with zoom-ins often in emotional sequences

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in Hwa Rang Kwan in SF

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Pen is looking straight ahead with a somewhat dumbfounded expression

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You can really see the expressions

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He looks absurd

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you can see he is saying something like 'nonsense'

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A side camera shows a situation very objectively

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used mostly for information deliveries

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showing relationship between object

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like it shows two people are in a certain relationship

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Or, it is mainly used when the relationship between space and subject is shown in detail

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However, if the silhouette is strong,it may reveal stronger emotions

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than when the camera is at the front

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for example the silhouette here is strong

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One person is touching the other's head

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This can be used powerfully as a way to convey emotions

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When the camera is in the back it allows the audience 

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to experience the same experience as the subject

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We call this a POV shot

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or documentary shots

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It shows what the subject is seeing

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It allows us to see what this person is going through as if we were watching from behind

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On the other hand, I sometimes use the back camera to 

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hide overwhelmed emotions

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I use this view looking at the character from behind

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when trying to convey overwhelming emotions 

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trying to be hidden

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We've reviewed the camera distance and position

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Let's go into the types of functional shots

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I will list the shots that are used in movie directing

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Directing a movie and cartoon are very similar

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The 4 representative shots that are used only in comics are

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Establishing shot, Master shot, Coverage shot and insert shot

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Establishing shot represents the theme and atmosphere of the work

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It usually shows the background and

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give a sense of the surrounding space

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Provides awareness of the space where events occur at the beginning

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00:17:19.000 --> 00:17:22.000
uses a long distance camera to capture the space

279
00:17:22.000 --> 00:17:28.000
and provides information about places like this where incidents may occur

280
00:17:28.000 --> 00:17:33.000
Provides advance notice of the dramatic atmosphere of an unfolding event

281
00:17:33.000 --> 00:17:38.000
Establishing shots are usually present in the beginning or the end of the scene

282
00:17:38.000 --> 00:17:44.000
I use them often about halfway through the beginning

283
00:17:44.000 --> 00:17:47.000
This is one from Dragon Fairytale

284
00:17:47.000 --> 00:17:53.000
A clothing store appears and the curtains are opening

285
00:17:53.000 --> 00:17:56.000
This is called an establishing shot

286
00:17:56.000 --> 00:18:03.000
and also here this shot is showing the hot spring 

287
00:18:03.000 --> 00:18:06.000
from far away

288
00:18:06.000 --> 00:18:09.000
Master shot seems to be the hardest for many people

289
00:18:09.000 --> 00:18:15.000
It is a long-take shot taken from the beginning

290
00:18:15.000 --> 00:18:17.000
to end of the scene

291
00:18:17.000 --> 00:18:24.000
This sounds harder but it is really a shot that shows both temporal and spacial background

292
00:18:24.000 --> 00:18:29.000
So we will have the background and characters

293
00:18:29.000 --> 00:18:31.000
and it also shows the atmosphere

294
00:18:31.000 --> 00:18:36.000
So sometimes Master shots take place of the Establishing shots

295
00:18:36.000 --> 00:18:41.000
If there are no Establishing shots, the Master shot shows spacial informatino

296
00:18:41.000 --> 00:18:48.000
It shows in one screen the scene's background, characters and props

297
00:18:48.000 --> 00:18:53.000
This is an example. There is the main character in the cafe

298
00:18:53.000 --> 00:18:56.000
and the two other characters

299
00:18:56.000 --> 00:19:00.000
So you have the background and can see a sort of atmosphere

300
00:19:00.000 --> 00:19:04.000
This could be used in place of the Establishment shot

301
00:19:04.000 --> 00:19:07.000
Now I will talk about Coverage shots

302
00:19:07.000 --> 00:19:09.000
There are many

303
00:19:09.000 --> 00:19:16.000
Coverage shots are a added shot to the Master shots

304
00:19:16.000 --> 00:19:22.000
It is various sizes of close up shots of the Master shots

