1 00:00:03.960 --> 00:00:09.911 WEBTOON Basics Writing Storyboard: How Many Cuts Per Episode? 2 00:00:09.911 --> 00:00:12.520 GCC Academy 3 00:00:12.525 --> 00:00:15.675 Learning Goals To explain the characteristics of storyboards for different media To explain why limited content is important and how to write a storyboard with that limit 4 00:00:15.675 --> 00:00:18.861 Learning Content Characteristics of storyboard for different media How to write a storyboard with limited length 5 00:00:19.366 --> 00:00:24.574 HAGA Webtoon Artist Debut 2014 Webtoon For the Sake of Sita Career Mentor for Seoul Webtoon Academy (SWA) Works King's Maker Nessun Dorma Non Shall Sleep 6 00:00:24.574 --> 00:00:29.467 Hello, I am HAGA or Lee Sang Mi, a Webtoon artist 7 00:00:29.467 --> 00:00:31.859 of King's Maker at Kakaopage 8 00:00:31.859 --> 00:00:37.546 Today's title is Writing Storyboard: How Many Cuts Per Episode? 9 00:00:37.546 --> 00:00:42.599 We will learn about planning for a scene based on the number of cuts per an episode 10 00:00:42.599 --> 00:00:48.899 We will talk about different characteristics of storyboard in different media 11 00:00:48.899 --> 00:00:54.643 And why limited length matters as well as how to write a storyboard with a limited length 12 00:00:54.643 --> 00:00:57.705 These are the two sub-categories 13 00:00:58.287 --> 00:01:02.307 Characteristics of Storyboard for Different Media 14 00:01:02.307 --> 00:01:04.732 What is a storyboard? 15 00:01:04.732 --> 00:01:12.199 Comic is a mixed art with word and drawing 16 00:01:12.199 --> 00:01:16.824 And the strengths of each differ 17 00:01:16.824 --> 00:01:21.318 The shape and function of the lens in the pupil 18 00:01:21.318 --> 00:01:26.519 Or the movement of a knee, imagine describing this in words 19 00:01:26.519 --> 00:01:31.717 It has a spherical eyeball and the outermost surface is the sclera 20 00:01:31.717 --> 00:01:38.519 There is a lens in the center of the sphere, and the ciliary body controls... It's hard 21 00:01:38.519 --> 00:01:43.665 But this is much easier when we use drawings 22 00:01:43.665 --> 00:01:46.766 And when we talk about how a knee works 23 00:01:46.766 --> 00:01:50.565 There is a space between the thigh bone and the shin bone 24 00:01:50.565 --> 00:01:54.040 It looks like the kneecap is floating in the air in that space 25 00:01:54.040 --> 00:01:59.587 The ligaments that hold the patella in place run up and down and lie on top of the knee cartilage... 26 00:01:59.587 --> 00:02:06.519 This is very difficult to explain, but this is much easier with this 27 00:02:06.519 --> 00:02:09.467 Instead of these wordy explanations 28 00:02:09.467 --> 00:02:15.880 When the image of an object is reflected here, enters through the lens, and is focused on the optic nerve 29 00:02:15.880 --> 00:02:19.118 The image of an object travels through the brain through several nerves 30 00:02:19.118 --> 00:02:21.880 We can understand it with this drawing 31 00:02:21.880 --> 00:02:27.192 The thigh bones and shin bones are here 32 00:02:27.192 --> 00:02:32.468 The kneecap is floating on top, so it moves up and down 33 00:02:32.468 --> 00:02:36.880 While being held by muscles, again, much easier 34 00:02:36.880 --> 00:02:43.454 And when you say that you saw the sun and a sunset colored sea that were majestic 35 00:02:43.454 --> 00:02:47.702 We reply with okay, that's cool 36 00:02:47.702 --> 00:02:54.168 Rather than writing, when we actually show them with a photo or a drawing 37 00:02:54.168 --> 00:02:57.880 This induces a much direct impression 38 00:02:57.880 --> 00:03:03.167 This scenery shows how powerful that sunset colored sea was 39 00:03:03.167 --> 00:03:09.517 And with this contrast, all the rocks are gathered 40 00:03:09.517 --> 00:03:13.123 Into a collection against the waves, which looked very majestic 41 00:03:13.123 --> 00:03:16.632 Like so we can enjoy this impression by the others as well 42 00:03:16.632 --> 00:03:23.187 But does this mean that drawings are always a better communication medium? 43 00:03:23.187 --> 00:03:28.676 The shouts of a million troops pouring down as if to cover the mountain rang loudly 44 00:03:28.676 --> 00:03:34.632 How do we draw this scene? It is a very difficult thing to draw 45 00:03:34.632 --> 00:03:40.712 Or imagine the following only presented in a drawing 46 00:03:40.712 --> 00:03:48.327 A hand over the face, the shoulders on a desk 47 00:03:48.327 --> 00:03:52.078 And we see some shaking movement 48 00:03:52.078 --> 00:03:54.217 So is this a crying face? 49 00:03:56.474 --> 00:04:00.375 It could be holding in laughter 50 00:04:01.642 --> 00:04:06.880 Or shivering in fear 51 00:04:06.880 --> 00:04:13.425 Or someone so excited for something 52 00:04:13.425 --> 00:04:17.793 