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WEBTOON
Basic
Designing and dressing characters, targeting men


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GCC Academy


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Learning Goals
Know the basic physical features for men and can draw expressing age and personality
Know and able to draw the principles of folds in clothing for underwear. modern clothing and Hanbok(Traditional Korean Clothing)

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Learning Contents
Designing male characters
Dressing male characters

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Kim Yonghoe
CAREER
fmr. adjunct prof. at ChungKang College of Cultural Industries
fmr. dean at Seoul Webtoon Academy
WORK
KAKAOWEBTOON Flowers that bloom again
KAKAOWEBTOON Just that
KAKAOWEBTOON A Midsummer Night's Dream
KAKAOWEBTOON Drink Together

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Hello
My name is Kim Yonghoe
I am a webtoon writer

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In this lecture, we will go through designing and dressing male characters


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Appearance and dress of character represent it's personality, genre and era of webtoon


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There is typical appearance of main character


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There'd be differences of age and appearance of main character depend on the characteristic of play


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The main characters of popular stories


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are commonly tall, muscular and good looking


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The appearance of main character has to be likable


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and in webtoon, it has to be expressed in drawing


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In this video, we will pick up basic physical features for men


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and how to express age and personality


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also from basic underwear to thin and light texture of clothes


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and the principles of folds in clothing


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Designing male characters


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Let's draw the male character design


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Let's split human body into 4 parts : head, torso, arms, legs


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When you first draw a model of a human figure


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use soft line to estimate the size


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of each part of body figure


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It is important to get used to the shape and parts of body figure


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with your hands and eyes


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The torso can be divided into chest, abdomen and pelvis


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For the chest part, ribs form the chest


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Abdomen is a bag-like part contains organs, unlike chest, is not protected by ribs


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Pelvis is a series of bones that form pentagon shape


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These 3 parts make torso and it shapes the line of torso naturally


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Let's turn it on its side obliquely to understand the line of torso


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You should remember the shape of ribs and pelvis that make torso


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and the spine which connects both


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The bones of torso are altogether a big jar that carries and protects organs


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Also understand that neck is connected above the chest, arms are on sides


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and legs below the pelvis naturally


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Knowing the anatomical skeleton and muscles


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will help you to draw stylish and three-dimensional character in appearance


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There are some bones of human body that we can touch because they are prominent


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Skull, shoulder blade, olecranon, femur(around the head), patella, tarsal bone


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These are the connecting part of the body and great point to draw in proportion


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The neck which connects head with body


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is cylinder-shape and slightly curve into collar bone


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Shoulder is located where the end of the collar bone meets hanger-shape curve from the neck


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Elbow is consistent with the bottom end of ribs roughly 


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Wrist meets femur


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Femur is located on end of both sides of pentagon-shape pelvis


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The female pelvis is broader than the male pelvis


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therefore femur located further away


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Length from the femur to knee is similar to one from elbow to wrist


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The same goes for the length from knee to ankle


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This is human body has standard proportion


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Then let's design the looks, face that makes up about 90% of the design of character


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For skull, you need only learn the structure and location of eye sockets, nose holes, mouth and ear canals


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Back of the skull is quite larger than you think


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You can't look down on it


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Draw triangle connecting eyes and nose on egg shaped head


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I drew simple and typical eyes, nose and mouth


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This is hairline where hair grows


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Make hairstyle base on this line


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Distinguish adult and child and make physical strength and weakness with thickness of the neck


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Emotions and personalities can be expressed only with the shape of eyes and mouth 


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Upturned eyes give you healthy and positive impression


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No matter what shape of mouth is, basic impression doesn't change much


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Downturned eyes give you relaxed impression


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but at the same time, you can feel proud and rude that looking down on people


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When angry, muscles around eyes are gather to the center and frown


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When sad, eyebrows are lifted centering around nose and get wrinkles


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and same as eyebrows, both side of mouth droop and get wrinkles below the lower lip


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Make facial expressions and apply it to your drawing 