305
00:19:22.000 --> 00:19:25.000
used in repeat

306
00:19:25.000 --> 00:19:28.000
This is actually the most used shot

307
00:19:28.000 --> 00:19:33.000
Here are different shots depending on the shot distance

308
00:19:33.000 --> 00:19:38.000
Now you can use one Establishment and Master shot eah

309
00:19:38.000 --> 00:19:41.000
and put these coverage shots on repeat

310
00:19:41.000 --> 00:19:45.000
Zoom in, zoom out, go to the side, and back to front

311
00:19:45.000 --> 00:19:52.000
Extreme long shot, long shot, medium long shot, etc. 

312
00:19:52.000 --> 00:19:57.000
Use them as needed in repetition

313
00:19:57.000 --> 00:20:00.000
and that is called the coverage shot

314
00:20:01.000 --> 00:20:09.000
So we have different names of shots based on the distance

315
00:20:09.000 --> 00:20:12.000
but you don't need to memorize these terms

316
00:20:12.000 --> 00:20:17.000
just know that there are long shots 

317
00:20:17.000 --> 00:20:19.000
and close up shots

318
00:20:19.000 --> 00:20:23.000
Close up for emotions and long shots for information delivery

319
00:20:23.000 --> 00:20:28.000
This is all you would need to know

320
00:20:28.000 --> 00:20:31.000
Which coverage shot to use

321
00:20:31.000 --> 00:20:34.000
is entirely based on the story

322
00:20:34.000 --> 00:20:37.000
If you need to emphasize the action 

323
00:20:37.000 --> 00:20:39.000
use a shot that best expresses action

324
00:20:39.000 --> 00:20:43.000
like a long, or medium long shot

325
00:20:43.000 --> 00:20:46.000
If you want to show the details of the action

326
00:20:46.000 --> 00:20:52.000
like you get hit and want to show where it hurts

327
00:20:52.000 --> 00:20:56.000
then you would use close up, or extreme close up shots

328
00:20:56.000 --> 00:21:02.000
and to express emotions, you want the camera close by

329
00:21:02.000 --> 00:21:07.000
to show the background have the camera go away from the character

330
00:21:07.000 --> 00:21:11.000
if you need an insert, use close up, medium close up,

331
00:21:11.000 --> 00:21:15.000
or extreme close up that utilize inserts appropriately

332
00:21:15.000 --> 00:21:18.000
If you look at this conversation scene from Gyerong

333
00:21:18.000 --> 00:21:23.000
Close up and Extreme Close up shots are repeated

334
00:21:23.000 --> 00:21:25.000
The camera can go to the side

335
00:21:25.000 --> 00:21:29.000
and there is an insert of the ramyun

336
00:21:29.000 --> 00:21:33.000
and the Insert shot that I talked about

337
00:21:33.000 --> 00:21:41.000
is a shot where additional information is inserted to emphasize specific situation

338
00:21:41.000 --> 00:21:48.000
A classic example would be Citizen Kane's rosebud

339
00:21:48.000 --> 00:21:52.000
The main point of Insert shot is to deliver information

340
00:21:52.000 --> 00:21:57.000
You won't need this, but it really helps the understanding

341
00:21:57.000 --> 00:22:01.000
Techniques to align your gaze with the cut right in front

342
00:22:01.000 --> 00:22:05.000
adding essential shots when delivering information

343
00:22:05.000 --> 00:22:09.000
is what the Insert shot is 

344
00:22:09.000 --> 00:22:13.000
usually an object close up is used

345
00:22:13.000 --> 00:22:15.000
for example when I get a message on my watch and hold it up

346
00:22:15.000 --> 00:22:21.000
the close up shot of my watch would be an insert shot

347
00:22:21.000 --> 00:22:25.000
Insert shots increase the sensitivity of the work

348
00:22:25.000 --> 00:22:28.000
Beginners should be aware

349
00:22:28.000 --> 00:22:31.000
Insert shots are also made fun as the "student shots" in the film industry