Like so, drawing cannot explain as clearly 53 00:04:17.793 --> 00:04:22.494 And it induces a very subjective impression 54 00:04:22.494 --> 00:04:27.204 So words and drawings each have their own strengths 55 00:04:27.204 --> 00:04:31.148 And in order to utilize both in order to 56 00:04:31.148 --> 00:04:36.316 Provide the most amount of visibility and entertainment is this mixed art 57 00:04:36.316 --> 00:04:39.880 of comics, or storyboarding 58 00:04:39.880 --> 00:04:42.855 The characters of words 59 00:04:42.855 --> 00:04:47.474 Are brought into speeches or narrations 60 00:04:47.474 --> 00:04:52.431 And the visibility of drawings that can present 61 00:04:52.431 --> 00:04:55.523 The felt emotions right away 62 00:04:55.523 --> 00:04:59.632 These two advantages are available in a storyboard 63 00:04:59.632 --> 00:05:03.553 So what should be the form of a storyboard? 64 00:05:03.553 --> 00:05:09.326 Let's start with the difference between storyboarding for physical comics and Webtoons 65 00:05:09.326 --> 00:05:14.256 The current generation is more used to Webtoons than comics 66 00:05:14.256 --> 00:05:19.335 A Webtoon storyboard has no limits in scrolling 67 00:05:19.335 --> 00:05:24.249 Let's take an example from the prologue scene 68 00:05:24.249 --> 00:05:26.682 Of my work, King's Maker Season Two 69 00:05:26.682 --> 00:05:34.989 See how we scroll down a lot through the ceiling 70 00:05:34.989 --> 00:05:38.959 How are you, mother? I am doing good 71 00:05:38.959 --> 00:05:42.335 The new kingdom is busy meeting with the new king 72 00:05:42.335 --> 00:05:47.147 The people no longer suffer with tyranny, the children are no longer sacrificed 73 00:05:47.147 --> 00:05:52.276 And we see some trails of blood at the back 74 00:05:52.276 --> 00:05:56.939 And the line saying the previous emperor had been beheaded, this is from the last season 75 00:05:56.939 --> 00:06:00.533 And we see the emperor being put down by the main characters 76 00:06:00.533 --> 00:06:05.436 And it says now the new emperor will be our wise, kind leader 77 00:06:05.436 --> 00:06:07.830 And that's how the prologue begins 78 00:06:07.830 --> 00:06:11.910 See how we can scroll down 79 00:06:11.910 --> 00:06:16.019 For a seamless view from a ceiling to its floor 80 00:06:16.019 --> 00:06:21.672 This is a special type of presentation only possible in a scroll-type comics 81 00:06:21.672 --> 00:06:28.880 Just like how the blood from the beheaded tyrant drips down like a red carpet 82 00:06:28.880 --> 00:06:33.821 This is also something enabled with the long scrolling 83 00:06:33.821 --> 00:06:39.682 Because you can only add more image files to continue the scroll type comics indefinitely 84 00:06:39.682 --> 00:06:45.048 You can make your own limits in length, and experiment with such long-cut scenes 85 00:06:45.048 --> 00:06:48.890 In contrast, the advantages of a physical-page comic 86 00:06:48.890 --> 00:06:53.335 A physical comic's strength is that it is limited in pages 87 00:06:53.335 --> 00:06:58.048 I just told you that a scroll-type comics is advantageous with its limitless character 88 00:06:58.048 --> 00:07:01.692 And now I'm saying the opposite, that here the advantage is that 89 00:07:01.692 --> 00:07:06.395 There is a limit; so how do these make sense? 90 00:07:06.395 --> 00:07:08.385 Let me take an easier example 91 00:07:08.385 --> 00:07:12.979 As the era of Internet shows unfold, we watch YouTube a lot nowadays 92 00:07:12.979 --> 00:07:16.494 A lot of streamers work in both YouTube and Twitch 93 00:07:16.494 --> 00:07:21.405 Or run both a main channel and a full-length version channel 94 00:07:21.405 --> 00:07:25.880 And there are more subscribers to the main channel with 95 00:07:25.880 --> 00:07:29.751 The edited versions, around 10 minutes each 96 00:07:29.751 --> 00:07:34.830 And something that shortens this 10-minute climax videos 97 00:07:34.830 --> 00:07:38.989 Into a 30 seconds or a minute, YouTube Shorts 98 00:07:38.989 --> 00:07:43.662 Shorts are even more accessible than regular videos 99 00:07:43.662 --> 00:07:45.712 This is happening because 100 00:07:45.712 --> 00:07:50.880 People usually consider the conre content more interesting 101 00:07:50.880 --> 00:07:53.375 Without any other details or branches 102 00:07:53.375 --> 00:07:59.345 Page-based comic was to be worked on for a magazine 103 00:07:59.345 --> 00:08:00.989 Or a paperback version 104 00:08:00.989 --> 00:08:03.434 Let's take an example 105 00:08:04.613 --> 00:08:13.246 Say, this magazine can hold 100 pages of comic 106 00:08:13.246 --> 00:08:17.355 And let's say there are five different comics 107 00:08:17.355 --> 00:08:27.880 That means five authors can each have 20 pages 108 00:08:27.880 --> 00:08:31.316 