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You can make sensitive narcissist


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or sporty and extroverted person using hairstyle


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You can use facial shape to show typicality of personalities


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In fact, no matter what shape it is, as long as it has eyes, nose and mouth, people perceive it as person


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Therefore in paintings, rather than depicting it realistically


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it is possible to have a technique called Deforme(Deformation)


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which is a technique of expressing an object by adding some transformation, reduction, or distortion


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Square jaw makes you look tough


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while if jaw is sharp and short, you look weak


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Make the shape of face into figure to distinguish changing personality traits


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In comic, you can make it perceived as person


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Basic egg shaped face


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makes normal impression like this


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then if I change this


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into trapezoid


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it changes the impression


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and


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quadrangle face


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can be recognized and perceived as person in comic


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likewise, if the shape is


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triangle


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still recognized as a character


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pentagon


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hexagon shape also perceived as person


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but even if it has same eyes, nose and mouth, it makes different impression depends on the shape


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and in comic


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even if you draw random curve shape


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still recognized as a person, character


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You can make the feelings from the shape


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perceived as person inside the character


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Only the shape and thickness of eyebrows can make different impression


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Design face you like apply various shape of eyes, nose, mouth


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and hairstyle inside the frame of appearance


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To make it younger


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draw broad forehead and short nose


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thin neck and narrow shoulder


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According to the age of child you want to draw, younger the age is,


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shorter and thinner the proportion of face, torso and limbs


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Basically increase the volume of forehead and the back of the head


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and draw eyes, nose and mouth small and cute


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Younger the face, shorter the nose


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on the contrary, if draw nose longer, it looks mature and strong


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if you only put nasolabial folds around the mouth, it looks like middle-aged man


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if you add wrinkles below eyes, it ages certainly


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What kind of face would be good for appearance


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Let me apply typical face shape


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Let's draw medium length tidy slick back hair


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or untidy but stylish hairstyle with beard makes a man with strong personalities


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People say that eyes are windows to the soul


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Eyes are soulful


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Character with the narrowed eyes that the pupils cannot be seen is unfathomable


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and can be a good supporting character


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Thin and skinny person also has no fat on their face so their bones are prominent


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As with the face, the shape of body can be applied various figure 


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In accordance with feeling of the shape of body


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let me show you inverted triangle shape muscular body


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and fat body representatively


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as for inverted triangle shape body


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certainly, draw thick neck to add


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strong impression


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also for this style, it'd be fit in with square head


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whereas for same big figure


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but big fat body


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draw ellipse shape


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and to give more fat on face and neck


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draw bigger round on the below


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also for this fat body, 


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make arms, hands and legs 


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round and thick


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Dressing male character


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Now, let's paint some clothes on body


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starting with underwear


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Generally for the underpants


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both briefs


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and boxers


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draw on torso line and clothes line


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As mentioned earlier, all of torso is round


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since it is round cylinder shape


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make sure you remember that when you draw the lines of clothes


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also for the lines of the torso


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if you keep the feeling of the lines in mind when you draw


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then you can make it much more solid


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and since the perspective and grid is applied on body itself


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if you think about where the camera eye would be


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let's say on this eye level then below that


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these round would be tilted


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therefore as it goes down, more looked down it is


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draw on that principle and above this


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think of the round being looked up


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then you can draw solid picture


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Let's dress up the rest


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matching with the body line


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draw undershirt


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on this line


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and let's say dress it up short sleeve


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round-neck t-shirt


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make it protrude along the shoulder line


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sewing line would go into armpit


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then naturally there will be folds centering that


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it doesn't matter for tight short sleeve


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but for boxy


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t-shirt, make the folds that comes from here


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same direction to the flow of torso naturally


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and making wrinkle on the wrinkle help you


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to make more stylish three-dimension


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wrinkle would be deeper on the other side


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under the influence of gravity this part would be on the skin


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and there will be gap on the lower part


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and the wrinkles along that


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and the wrinkle from the shoulder meets the one from the armpit