350
00:22:31.000 --> 00:22:36.000
because students use a lot of inserts to look cool

351
00:22:36.000 --> 00:22:41.000
Even so, if you want to use insert shots, please use them as much as you want

352
00:22:41.000 --> 00:22:45.000
It is okay to be made fun of. You should make a manuscript that you like

353
00:22:45.000 --> 00:22:50.000
So for me I use inserts to deliver information

354
00:22:50.000 --> 00:22:53.000
or to convey a character's personality

355
00:22:53.000 --> 00:22:58.000
and also to cut through the boredom in conversational scenes

356
00:22:58.000 --> 00:23:01.000
If you have no idea how to use all these shots

357
00:23:01.000 --> 00:23:04.000
Place the establishment shot first

358
00:23:04.000 --> 00:23:09.000
then the master shot and coverage shots, which are just detailed master shots

359
00:23:09.000 --> 00:23:14.000
like medium cluse up, full, extreme close up shots

360
00:23:14.000 --> 00:23:18.000
then the inserts and repeat them as much as needed

361
00:23:18.000 --> 00:23:25.000
then show the master shot again and finish with the establishment shot

362
00:23:25.000 --> 00:23:32.000
With this order, readers will have no trouble understanding the sequence

363
00:23:32.000 --> 00:23:42.000
We will start drawing the script and when you are doing this, write in the lines

364
00:23:42.000 --> 00:23:45.000
Let me open Clip Studio

365
00:23:48.000 --> 00:24:06.000
I already drew until the 6th cut

366
00:24:06.000 --> 00:24:10.000
so I need to start with the 7th cut

367
00:24:10.000 --> 00:24:14.000
Let see what it says

368
00:24:14.000 --> 00:24:18.000
There is a line "My name is Yangmi Jo"

369
00:24:18.000 --> 00:24:20.000
Let's insert the line

370
00:24:20.000 --> 00:24:23.000
try typing in the line before drawing

371
00:24:23.000 --> 00:24:27.000
Why would I do this?

372
00:24:27.000 --> 00:24:35.000
That is because having the lines helps the 'acting' be more natural

373
00:24:35.000 --> 00:24:39.000
the artist need to see the line and really be in the character

374
00:24:39.000 --> 00:24:42.000
If there is no line, it would be fake acting

375
00:24:42.000 --> 00:24:46.000
so it is best to type in the lines and narration at this step

376
00:24:46.000 --> 00:24:52.000
One thing to note is unifying the font size while inserting the dialogues

377
00:24:52.000 --> 00:24:55.000
don't make them too diverse

378
00:24:55.000 --> 00:25:02.000
make about 3: one size for talking, another for shouting

379
00:25:02.000 --> 00:25:06.000
and one small font 

380
00:25:06.000 --> 00:25:10.000
Also it is best not to use many different font styles

381
00:25:10.000 --> 00:25:13.000
I recommend unifying it to one font style

382
00:25:13.000 --> 00:25:16.000
I usually use one font

383
00:25:16.000 --> 00:25:22.000
and just one other font for soliloquies

384
00:25:22.000 --> 00:25:26.000
Make sure to check copyrighs while using the fonts