Let's say I'm one of the page comic authors 109 00:08:31.316 --> 00:08:36.949 And one day, trying to make a fun genre comic, I ended up with 21 pages 110 00:08:36.949 --> 00:08:42.553 You may be thinking, it's just a page over, which is manageable 111 00:08:42.553 --> 00:08:46.543 But this combined becomes a work of 101 pages 112 00:08:46.543 --> 00:08:49.177 And we need more than one paperback 113 00:08:49.177 --> 00:08:53.781 This magazine is printed in millions and hundreds of millions of copies 114 00:08:53.781 --> 00:08:59.306 As it gets sold into individuals and bookstores 115 00:08:59.306 --> 00:09:03.999 So one page in a thousand copies is a thousand pages 116 00:09:03.999 --> 00:09:07.029 And for two thousand copies, it is two thousand pages 117 00:09:07.029 --> 00:09:10.068 Not only is this a big difference 118 00:09:10.068 --> 00:09:13.236 But also, when the next comic continues 119 00:09:13.236 --> 00:09:17.118 The author must've calculated the page position, either left or right 120 00:09:17.118 --> 00:09:23.296 And that episode could have a full view spanning two pages 121 00:09:23.296 --> 00:09:28.603 But once I make my portion 21 pages and adds one page 122 00:09:28.603 --> 00:09:31.741 The full view will be cut into half 123 00:09:31.741 --> 00:09:36.147 And the left and right will be mixed up 124 00:09:36.147 --> 00:09:38.880 With this character of the magazines 125 00:09:38.880 --> 00:09:42.533 The authors used to be trained to limit the story 126 00:09:42.533 --> 00:09:47.256 Into the distributed page limit 127 00:09:47.256 --> 00:09:53.632 Because they were thinking about printing, in magazines or later in their own paperback 128 00:09:53.632 --> 00:09:59.880 They trained for completing the story within the limited page numbers 129 00:09:59.880 --> 00:10:06.395 And this was also training for preparing for the story, removing unncessary details 130 00:10:06.395 --> 00:10:09.645 As well as making a polished final result 131 00:10:09.645 --> 00:10:13.811 That's what the authors of this era could naturally pick up 132 00:10:13.811 --> 00:10:17.246 Of course, though the magazine inudstry isn't as active nowadays 133 00:10:17.246 --> 00:10:21.593 The same applies for individual paperback versions 134 00:10:21.593 --> 00:10:24.583 Have you ever printed your own Doujinshi? 135 00:10:24.583 --> 00:10:28.880 Same with Doujinshi, but for printing a paperback 136 00:10:28.880 --> 00:10:33.642 You print on a big piece of paper and then fold it into pages 137 00:10:33.642 --> 00:10:36.989 So a piece of paper makes four pages 138 00:10:36.989 --> 00:10:42.613 And how it works is, let's take a regular A4-sized paper 139 00:10:42.613 --> 00:10:44.900 And fold it into half here 140 00:10:44.900 --> 00:10:55.662 So page one, page two, and at the back we have page three and four 141 00:10:55.662 --> 00:11:00.246 That's how we get four pages out of one piece 142 00:11:00.246 --> 00:11:07.553 So for each paperback, the pages are limited to the multiples of four 143 00:11:07.553 --> 00:11:11.335 Either eight, 12, 16 pages or more 144 00:11:11.335 --> 00:11:14.415 If the pages do not end in the multiples of four 145 00:11:14.415 --> 00:11:20.019 You have to have some blank pages or even some bonus cuts 146 00:11:20.019 --> 00:11:24.623 And this also limits the presentation you can have in a page 147 00:11:24.623 --> 00:11:28.256 Meaning, everything should be contained in a page 148 00:11:28.256 --> 00:11:34.682 So however big the paper may be, you have to plan for all the cuts within the page 149 00:11:34.682 --> 00:11:37.395 When you plan for your story and your drawings 150 00:11:37.395 --> 00:11:43.484 And this prevents for any unnecessary cuts and bits of story 151 00:11:43.484 --> 00:11:47.267 As the author tries to create a story 152 00:11:47.267 --> 00:11:49.563 Within this limit of quantity 153 00:11:49.563 --> 00:11:53.731 This actually creates a polished content 154 00:11:53.731 --> 00:12:00.741 Here's a photo of a paperback version of my work 155 00:12:00.741 --> 00:12:05.029 See how it is all printed on a huge piece of paper 156 00:12:05.029 --> 00:12:10.266 And these will be gathered into a paperback version 157 00:12:10.266 --> 00:12:13.722 We can see that in this photo 158 00:12:13.722 --> 00:12:17.821 Like so, each medium has a different characteristic 159 00:12:17.821 --> 00:12:21.781 So based on where you're serializing your work 160 00:12:21.781 --> 00:12:26.999 It will be efficient to plan for your story and write the storyboard based on that medium 161 00:12:27.456 --> 00:12:31.632 How-to: Writing Storyboard with Limited Length 162 00:12:31.632 --> 00:12:36.118 Let's talk more about why limited length matters and 163 00:12:36.118 --> 00:12:38.623 How to write a storyboard with such a limit 164 00:12:38.623 --> 00:12:43.167 So how many cuts are appropriate for Webtoon? 