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then it would be natural


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make one along the curve of the chest


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and the clothes goes down naturally


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until it meets fingers and make layers


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it goes along the body line on this side


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then meets inclined torso and makes wrinkles


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and draw tilted bottom line along the torso


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Let's dress up the pants that suit him


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it's the most standard type of pants


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there's a button on the beltline


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there's a zipper fly and drawing some shallow wrinkles along the pelvis line would make it look natural 


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and the pants line goes down


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make wrinkles around the knee naturally


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then make it follows the line towards calf


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if it is some casual pants like jeans or cotton trousers then it would be comfortable for you


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to follow this line


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and if it is suit pants


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which has softer fabric then it won't make


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much wrinkles and goes down neatly


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like pulling the weight of the fabric


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instead the gap between the fabric and leg that are narrowing down to ankle


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could be drooping on the front or so


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making natural wrinkles


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what about drawing something casual on the other side


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let's draw some casual pants


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but the jaunty ankle pants


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now then this one is


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more like suit pants made of soft fabric


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while this one looks like casual pants made of


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stiff fabric


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it's time for shoes
let's say draw a most basic sneakers


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along with the shape of foot


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then make a round wrapping up the toes


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then cover on the top


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and shoe tongue under the laces


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tied shoelaces


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and knot above it


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to draw same shoe from the side


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for sneakers, it's not covering ankle and make natural line below ankle


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and the round part


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to cover and protect toes and front soles are slightly lifted for all kind of shoe 


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and below


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draw soles


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draw shoelaces and knot


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this is how to draw most basic


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sneakers


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since it is casual clothing, how about we put a cap on him


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for cap


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you should think of the shape of head first


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being curved inwards along the head


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the cap itself


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is a cylinder shape and the peak is attached


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therefore you should make a cylinder shape along the head first


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and do not forget about the volume of the back of the head


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and you pull the back of the cap low so it's not a straight line


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but slightly sloped towards back


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then naturally the peak side would face a bit higher


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and the peak


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make curve lines on front


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well, people wear a cap with flat peak these days


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but general baseball cap has a curve peak


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so I'll stick with a curved one


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and there will be


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a brand logo here


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this is how to draw the baseball cap


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now it's time for the shirt


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collars of the shirt curve down toward front along the neck


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both end of the collars spread slightly like the wings


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and the buttoned line of shirt goes down


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vertically along the torso


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it's good to draw a wrinkle on the shoulder line


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there's a sewing line on the shoulder and you don't have to draw it


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but if you do, then you can draw wrinkles from armpit 


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to neck naturally so it's good for you to do that


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and for the sleeves, since it's soft fabric


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sleeves are slightly wind along the cylinder shape of arms


258
00:29:14.377 --> 00:29:18.578
now that we rolled down this side of sleeves why don't we roll up this one


259
00:29:26.160 --> 00:29:35.598
for rolled up sleeves, it's good to create some senses of volume with multiple layers of wrinkle


260
00:29:52.440 --> 00:29:59.969
and if the shirt is tucked in


261
00:29:59.969 --> 00:30:01.916
draw pants line first


262
00:30:06.239 --> 00:30:14.680
then draw gathered wrinkles are tucking in the pants line


263
00:30:14.680 --> 00:30:21.560
add lines of torso since there are curves on the chest 


264
00:30:21.560 --> 00:30:24.968
just like we did before 


265
00:30:29.640 --> 00:30:30.768
when we drew t-shirt


266
00:30:44.303 --> 00:30:48.718
then you can make shirt naturally


267
00:30:51.319 --> 00:30:54.786
now then let's draw the pants that match with this shirt


268
00:30:58.149 --> 00:31:02.912
as we did earlier


269
00:31:30.187 --> 00:31:36.678
it'd be more authentic suit if it have wrinkles on the front


270
00:31:41.510 --> 00:31:45.005
and let's draw dress shoes


271
00:31:50.599 --> 00:31:57.719
also for the dress shoes, along the shape of foot