385
00:25:26.000 --> 00:25:29.000
If not, it might get you in trouble later

386
00:25:29.000 --> 00:25:33.000
Even for free fonts, their conditions may vary

387
00:25:33.000 --> 00:25:36.000
and conditions may change later

388
00:25:37.000 --> 00:25:40.000
check thoroughly at first

389
00:25:40.000 --> 00:25:45.000
Using a font that is too unique is distracting

390
00:25:45.000 --> 00:25:49.000
I believe the fonts should not be assertive 

391
00:25:49.000 --> 00:25:52.000
I recommend to not use Gulim font 

392
00:25:52.000 --> 00:25:55.000
I personally recommend the Gothic font

393
00:25:55.000 --> 00:26:00.000
I use one that is freely dispersed in Naver

394
00:26:00.000 --> 00:26:05.000
like Nanum Gothic or Pen Gothic 

395
00:26:05.000 --> 00:26:10.000
Don't make them too small

396
00:26:10.000 --> 00:26:15.000
and upload the manuscript to a personal blog

397
00:26:15.000 --> 00:26:18.000
take a screenshot with your phone

398
00:26:18.000 --> 00:26:22.000
and compare it with another artists work

399
00:26:22.000 --> 00:26:24.000
to see if the sizing is adequate

400
00:26:24.000 --> 00:26:29.000
For me on a 2,000 px width canvas

401
00:26:29.000 --> 00:26:31.000
I use 25 pnt font

402
00:26:35.000 --> 00:26:38.000
Now let's get into drawing

403
00:26:38.000 --> 00:26:41.000
The format of the picture script

404
00:26:41.000 --> 00:26:45.000
is elongated

405
00:26:45.000 --> 00:26:49.000
the size is 

406
00:26:49.000 --> 00:26:51.000
2,000 pixels wide

407
00:26:51.000 --> 00:26:55.000
the length is up to you but I use about 20,000 pixels

408
00:26:55.000 --> 00:26:57.000
set resolution to 300

409
00:26:57.000 --> 00:27:01.000
Some use 350 and some use 300

410
00:27:01.000 --> 00:27:04.000
but in webtoons the resolution is not a big issue

411
00:27:04.000 --> 00:27:07.000
When it gets published it will be

412
00:27:07.000 --> 00:27:10.000
I usually just set mine to 300

413
00:27:10.000 --> 00:27:12.000
the 2,000 width is important

414
00:27:12.000 --> 00:27:16.000
because if you have paperback publishing in mind

415
00:27:16.000 --> 00:27:21.000
the paper is usually 15cm wide

416
00:27:21.000 --> 00:27:25.000
so more than 15cm is good if you think about publishing

417
00:27:25.000 --> 00:27:28.000
or else the font may break

418
00:27:28.000 --> 00:27:35.000
15cm in 300dpi will be about 1772

419
00:27:35.000 --> 00:27:39.000
So I think 2,000 will be very adaquate

420
00:27:39.000 --> 00:27:43.000
if it goes too much over 2,000 the file size becomes too large

421
00:27:43.000 --> 00:27:45.000
so that is not good

422
00:27:45.000 --> 00:27:49.000
so you can choose anywhere between

423
00:27:49.000 --> 00:27:51.000
1,700~2,000 pixels

424
00:27:51.000 --> 00:27:55.000
but at least 1,500

425
00:27:55.000 --> 00:28:00.000
As I said the length is up to you but I used 20,000

426
00:28:00.000 --> 00:28:05.000
and those numbers get you this size

427
00:28:08.000 --> 00:28:10.000
Let's make a new setting

428
00:28:10.000 --> 00:28:15.000
set the file name

429
00:28:26.000 --> 00:28:30.000
and I've made a new file

430
00:28:30.000 --> 00:28:35.000
If you go to the first page, there is nearly no layers

431
00:28:35.000 --> 00:28:39.000
It is convenient to set the layer in advance here

432
00:28:39.000 --> 00:28:43.000
Let me show you how to do that

433
00:28:43.000 --> 00:28:48.000
First we need a Conti layer

434
00:28:49.000 --> 00:28:55.000
the word Conti is from Japan

435
00:28:55.000 --> 00:28:57.000
is short for Continuity

436
00:28:57.000 --> 00:29:02.000
Honestly I think the word Storyboard may be a better fit