165 00:12:43.167 --> 00:12:49.949 In general, Webtoons use around 50 to 60 cuts 166 00:12:49.949 --> 00:12:53.286 And this is the appropriate range 167 00:12:53.286 --> 00:12:56.118 And what are the reasons? 168 00:12:56.118 --> 00:13:01.425 If you go over this, at around 70 to 80 cuts 169 00:13:01.425 --> 00:13:04.722 It will be a lot of work for an individual artist 170 00:13:04.722 --> 00:13:09.068 And as one continues on with that overwhelming workload 171 00:13:09.068 --> 00:13:12.464 It will be hard for the author to stay healthy 172 00:13:12.464 --> 00:13:16.880 Which will lead to taking more hiatus, even for a week 173 00:13:16.880 --> 00:13:22.425 And this will be a disadvantage for the Webtoon platform where the ranks keep changing 174 00:13:22.425 --> 00:13:25.167 In contrast, if you draw too little 175 00:13:25.167 --> 00:13:29.375 Which will be around 40 or below 176 00:13:29.375 --> 00:13:35.217 And this will fill the comments section about it being too short 177 00:13:35.217 --> 00:13:39.207 This is the pattern we see for works under 40 cuts 178 00:13:39.207 --> 00:13:45.038 In order to contain adequate amount of storytelling for a week 179 00:13:45.038 --> 00:13:50.217 Readers usually consider 40 cuts as too little 180 00:13:50.217 --> 00:13:55.187 So in sum, 70 to 80 is too much 181 00:13:55.187 --> 00:13:58.029 and 40 is too little 182 00:13:58.029 --> 00:14:00.365 So around in between, from 50 to 60 cuts 183 00:14:00.365 --> 00:14:03.788 So around 60 cuts is a nice place 184 00:14:03.788 --> 00:14:08.385 For a Webtoon to position itself at 185 00:14:08.385 --> 00:14:10.959 Therefore, especially for incoming artists 186 00:14:10.959 --> 00:14:14.434 Letting them storyboard for a big scaled scroll-type Webtoon 187 00:14:14.434 --> 00:14:17.147 This will often overwhelm them 188 00:14:17.147 --> 00:14:19.502 Or they may focus on too little details 189 00:14:19.502 --> 00:14:23.365 Which will drag the story overall 190 00:14:23.365 --> 00:14:27.147 Therefore it is crucial to storyboard within the right range 191 00:14:27.147 --> 00:14:31.632 And to get the right range, rather than starting with the drawing 192 00:14:31.632 --> 00:14:35.167 It is more economical to start with writing the storyboard 193 00:14:35.167 --> 00:14:38.989 194 00:14:38.989 --> 00:14:44.821 It is more likely for drawing for storyboard first to fail 195 00:14:44.821 --> 00:14:48.880 So first break up the text based on speech and situations 196 00:14:48.880 --> 00:14:52.692 And try to fit in a cut for a line of text 197 00:14:52.692 --> 00:14:54.662 And this is the written storyboard 198 00:14:54.662 --> 00:14:58.692 Let's take an example from my written storyboard 199 00:14:58.692 --> 00:15:00.613 To talk moare abou tit 200 00:15:00.613 --> 00:15:03.167 I first start with writing for a storyboard 201 00:15:03.167 --> 00:15:05.731 And when I realize that it does not fit the right length 202 00:15:05.731 --> 00:15:10.227 As you see, I have numbers next to the storyboard 203 00:15:10.227 --> 00:15:14.147 If this needs to be shorter 204 00:15:14.147 --> 00:15:19.137 Because I cannot complete this much work for a week 205 00:15:19.137 --> 00:15:25.296 I can remove this and combine number seven and eight into one cut 206 00:15:25.296 --> 00:15:28.395 In contrast, once I try making cuts out of this 207 00:15:28.395 --> 00:15:30.702 If I realize that I have too little cuts 208 00:15:30.702 --> 00:15:35.484 And I think people will not be satisfied with this much content 209 00:15:35.484 --> 00:15:38.603 I can divide a line 210 00:15:38.603 --> 00:15:41.553 Into more cuts 211 00:15:41.553 --> 00:15:44.306 Like so, one line equates to one cut 212 00:15:44.306 --> 00:15:47.682 One line equals to a cut 213 00:15:47.682 --> 00:15:49.613 That's the written storyboard 214 00:15:49.613 --> 00:15:52.939 And because this already has the final length 215 00:15:52.939 --> 00:15:57.217 It requires much less effort than editing the drawn storyboard 216 00:15:57.217 --> 00:16:01.177 For example, let's say that the end of episode one 217 00:16:01.177 --> 00:16:05.781 Is number 59, a speech saying interesting 218 00:16:05.781 --> 00:16:09.821 This means that this episode has 59 cuts 219 00:16:09.821 --> 00:16:13.702 Which fits into the range between 50 to 60 cuts 220 00:16:13.702 --> 00:16:15.830 And this will be episode one 221 00:16:15.830 --> 00:16:21.128 But if I want more cuts for the story 222 00:16:21.128 --> 00:16:23.880 For example 223 00:16:23.880 --> 00:16:30.197 A solemn face of the protagonist 224 00:16:30.197 --> 00:16:33.623 I can add more like this 225 00:16:33.623 --> 00:16:38.425 