272
00:31:57.719 --> 00:32:03.378
and with the sharp cool toe box


273
00:32:03.378 --> 00:32:09.069
the curves need to be centered more on the big toe


274
00:32:13.640 --> 00:32:20.359
with slightly lifted outsole


275
00:32:20.359 --> 00:32:26.520
and draw sloes to describe thick outsole


276
00:32:26.520 --> 00:32:31.880
same for the heel


277
00:32:31.880 --> 00:32:35.560
and the leather above


278
00:32:35.560 --> 00:32:42.246
there is a toe box like this depending on the shape of the shoes


279
00:32:46.119 --> 00:32:50.760
there is one that covers the top of the foot


280
00:32:50.760 --> 00:32:58.680
and there is one with the shoelaces like this


281
00:32:58.680 --> 00:33:02.406
and not covering the top of the foot smoothly


282
00:33:04.760 --> 00:33:07.567
but leathers are along the curves


283
00:33:10.839 --> 00:33:16.359
of the foot like this are general


284
00:33:16.359 --> 00:33:21.078
therefore let me use this type of dress shoes


285
00:33:24.439 --> 00:33:30.199
make contrast with black


286
00:33:30.199 --> 00:33:38.839
and describe gloss of highlights naturally


287
00:33:38.839 --> 00:33:44.837
and if you describe with colors, stick with the describe of the shape


288
00:33:48.280 --> 00:33:56.787
and make it simple where the contrast would be


289
00:34:30.592 --> 00:34:31.277
below that


290
00:34:38.614 --> 00:34:43.864
there is a shape of the dress shoes with impact on top


291
00:34:43.864 --> 00:34:49.120
and the side of the dress shoes covering the side of the foot


292
00:34:49.120 --> 00:35:02.279
and the outsole and heel


293
00:35:02.279 --> 00:35:13.688
make contrast same as other one


294
00:35:39.932 --> 00:35:45.786
so we have dressed shirt and pants on


295
00:35:48.607 --> 00:35:49.968
use and apply this


296
00:35:55.760 --> 00:36:01.833
to draw simple shorts


297
00:36:05.199 --> 00:36:08.811
for wide shorts, in the same manner


298
00:36:08.811 --> 00:36:14.719
draw the lines thinking of the cylinder shape curves of body


299
00:36:14.719 --> 00:36:22.159
for the wrinkles, as same as the one from the armpits


300
00:36:22.159 --> 00:36:30.639
think of the curves winding toward thigh gap


301
00:36:30.639 --> 00:36:36.507
as for v-neck t-shirt


302
00:36:40.656 --> 00:36:44.504
if we draw some v-neck rough t-shirt


303
00:36:51.494 --> 00:36:53.535
that matches on shorts


304
00:37:09.906 --> 00:37:12.337
you could describe like this


305
00:37:17.840 --> 00:37:23.427
when it comes to period piece


306
00:37:31.239 --> 00:37:34.192
you should put him on hanbok(traditional korean clothing)


307
00:37:34.192 --> 00:37:41.879
you should know the very least of clothing structure


308
00:37:41.879 --> 00:37:46.947
this is dongjeong(white collar) and this is otgoreum(the two ribbons knotted to close jeogori(the upper part))


309
00:37:51.600 --> 00:38:01.174
if it is not for dopo(outer jacket) which has long otgoreum but for jeogori, it's short


310
00:38:05.479 --> 00:38:07.397
and loose


311
00:38:07.397 --> 00:38:11.236
and sleeves are baggy


312
00:38:16.582 --> 00:38:18.117
having about this amount of space


313
00:38:18.117 --> 00:38:24.847
and describe the wrinkles from that space big


314
00:38:31.840 --> 00:38:40.047
make shoulder line dropping down lower than the modern clothing would make it have enough space


315
00:38:46.246 --> 00:38:50.578
and it narrow down a bit at the end of the sleeve


316
00:38:52.850 --> 00:38:59.370
make sure you know this kind of design is jeogori of hanbok