437
00:29:02.000 --> 00:29:07.000
So I made a storyboard layer

438
00:29:07.000 --> 00:29:09.000
and we will draw the script here

439
00:29:09.000 --> 00:29:12.000
We need another layer

440
00:29:12.000 --> 00:29:13.000
we need pen linens

441
00:29:13.000 --> 00:29:16.000
I will write pen here

442
00:29:16.000 --> 00:29:18.000
we need one more

443
00:29:18.000 --> 00:29:21.000
it is the vector pen layer

444
00:29:21.000 --> 00:29:23.000
I will explain it further later

445
00:29:23.000 --> 00:29:27.000
so we have a pen vector layer

446
00:29:27.000 --> 00:29:29.000
we also need background

447
00:29:29.000 --> 00:29:32.000
backgrounds should go under the characters

448
00:29:32.000 --> 00:29:37.000
so let's make a folder and place it below Pen

449
00:29:37.000 --> 00:29:42.000
name it background and we also need color

450
00:29:42.000 --> 00:29:47.000
create another layer below Pen

451
00:29:47.000 --> 00:29:52.000
I named it color

452
00:29:52.000 --> 00:29:54.000
We also need lines

453
00:29:54.000 --> 00:30:00.000
Make another folder named Text

454
00:30:00.000 --> 00:30:05.000
and I put a highlight layer here

455
00:30:05.000 --> 00:30:08.000
Highlight

456
00:30:08.000 --> 00:30:12.000
We also need a folder for post corrections

457
00:30:12.000 --> 00:30:16.000
Set it to overlay and change the layer properties to overlay

458
00:30:16.000 --> 00:30:19.000
I will go over these in detail again later

459
00:30:19.000 --> 00:30:21.000
This is pretty much it

460
00:30:21.000 --> 00:30:29.000
If anything let's add a layer for sound effects

461
00:30:29.000 --> 00:30:31.000
one more layer for sounds

462
00:30:31.000 --> 00:30:38.000
I have made a total of nine layers

463
00:30:38.000 --> 00:30:40.000
including the folders

464
00:30:40.000 --> 00:30:45.000
there are 10 layers total including the canvas

465
00:30:45.000 --> 00:30:47.000
this will be it

466
00:30:47.000 --> 00:30:50.000
if you make too many layers

467
00:30:50.000 --> 00:30:55.000
It gets difficult to organize later

468
00:30:55.000 --> 00:30:58.000
and makes the file size unnecessarily big

469
00:30:58.000 --> 00:31:03.000
So it's really best to keep it to a minimum

470
00:31:03.000 --> 00:31:08.000
and the reason why I make the names in English  is because

471
00:31:08.000 --> 00:31:10.000
Korean language sometimes is not supported

472
00:31:10.000 --> 00:31:12.000
It might just be me

473
00:31:12.000 --> 00:31:15.000
but I did English layer names

474
00:31:15.000 --> 00:31:17.000
but you could do which ever language

475
00:31:17.000 --> 00:31:20.000
but you need to name the layers

476
00:31:20.000 --> 00:31:24.000
If you do layer 1, layer 2, layer 3

477
00:31:24.000 --> 00:31:27.000
It might be okay now

478
00:31:27.000 --> 00:31:30.000
but if you come back to it a year later 

479
00:31:30.000 --> 00:31:34.000
or even a month later 

480
00:31:34.000 --> 00:31:38.000
you have to keep going back to check what layer that was

481
00:31:38.000 --> 00:31:40.000
it's a waste of time

482
00:31:40.000 --> 00:31:43.000
So make sure to name the layers

483
00:31:43.000 --> 00:31:48.000
For the same reason you must name the file right now as well

484
00:31:48.000 --> 00:31:51.000
If you do it later

485
00:31:51.000 --> 00:31:54.000
you will be wasting lot more time

486
00:31:55.000 --> 00:32:00.000
File name, folder names should be set right now

487
00:32:00.000 --> 00:32:04.000
as well as the layers

488
00:32:04.000 --> 00:32:11.000
Now you can copy the layers

489
00:32:11.000 --> 00:32:15.000
and past them into the

490
00:32:15.000 --> 00:32:17.000
other pages 

491
00:32:25.000 --> 00:32:41.000
Now let's click the first file and the Conti layer