One more background cut 226 00:16:38.425 --> 00:16:41.672 I could increase the cut number like this 227 00:16:41.672 --> 00:16:44.623 And also for those that I already have 228 00:16:44.623 --> 00:16:47.227 I can break the line 229 00:16:47.227 --> 00:16:50.761 Somehow my memories about you feel like they have been removed 230 00:16:50.761 --> 00:16:53.207 I'm breaking this line into several lines 231 00:16:53.207 --> 00:16:56.583 So that the story has more cuts 232 00:16:56.583 --> 00:17:00.692 Or, in contrast, I can delete line breaks 233 00:17:00.692 --> 00:17:03.533 To reduce the final cut number 234 00:17:03.533 --> 00:17:05.296 This is how decision making becomes faster 235 00:17:05.296 --> 00:17:08.722 And less effort is put in compared to 236 00:17:08.722 --> 00:17:10.563 A drawn storyboard 237 00:17:10.563 --> 00:17:14.494 Another strength of the written storyboard is 238 00:17:14.494 --> 00:17:17.880 When we make a story 239 00:17:17.880 --> 00:17:21.474 When it's only one artist who completes the whole story 240 00:17:21.474 --> 00:17:24.979 From planning to finishing 241 00:17:24.979 --> 00:17:28.227 You do not need this much details 242 00:17:28.227 --> 00:17:31.009 But nowadays authors usually have 243 00:17:31.009 --> 00:17:32.880 One or two assistants 244 00:17:32.880 --> 00:17:35.692 Or they may send the storyline to a PD 245 00:17:35.692 --> 00:17:39.702 To fathom beforehand whether this could make it to the platform 246 00:17:39.702 --> 00:17:42.880 Or the artist may be part of a team 247 00:17:42.880 --> 00:17:47.187 Where there are many parts, such as storyboarding, line-drawing, coloring 248 00:17:47.187 --> 00:17:51.880 And a work of Webtoon requires many people 249 00:17:51.880 --> 00:17:54.167 To work on one single thing 250 00:17:54.167 --> 00:17:56.880 This is how studios make Webtoons 251 00:17:56.880 --> 00:17:59.326 If we only have speeches 252 00:17:59.326 --> 00:18:02.563 People won't know whether 253 00:18:02.563 --> 00:18:05.880 It's one person speaking, or a conversation 254 00:18:05.880 --> 00:18:09.207 Or whether it's an actual speech 255 00:18:09.207 --> 00:18:13.464 A thought or a narration 256 00:18:13.464 --> 00:18:15.880 For this, for the written storyboard 257 00:18:15.880 --> 00:18:21.405 If you have the character names in front of each line 258 00:18:21.405 --> 00:18:25.266 You can tell who is speaking right away 259 00:18:25.266 --> 00:18:29.682 And inside the parenthesese will be descriptions of the action 260 00:18:29.682 --> 00:18:33.474 And the thoughts or narrations get this symbol 261 00:18:33.474 --> 00:18:37.969 Or narrations can go into brackets 262 00:18:37.969 --> 00:18:42.177 Such patterns make sure, despite different people participating for storyboarding 263 00:18:42.177 --> 00:18:47.098 That it becomes less confusing in delivery 264 00:18:47.098 --> 00:18:49.128 Even if there are many characters 265 00:18:49.128 --> 00:18:53.682 Color coding the names of the characters 266 00:18:53.682 --> 00:18:56.741 Allow for distinguishing them 267 00:18:56.741 --> 00:19:00.989 Also, by adding a one-line summary of the episode 268 00:19:00.989 --> 00:19:02.731 In the beginning 269 00:19:02.731 --> 00:19:05.880 Those who make the story 270 00:19:05.880 --> 00:19:08.227 Are not those who anticipate for 271 00:19:08.227 --> 00:19:10.098 Any surprise at the end 272 00:19:10.098 --> 00:19:12.137 These people must know clearly 273 00:19:12.137 --> 00:19:14.999 How to plan for a story in order to build 274 00:19:14.999 --> 00:19:16.880 This cathartic twist 275 00:19:16.880 --> 00:19:21.652 So with this, even before reading it, I can tell where this storyboard is going 276 00:19:21.652 --> 00:19:24.355 And by adding this background setting 277 00:19:24.355 --> 00:19:27.811 Those who extract background images from SketchUp 278 00:19:27.811 --> 00:19:31.731 Can tell easily what atmosphere, what time period 279 00:19:31.731 --> 00:19:36.880 And what source of light will be in the scene 280 00:19:36.880 --> 00:19:38.959 By making the written storyboard 281 00:19:38.959 --> 00:19:43.375 The actual work requires less effort 282 00:19:43.375 --> 00:19:48.098 The written storyboard works as a very helpful map 283 00:19:48.098 --> 00:19:50.702 And this page that you're seeing here 284 00:19:50.702 --> 00:19:52.038 Is a Notion page 285 00:19:52.038 --> 00:19:56.048 You can use things other than Notion, like Words or Hancom Docs 286 00:19:56.048 --> 00:20:00.217 And they all add numbers automatically as labels 287 00:20:00.217 --> 00:20:03.484 By pressing Enter you get 1, 2, 3 and more 288 00:20:03.484 --> 00:20:05.880 And to add line breaks within a cut 289 00:20:05.880 --> 00:20:08.573 You can do Shift and Enter, or Control and Enter 290 00:20:08.573 --> 00:20:10.425 To remove this label 291 00:20:10.425 --> 00:20:11.850 So, for example 292 00:20:11.850 --> 00:20:14.880 Have I been living like this all along? 