317
00:38:59.370 --> 00:39:02.089
there is apseop(overlapped column on the front)


318
00:39:02.089 --> 00:39:08.679
since the knot is on the apseop, wrinkles would


319
00:39:08.679 --> 00:39:13.568
flow down naturally from here


320
00:39:18.080 --> 00:39:26.800
also for the trousers, it's unstretchable and loose


321
00:39:26.800 --> 00:39:30.137
therefore the line goes down straight


322
00:39:30.137 --> 00:39:36.879
it comes down straight but there will be enough space around knee


323
00:39:36.879 --> 00:39:42.447
and the trousers will be tied around the ankles


324
00:39:42.447 --> 00:39:48.055
so think of the line drops down toward ankles


325
00:40:18.077 --> 00:40:26.429
and he will wear durumagi(a variety of overcoat) on this basic clothing


326
00:40:31.520 --> 00:40:38.246
also for the durumagi, close the apseop


327
00:40:41.320 --> 00:40:45.439
left over right


328
00:40:45.439 --> 00:40:53.399
as you know, usually left seop is on the right one for men's clothing 


329
00:40:53.399 --> 00:41:04.000
there is a story about it
probably it is easier for right handed to draw


330
00:41:04.000 --> 00:41:09.832
sword or weapon, therefore the design


331
00:41:09.832 --> 00:41:16.516
became the left fabric is over right one, not right one over left one


332
00:41:21.520 --> 00:41:28.219
as for dopo, it is much bigger and looser than jeogori


333
00:41:31.724 --> 00:41:38.089
so draw dongjeon bigger and lines of clothing are heavier


334
00:41:38.089 --> 00:41:46.189
it is made much bigger so otgoreum is longer naturally


335
00:41:55.189 --> 00:42:00.847
the line of clothing that dropping was grabbed by the hand


336
00:42:03.080 --> 00:42:05.482
but still dropping continuously


337
00:42:05.482 --> 00:42:13.597
also for the sleeves, the sewing line is lower and make wrinkles


338
00:42:17.152 --> 00:42:20.617
and make sleeves


339
00:42:27.840 --> 00:42:29.689
with plenty of space


340
00:42:35.778 --> 00:42:40.521
it is good to draw natural wrinkles from armpit


341
00:42:40.521 --> 00:42:47.840
to shoulder line, same as always


342
00:42:47.840 --> 00:42:51.927
make wrinkles winding towards elbow


343
00:42:54.360 --> 00:43:00.280
on the heavy dropping sleeve


344
00:43:00.280 --> 00:43:06.347
draw heavy dropping wide sleeve


345
00:43:13.879 --> 00:43:25.560
the long dopo skirt wind along the body


346
00:43:25.560 --> 00:43:32.959
and same as earlier, there will be long wrinkles


347
00:43:32.959 --> 00:43:34.887
started from the knot


348
00:43:41.040 --> 00:43:42.877
you can make a stylish line of dopo


349
00:43:47.439 --> 00:43:53.840
if you describe that much of details


350
00:43:53.840 --> 00:43:57.568
let's draw padded jacket before we go to fur clothes


351
00:44:00.879 --> 00:44:01.667
for padded jacket


352
00:44:06.239 --> 00:44:18.246
as for outer clothes, basically start the lines much further from the shape of body


353
00:44:18.246 --> 00:44:24.479
and outer clothes don't make many fine lines


354
00:44:24.479 --> 00:44:25.387
it's good


355
00:44:30.159 --> 00:44:33.067
to make it heavy to describe


356
00:44:37.159 --> 00:44:37.928
the mass


357
00:44:47.563 --> 00:44:49.367
wrinkles around the arms


358
00:44:53.919 --> 00:44:57.768
proper amount of wrinkles for weight and volume