492
00:32:41.000 --> 00:32:44.000
and finally get to drawing

493
00:32:44.000 --> 00:32:56.000
I've already inserted the lines before

494
00:32:56.000 --> 00:32:57.000
Let's see

495
00:32:57.000 --> 00:33:04.000
It says "My name is Hyangmi Jo"

496
00:33:04.000 --> 00:33:10.000
and a text says Hyangmi rummages through her backpack

497
00:33:10.000 --> 00:33:12.000
This is what will be drawn

498
00:33:12.000 --> 00:33:20.000
Let's start

499
00:33:20.000 --> 00:33:29.000
Draw in a panel

500
00:33:29.000 --> 00:33:33.000
and let's draw a person going through a bag

501
00:33:34.000 --> 00:33:45.000
sitting down

502
00:33:45.000 --> 00:33:50.000
like this

503
00:33:50.000 --> 00:33:53.000
This is a master shot with the background ,

504
00:33:53.000 --> 00:33:58.000
character, prop and atmosphere

505
00:33:58.000 --> 00:34:10.000
Here it is

506
00:34:10.000 --> 00:34:13.000
8th cut says: and she finds a dry mobile studio 

507
00:34:13.000 --> 00:34:15.000
inside the waterproof pack

508
00:34:15.000 --> 00:34:17.000
We need to draw this

509
00:34:17.000 --> 00:34:20.000
How should we tackle this?

510
00:34:21.000 --> 00:34:25.000
we need to make sure we can see the mobile studio

511
00:34:25.000 --> 00:34:27.000
so let's draw a panel

512
00:34:27.000 --> 00:34:32.000
and a hand holding the mobile studio

513
00:34:32.000 --> 00:34:36.000
and since that hand came from inside the bag

514
00:34:36.000 --> 00:34:38.000
we should draw her holding the bag

515
00:34:38.000 --> 00:34:41.000
to show that something came out from the bag

516
00:34:41.000 --> 00:34:44.000
bag, the mobile studio

517
00:34:44.000 --> 00:35:01.000
and show that it is dry

518
00:35:01.000 --> 00:35:03.000
and now we are here

519
00:35:03.000 --> 00:35:06.000
as what it says in the script

520
00:35:06.000 --> 00:35:12.000
but I don't think we've had the character's face really show

521
00:35:12.000 --> 00:35:14.000
so we know

522
00:35:14.000 --> 00:35:16.000
we need to draw the face

523
00:35:16.000 --> 00:35:19.000
this is where the script is revised

524
00:35:19.000 --> 00:35:21.000
without going back to the word script

525
00:35:21.000 --> 00:35:27.000
just apply the changes right to the drawing

526
00:35:27.000 --> 00:35:29.000
we will push down these two panels

527
00:35:29.000 --> 00:35:32.000
add another panel here

528
00:35:32.000 --> 00:35:43.000
and draw a front facing shot 

529
00:35:43.000 --> 00:35:46.000
Now I want to draw the part where

530
00:35:46.000 --> 00:35:51.000
Hyangmi was passed out on the beach

531
00:35:51.000 --> 00:35:54.000
and woke up feeling confused

532
00:35:54.000 --> 00:35:59.000
I want to make the

533
00:35:59.000 --> 00:36:01.000
glasses slanted like this too

534
00:36:01.000 --> 00:36:21.000
I want to add this here

535
00:36:21.000 --> 00:36:24.000
Now the 9th cut there is a line saying "I'm a webtoon artist"

536
00:36:24.000 --> 00:36:28.000
and it says Hyangmi takes out the mobile studio

537
00:36:28.000 --> 00:36:32.000
hugs it in her arms in relief saying "phew, it's not wet"

538
00:36:32.000 --> 00:36:35.000
So we have the line here

539
00:36:35.000 --> 00:36:43.000
"Phew, it's not wet"