293 00:20:14.880 --> 00:20:17.128 And right behind this speech 294 00:20:17.128 --> 00:20:20.880 Say, you do not want a separate cut for this description 295 00:20:20.880 --> 00:20:25.266 If you only want a line break for readability 296 00:20:25.266 --> 00:20:28.019 If you only press Enter 297 00:20:28.019 --> 00:20:30.731 This will add the label of 9 298 00:20:30.731 --> 00:20:32.850 But by pressing Shift and Enter 299 00:20:32.850 --> 00:20:34.781 This breaks the line without the label 300 00:20:34.781 --> 00:20:38.692 Which adds more readability of a cut 301 00:20:38.692 --> 00:20:42.533 Each program is different, whether it is 302 00:20:42.533 --> 00:20:45.652 Shift Enter, Control Enter or all of the three 303 00:20:45.652 --> 00:20:48.781 But in Hancom Docs, Words or Notepad 304 00:20:48.781 --> 00:20:51.197 You can rearrange these labels 305 00:20:51.197 --> 00:20:53.137 As numbering line breaks 306 00:20:53.137 --> 00:20:55.959 Or simple line breaks 307 00:20:55.959 --> 00:20:57.880 And by using this we can 308 00:20:57.880 --> 00:21:01.088 Easily build a story with the written storyboard 309 00:21:01.088 --> 00:21:02.801 So by using all these 310 00:21:02.801 --> 00:21:07.098 If you have completed your planning for the episode 311 00:21:07.098 --> 00:21:09.147 Within the range of 50 to 70 cuts 312 00:21:09.147 --> 00:21:11.642 Let's compare it to the actual finished work 313 00:21:11.642 --> 00:21:14.078 With this storyboard version 314 00:21:14.078 --> 00:21:17.682 The left of the screen is the written storyboard 315 00:21:17.682 --> 00:21:19.979 And on the right we have the drawn storyboard 316 00:21:19.979 --> 00:21:22.791 Let's compare it to the completed drawing 317 00:21:22.791 --> 00:21:27.345 We see gurgle, some water 318 00:21:27.345 --> 00:21:30.880 Strange, I should be in the hospital 319 00:21:30.880 --> 00:21:33.880 So why does this feel like I'm drowning? 320 00:21:33.880 --> 00:21:37.514 And for the text storyboard, I'm using square brackets 321 00:21:37.514 --> 00:21:40.672 To clarify how this line isn't a speech 322 00:21:40.672 --> 00:21:43.207 But a narrated line 323 00:21:43.207 --> 00:21:48.880 So I did not use any speech bubbles, just some blurs at the back 324 00:21:48.880 --> 00:21:51.543 To express how this line isn't an actual voice 325 00:21:51.543 --> 00:21:53.434 But something that is reverberating 326 00:21:53.434 --> 00:21:56.405 And this is how I added that aspect visually 327 00:21:56.405 --> 00:22:01.811 Let's scroll down, is this some narcotic analgesics? This feels so real 328 00:22:01.811 --> 00:22:04.019 A face that I hardly remember 329 00:22:04.019 --> 00:22:07.048 It's so hard to breathe 330 00:22:07.048 --> 00:22:11.137 Brrr, and splash, and the scene continues 331 00:22:11.137 --> 00:22:14.623 This actually changed a little from the written storyboard 332 00:22:14.623 --> 00:22:18.880 Here it says, is this some narcotic analgesics? It feels so real 333 00:22:18.880 --> 00:22:21.365 Even this pain, it says 334 00:22:21.365 --> 00:22:23.880 And as I made it into a drawing 335 00:22:23.880 --> 00:22:26.702 Since there is a lot of sea foam 336 00:22:26.702 --> 00:22:31.613 And the character's face as intentionally covered 337 00:22:31.613 --> 00:22:33.464 So with too many lines 338 00:22:33.464 --> 00:22:36.405 I decided that the readers may 339 00:22:36.405 --> 00:22:38.296 Find it hard to read 340 00:22:38.296 --> 00:22:40.880 So I wanted make it more concise 341 00:22:40.880 --> 00:22:43.613 Which ended up removing the final bits of the line 342 00:22:43.613 --> 00:22:47.019 And this line, it's so hard to breathe 343 00:22:47.019 --> 00:22:49.573 The font is a bit bigger than the ones above 344 00:22:49.573 --> 00:22:53.682 Because this part has less information compared to this part 345 00:22:53.682 --> 00:22:58.187 And the text storyboard tells us that this is the last part of the narration 346 00:22:58.187 --> 00:23:01.702 After which the background will shift right away 347 00:23:01.702 --> 00:23:04.712 So I decided that we can go with some bigger font size 348 00:23:04.712 --> 00:23:06.603 That's why I made it bigger 349 00:23:08.326 --> 00:23:10.682 After that splash 350 00:23:10.682 --> 00:23:13.444 Cough, cough 351 00:23:13.444 --> 00:23:17.722 That wasn't hallucination, it was actual water 352 00:23:17.722 --> 00:23:21.880 Where is my gown and my scapel? 353 00:23:21.880 --> 00:23:24.068 And this drawing 354 00:23:24.068 --> 00:23:25.048 What, a Hanbok? 355 00:23:26.494 --> 00:23:28.405 No, is this Chinese clothing? 