359
00:45:01.080 --> 00:45:02.248
and in the same manner


360
00:45:06.120 --> 00:45:07.916
light wrinkles


361
00:45:11.870 --> 00:45:16.679
depends on the fabric such as zipper on front


362
00:45:16.679 --> 00:45:21.323
this connected part, it pulled from this part


363
00:45:21.323 --> 00:45:25.077
so it's good to describe wrinkles on that part


364
00:45:28.560 --> 00:45:35.548
speaking of outer clothing, it would be good to make him wear stylish jacket


365
00:45:41.768 --> 00:45:48.040
as for jacket, it is contemporary suit


366
00:45:48.040 --> 00:45:51.988
but is also the western traditional clothing


367
00:45:59.479 --> 00:46:05.070
collars are naturally go down toward chest or below the pit of the stomach


368
00:46:05.070 --> 00:46:10.546
and the shoulder line is made stylish certainly


369
00:46:12.879 --> 00:46:19.399
since it is jacket, not drawing many wrinkles is much more posh


370
00:46:19.399 --> 00:46:25.760
as in the case of dopo earlier, it is good


371
00:46:25.760 --> 00:46:28.508
to describe with only few thick lines


372
00:46:34.439 --> 00:46:38.677
on the basic lines


373
00:46:52.520 --> 00:46:58.335
just remember that this line on the armpit becomes the point for the wrinkles


374
00:46:58.335 --> 00:47:03.239
and not only giving wrinkles on the folded part


375
00:47:03.239 --> 00:47:06.857
but put it in along with the curvy shape of body


376
00:47:10.144 --> 00:47:15.637
then you can make the clothes naturally 


377
00:47:18.800 --> 00:47:20.916
without any excessive describe


378
00:47:29.159 --> 00:47:36.516
as for the jacket, it's good to make it as long as it covers the butt naturally


379
00:47:39.360 --> 00:47:41.980
now it's time for fur clothes


380
00:47:41.980 --> 00:47:44.808
draw basic coat line


381
00:47:48.360 --> 00:47:49.338
that would be overcoat


382
00:48:02.520 --> 00:48:09.308
among the coats, there is tight slim fit and there is loose


383
00:48:11.625 --> 00:48:18.080
design as well, but for the heavy and thick


384
00:48:18.080 --> 00:48:28.298
fabric, emphasize the heavy pulling down feeling


385
00:48:33.600 --> 00:48:36.664
under the influence of gravity


386
00:48:45.199 --> 00:48:49.699
now for the fabric on the sleeves will be


387
00:48:49.699 --> 00:48:54.199
winding down as well under the influence of gravity


388
00:48:54.199 --> 00:48:59.471
to describe that, make one thick wrinkle


389
00:48:59.471 --> 00:49:01.357
pulling from the elbow


390
00:49:04.040 --> 00:49:10.367
and describe the drooping sleeve of the coat naturally


391
00:49:15.610 --> 00:49:18.407
the line of coat came down heavily


392
00:49:23.000 --> 00:49:28.562
also will wind along the rounded line of body backwards


393
00:49:28.562 --> 00:49:30.520
like this


394
00:49:30.520 --> 00:49:36.760
therefore some will be seen between the legs and the line of this side


395
00:49:36.760 --> 00:49:41.792
will be dropped with weight from around here


396
00:49:41.792 --> 00:49:45.159
and here will be folded as well


397
00:49:45.159 --> 00:49:52.097
make and describe lines into wrinkles naturally


398
00:49:54.800 --> 00:49:59.760
on those parts to make it a overcoat


399
00:49:59.760 --> 00:50:08.307
and if we make this as fur clothes from cold northern hemisphere


400
00:50:13.823 --> 00:50:21.347
actually strength of digital tools is that there are


401
00:50:21.347 --> 00:50:27.679
a variety of brushes you can use to describe fur or grass


402
00:50:27.679 --> 00:50:34.508
but there are differences how to use those brushes naturally


403
00:50:34.508 --> 00:50:39.565
between who has the ability to draw and who doesn't have


404
00:51:14.115 --> 00:51:19.328
for describing furs, you can just


405
00:51:22.714 --> 00:51:28.176
put on small and thin lines on the line like this