540
00:36:43.000 --> 00:36:53.000
let's show her hugging the pad

541
00:36:53.000 --> 00:36:55.000
like this

542
00:36:55.000 --> 00:37:00.000
I drew this in blue for a reason

543
00:37:00.000 --> 00:37:04.000
that is because my pen lines are brown

544
00:37:04.000 --> 00:37:07.000
so I wanted to use a color that is different

545
00:37:07.000 --> 00:37:09.000
so I chose blue

546
00:37:09.000 --> 00:37:12.000
By doing that

547
00:37:12.000 --> 00:37:16.000
you can see what is different

548
00:37:16.000 --> 00:37:21.000
while inking over the script

549
00:37:21.000 --> 00:37:23.000
It doesn't have to be blue

550
00:37:23.000 --> 00:37:26.000
it could be red 

551
00:37:26.000 --> 00:37:28.000
or yellow

552
00:37:28.000 --> 00:37:31.000
but I recommend to avoid using black

553
00:37:31.000 --> 00:37:34.000
that might confuse you in the next step

554
00:37:34.000 --> 00:37:36.000
try using blue like me

555
00:37:36.000 --> 00:37:38.000
and you can change that later

556
00:37:38.000 --> 00:37:42.000
Also the density of the script is good at this level

557
00:37:42.000 --> 00:37:47.000
You can see I didn't do any detailed depictions

558
00:37:47.000 --> 00:37:52.000
So just a density that only you, as the artist

559
00:37:52.000 --> 00:37:57.000
could recognize and tells you

560
00:37:57.000 --> 00:38:01.000
where things are in the panels

561
00:38:01.000 --> 00:38:02.000
You wouldn't have to 

562
00:38:02.000 --> 00:38:05.000
go into too much dense details at this point

563
00:38:05.000 --> 00:38:09.000
details will be sketched in later

564
00:38:09.000 --> 00:38:14.000
So I think this level of density is just adaquate

565
00:38:14.000 --> 00:38:20.000
Shall I show you couple more examples?

566
00:38:21.000 --> 00:38:23.000
This is the picture script of 

567
00:38:23.000 --> 00:38:27.000
the front part of the story

568
00:38:27.000 --> 00:38:31.000
If you see there is really no details here

569
00:38:31.000 --> 00:38:35.000
For the hands I like to draw hands while

570
00:38:35.000 --> 00:38:39.000
looking at mine, so it looks a bit detailed

571
00:38:39.000 --> 00:38:44.000
but other then that it looks very rough

572
00:38:44.000 --> 00:38:46.000
it doesn't have that much

573
00:38:46.000 --> 00:38:49.000
I think this is the right amount

574
00:38:49.000 --> 00:38:52.000
I also want to talk about lines

575
00:38:52.000 --> 00:38:55.000
When I am writing the script or inking

576
00:38:55.000 --> 00:38:58.000
There are certain lines that I use

577
00:38:58.000 --> 00:39:00.000
I use the pencil line

578
00:39:00.000 --> 00:39:06.000
Looking up close, it has a pencil-like finish

579
00:39:06.000 --> 00:39:11.000
I prefer to use this pencil lines

580
00:39:11.000 --> 00:39:17.000
but some people

581
00:39:17.000 --> 00:39:20.000
like this kind of 

582
00:39:20.000 --> 00:39:22.000
flat pens

583
00:39:22.000 --> 00:39:26.000
some prefer these pens

584
00:39:26.000 --> 00:39:31.000
I've heard many good things about this pen so I tried it

585
00:39:31.000 --> 00:39:36.000
and it was really good

586
00:39:36.000 --> 00:39:40.000
Calipen has its own unique feel

587
00:39:40.000 --> 00:39:43.000
So many people like this

588
00:39:43.000 --> 00:39:46.000
and some even say using calipen makes

589
00:39:46.000 --> 00:39:49.000
my work better, the script is better

590
00:39:49.000 --> 00:39:53.000
So I recommend the Calipen as well

591
00:39:53.000 --> 00:40:00.000
or the pencil line like mine

592
00:40:00.000 --> 00:40:02.000
I recommend these too

593
00:40:02.000 --> 00:40:07.000
and G pens are commonly used to 

594
00:40:07.000 --> 00:40:14.000
G pens, like real pens get thinner and thicker

595
00:40:14.000 --> 00:40:19.000
These types of pens are popular among artists too