356 00:23:28.405 --> 00:23:29.821 And as it was finalized 357 00:23:29.821 --> 00:23:31.415 Why am I wearing this? 358 00:23:31.415 --> 00:23:34.454 Am I not in Korea? 359 00:23:34.454 --> 00:23:36.880 The lines changed a little but 360 00:23:36.880 --> 00:23:39.791 We see the same cough 361 00:23:39.791 --> 00:23:42.029 That wasn't hallucination, it was real 362 00:23:42.029 --> 00:23:44.137 All these in one cut 363 00:23:44.137 --> 00:23:47.969 It is reflected here without any line brekas 364 00:23:47.969 --> 00:23:50.979 In this text storyboard 365 00:23:50.979 --> 00:23:53.830 If you don't mind, stop... 366 00:23:53.830 --> 00:23:56.108 This is like a whisper 367 00:23:56.108 --> 00:23:57.801 Where is my gown and my scapel? 368 00:23:57.801 --> 00:24:01.623 Is this a Hanbok? These are in one cut 369 00:24:01.623 --> 00:24:03.425 So although the lines changed 370 00:24:03.425 --> 00:24:07.741 The overall cut has not changed too much 371 00:24:07.741 --> 00:24:10.702 Likewise, by making the written storyboard 372 00:24:10.702 --> 00:24:12.712 Into actual drawings 373 00:24:12.712 --> 00:24:16.504 We get to see the right details that are needed 374 00:24:16.504 --> 00:24:19.672 And the written storyboard helps with this process 375 00:24:19.672 --> 00:24:23.038 Of course, one exception is the Cut-Toon style 376 00:24:23.038 --> 00:24:26.316 Cut-Toon style, usually used in themes of daily life 377 00:24:26.316 --> 00:24:30.722 This can sustain the service even with comparateively less content 378 00:24:30.722 --> 00:24:35.880 This is because each cut allows for its own comments section 379 00:24:35.880 --> 00:24:37.474 Like this, for a Cut-Toon style 380 00:24:37.474 --> 00:24:40.236 You flip each page like this 381 00:24:40.236 --> 00:24:43.731 Which resembles flipping a paper page 382 00:24:43.731 --> 00:24:47.256 In requiring a bit of a human work 383 00:24:47.256 --> 00:24:49.791 And this stimulation of swiping 384 00:24:49.791 --> 00:24:53.434 It resembles the swiping action at social media platforms 385 00:24:53.434 --> 00:24:55.157 Swiping up or down 386 00:24:55.157 --> 00:24:57.751 To refresh and bring some new content 387 00:24:57.751 --> 00:25:00.969 And this action is so small that we do not consider it 388 00:25:00.969 --> 00:25:02.949 A labor or work 389 00:25:02.949 --> 00:25:05.504 However, this process of action 390 00:25:05.504 --> 00:25:08.078 Followed by a new stimulant 391 00:25:08.078 --> 00:25:10.979 Is a big stimulating factor for our brain 392 00:25:10.979 --> 00:25:13.930 For it to keep secrete dopamine 393 00:25:13.930 --> 00:25:15.524 So even for Cut-Toon 394 00:25:15.524 --> 00:25:18.771 There is more action required than the scroll-type Webtoon 395 00:25:18.771 --> 00:25:21.137 Because you swipe over each cut 396 00:25:21.137 --> 00:25:26.603 And because there are comments in between the cuts 397 00:25:26.603 --> 00:25:29.266 This is a new content 398 00:25:29.266 --> 00:25:33.840 Like this, the readers add the comments for the cut 399 00:25:33.840 --> 00:25:38.306 In the comments section, for each cut 400 00:25:38.306 --> 00:25:42.306 Which is a new content of the readers communicating with each other 401 00:25:42.306 --> 00:25:44.830 The readers could talk about some particular things 402 00:25:44.830 --> 00:25:47.563 About their own favorite scene 403 00:25:47.563 --> 00:25:52.246 And because the comments section is divided 404 00:25:52.246 --> 00:25:54.316 For each page 405 00:25:54.316 --> 00:25:57.207 You can have the most number of likes more easily 406 00:25:57.207 --> 00:25:59.880 How comics works is 407 00:25:59.880 --> 00:26:02.939 It provides content, stimulates to entertain people 408 00:26:02.939 --> 00:26:06.583 And progresses the story for them to feel satisfaction 409 00:26:06.583 --> 00:26:08.662 And when we talk about content 410 00:26:08.662 --> 00:26:11.484 Though comments are not content made by the author 411 00:26:11.484 --> 00:26:16.613 As readers realize that many people feel the similar ways for the work 412 00:26:16.613 --> 00:26:19.474 Or if one finds this character 413 00:26:19.474 --> 00:26:22.880 This villain character very charming 414 00:26:22.880 --> 00:26:25.415 While others all hate this character 415 00:26:25.415 --> 00:26:27.702 Then, this reader may decide that 416 00:26:27.702 --> 00:26:29.880 Their love for this character will continue 417 00:26:29.880 --> 00:26:33.197 Despite the hate, like a pioneer 418 00:26:33.197 --> 00:26:35.385 And to become the best comment 419 00:26:35.385 --> 00:26:37.801 Is to get a lot of sympathy 420 00:26:37.801 --> 00:26:42.098 Everyone feels joy in sympathizing 421 00:26:42.098 --> 00:26:44.286 And being sympathized with 422 00:26:44.286 --> 00:26:45.939 And being agreed with 423 