406
00:51:34.800 --> 00:51:40.406
or you can symbolize it and use deformation


407
00:51:42.439 --> 00:51:50.280
the more you symbolize and use deformation, more the paintings have its own style and look cool


408
00:51:50.280 --> 00:51:53.364
and being able to symbolize itself


409
00:51:53.364 --> 00:51:57.548
means understanding what the object is


410
00:52:02.080 --> 00:52:06.308
therefore if you want to draw stylish paintings


411
00:52:08.239 --> 00:52:12.117
you will be pursue diminished symbolization eventually


412
00:52:33.622 --> 00:52:39.909
and describe fur particles inward


413
00:52:39.909 --> 00:52:45.976
following the outer shape of the fur we drew


414
00:52:56.560 --> 00:52:58.188
and the part that will be polish


415
00:53:00.760 --> 00:53:02.687
the part folding inward


416
00:53:05.251 --> 00:53:09.488
this x mark means where the ink stick will be used


417
00:53:11.250 --> 00:53:13.877
it's a symbol in the area of comic


418
00:53:44.014 --> 00:53:47.260
in this way it is much easier


419
00:53:47.260 --> 00:53:51.800
to make better looking shape of fur


420
00:53:51.800 --> 00:54:00.390
consider the left part as realistic describe


421
00:54:00.390 --> 00:54:06.560
of course I cannot say that right side is not realistic


422
00:54:06.560 --> 00:54:13.679
but symbolized it as cartoon expression using deformation in more simple way


423
00:54:13.679 --> 00:54:18.130
and there is concept of style for all paintings


424
00:54:18.130 --> 00:54:28.080
therefore writer have to decide what kind of style you want

425
00:54:28.080 --> 00:54:37.100
whether develop their own needs with the style about how much you symbolize


426
00:54:37.100 --> 00:54:41.681
or develop needs with realistic paintings


427
00:54:41.681 --> 00:54:47.751
we took a look about dressing up the male character


428
00:54:47.751 --> 00:54:53.880
how to make wrinkles or draw shoes, etc with demonstration


429
00:54:53.880 --> 00:54:54.679
thank you


430
00:54:55.820 --> 00:54:57.332
SUMMARY
Designing male character
Designing appearance
Human body can be divided into head, torso, arms and legs
Needs to understand the line of torso consist of chest, abdomen and pelvis

431
00:54:57.332 --> 00:54:58.625
Skull, shoulder blade, olecranon, femur, patella, tarsal bone are the connection part of the body and become the point for the proportion
Face design
Understand the structure and position of eye sockets, nose holes, mouth, ear canals and the back of 

432
00:54:58.625 --> 00:54:59.740
Be able to describe the characteristic and emotion with the shape of eyes and mouth
Child: broad forehead, short nose, thin neck and narrow shoulder
Middle-aged: add long nose, nasolabial folds and wrinkles below eyes

433
00:54:59.740 --> 00:55:01.043
Be able to describe the typical personalities with the shape of the face; quadrangle, inverted triangle, pentagon, hexagon, etc
Design the shape of body
As for skinny body, protrude skeleton because of lack of fat

434
00:55:01.043 --> 00:55:02.325
Draw short and thick neck for inverted triangle shape muscular style
Draw ellipse shape body with thick outline for fat style

435
00:55:02.325 --> 00:55:05.099
Dress up male character
Kind of clothes
Underwear: briefs, undershirt
Modern attire: round-neck t-shirt, v-neck t-shirt, shirt, casual pants, suit trousers, shorts
Modern coat: overcoat, padded jacket, fur

436
00:55:05.099 --> 00:55:08.000
Accessory: cap, snickers, dress shoes
Period piece: jeogori, trousers, durumagi of hanbok
Understand the cylinder shape body and draw cylinder shape clothing line for three dimension

437
00:55:08.000 --> 00:55:10.612
Armpit is the point for wrinkles of top
Understand the structure of clothing to draw hanbok
Needs drawing practice for describing texture and shape