596
00:40:19.000 --> 00:40:24.000
I hope you try all of them and find your favorite

597
00:40:24.000 --> 00:40:28.000
I use the pencil because I like the handmade feel

598
00:40:28.000 --> 00:40:31.000
So I recommend these 3 pens

599
00:40:31.000 --> 00:40:36.000

Many people seem to like the calipen because it draws smoothly

600
00:40:36.000 --> 00:40:39.000
G pen is common

601
00:40:39.000 --> 00:40:43.000
The G Pen really feels like a handcrafted product 

602
00:40:43.000 --> 00:40:46.000
that many cartoonists now use

603
00:40:46.000 --> 00:40:51.000
Among these 3 pens 

604
00:40:51.000 --> 00:40:57.000
you will find the one 

605
00:40:57.000 --> 00:41:01.000
so you should pick one and use that

606
00:41:01.000 --> 00:41:05.000
to draw your storyboard

607
00:41:05.000 --> 00:41:08.000
this part is always the most difficult

608
00:41:08.000 --> 00:41:12.000
Try drawing the first episode minding what I've said today

609
00:41:12.000 --> 00:41:16.000
how do direct, the kinds of panels

610
00:41:16.000 --> 00:41:23.000
different camera works, types of panels, camera position and distance

611
00:41:23.000 --> 00:41:27.000
Try drawing your first webtoon episode

612
00:41:27.000 --> 00:41:32.000
This is the part that everyone takes as difficult

613
00:41:32.000 --> 00:41:34.000
You are not alone

614
00:41:34.000 --> 00:41:39.000
When you are done with the picture script, the hard part is over

615
00:41:39.000 --> 00:41:44.000
Next is Inking so I hope you could join us there too

616
00:41:44.000 --> 00:41:46.000
Thank you

617
00:41:47.467 --> 00:41:49.117
Create a look using various cuts
Size of Cut
Size of cut: Determines how long readers' eyes stay
Shape of cut: determines the emotion of the content


618
00:41:49.117 --> 00:41:51.067
Panel Placement: Determines reading speed and rhythm
Content of the Panel: actual content
Interval of cuts: The longer the interval, the longer the scrolling and display time

619
00:41:51.067 --> 00:41:52.931
Camera Position
Below: subject is seen as powerful
Above: subject appears to be small and fragile
Front: increased interaction between the audience and the subject

620
00:41:52.931 --> 00:41:54.281
Side: conveys objective situations, shows the relationship between objects, space and subjects
Back: audience experiences the same experience as the subject

621
00:41:54.281 --> 00:41:56.531
Direct using various cuts
Representative shots used in cartoon direction
Establishing shot: represents the theme, atmosphere, etc.

622
00:41:56.531 --> 00:41:58.931
Master shot: A long take of an entire scene from the beginning to the end
Coverage shot: A shot taken by adding a smaller size to the master shot

623
00:41:58.931 --> 00:42:01.281
Insert Shot: additional visual information is inserted to emphasize a specific action or situation

624
00:42:01.281 --> 00:42:03.681
Drawing a picture script
Format of picture storyboard:
Horizontal 2000px, vertically free
Resolution at least 300 dpi or higher

625
00:42:03.681 --> 00:42:06.281
Layer settings
Conti layer, inking layer, vector inking layer, background folder, coloring layer, dialogue folder, highlight layer, post-editing folder, sound effect layer

626
00:42:06.281 --> 00:42:08.231
Types of Pen
Pencil line, flat calligraphy pen, G-pen
Find and use a pen that suits your taste