00:26:45.939 --> 00:26:48.930 So to become the best comment 424 00:26:48.930 --> 00:26:52.405 Or even being more likely to become one 425 00:26:52.405 --> 00:26:53.880 Is another form of entertainment 426 00:26:53.880 --> 00:26:57.989 So for Cut-Toons, if there are too many cuts 427 00:26:57.989 --> 00:26:59.959 Or too many pages 428 00:26:59.959 --> 00:27:02.623 This will drain the readers 429 00:27:02.623 --> 00:27:05.464 Because they have to check for each comment 430 00:27:05.464 --> 00:27:08.939 And having to check for all comments for too many cuts 431 00:27:08.939 --> 00:27:12.543 It will take too long to read an episode 432 00:27:12.543 --> 00:27:15.573 But you cannot remove this individual comments section 433 00:27:15.573 --> 00:27:18.395 And only provide the content of Cut-Toon on its own 434 00:27:18.395 --> 00:27:22.078 Because the readers will not be fully satisfied 435 00:27:22.078 --> 00:27:24.444 With the amount of given content 436 00:27:24.444 --> 00:27:28.395 Therefore, even if there isn't a smuch content 437 00:27:28.395 --> 00:27:31.118 As there are more comments 438 00:27:31.118 --> 00:27:33.167 At the final page, like this 439 00:27:33.167 --> 00:27:36.207 Because each page has different number of comments 440 00:27:36.207 --> 00:27:39.533 The final slide also shows 441 00:27:39.533 --> 00:27:42.821 Which comment is the best of the best 442 00:27:42.821 --> 00:27:47.623 With these more additional contents 443 00:27:47.623 --> 00:27:50.761 These replace the entertainment factor 444 00:27:50.761 --> 00:27:54.603 From the scroll-type Webtoon 445 00:27:54.603 --> 00:27:57.167 So if a Cut-Toon is too long 446 00:27:57.167 --> 00:28:00.761 It may overwhelm the readers 447 00:28:00.761 --> 00:28:04.642 For scroll-type Webtoons, 50 to 60 448 00:28:04.642 --> 00:28:08.731 Or even until 70 cuts is a right amount 449 00:28:08.731 --> 00:28:11.395 That adequately progresses the story 450 00:28:11.395 --> 00:28:13.761 But for Cut-Toons, this needs to be reduced 451 00:28:13.761 --> 00:28:16.880 While each cut has to contain more information 452 00:28:16.880 --> 00:28:20.177 As scroll-type Webtoons require scrolling 453 00:28:20.177 --> 00:28:22.632 Basically the drawings keep on moving 454 00:28:22.632 --> 00:28:26.405 Therefore too many lines will not be read carefully 455 00:28:26.405 --> 00:28:29.741 Because moving letters are less readable 456 00:28:29.741 --> 00:28:34.088 And less advantageous for remembering 457 00:28:34.088 --> 00:28:35.959 That's why even for naming a character 458 00:28:35.959 --> 00:28:39.227 We use common sounds, like Lily Lileo 459 00:28:39.227 --> 00:28:41.741 And to limit a certain color chip for a character 460 00:28:41.741 --> 00:28:43.652 Such as blonde and black hair 461 00:28:43.652 --> 00:28:47.553 To differentiate them completely 462 00:28:47.553 --> 00:28:52.207 It is just like how web novels add character faces next to their speeches 463 00:28:52.207 --> 00:28:57.167 Which contributes for the snack culture, easy to digest 464 00:28:57.167 --> 00:29:00.999 But for a Cut-Toon, after a swipe 465 00:29:00.999 --> 00:29:02.692 The screen stays there 466 00:29:02.692 --> 00:29:04.038 It resembles a paperback versionp 467 00:29:04.038 --> 00:29:07.969 So even if there is more text 468 00:29:07.969 --> 00:29:11.365 It is more readable than a scroll-type Webtoon 469 00:29:11.365 --> 00:29:16.088 And because of that effort put into the swipe 470 00:29:16.088 --> 00:29:18.108 The readers expect 471 00:29:18.108 --> 00:29:21.504 Just like they do for a new social media post after a swipe 472 00:29:21.504 --> 00:29:25.177 That the new cut after a swipe at the Cut-Toon 473 00:29:25.177 --> 00:29:27.731 Has a lot of information 474 00:29:27.731 --> 00:29:30.454 So this means, the final number of cuts decrease 475 00:29:30.454 --> 00:29:33.603 While each cut has more lines 476 00:29:33.603 --> 00:29:37.573 And for this example cut in the center 477 00:29:37.573 --> 00:29:39.316 Isn't poop the ingredient for perfume? 478 00:29:39.316 --> 00:29:42.058 They make perfumes out of whale poops! This is one 479 00:29:42.058 --> 00:29:44.385 If you sniff at it, this is two 480 00:29:44.385 --> 00:29:46.880 And the fainting scene, three 481 00:29:46.880 --> 00:29:49.751 Never try at home, four 482 00:29:49.751 --> 00:29:53.880 Oh my, and the cat is shivering 483 00:29:53.880 --> 00:29:56.880 And finally this human saying, oh my 484 00:29:56.880 --> 00:30:01.335 There are more than six lines and speech bubbles in a cut 485 00:30:01.335 --> 00:30:04.454 This is how Webtoons differ 486 00:30:04.454 --> 00:30:09.880 Among scroll-type, page-type or Cut-Toon type 487 00:30:09.880 --> 00:30:12.652 Or whether it's a paperback style 488 00:30:12.652 --> 00:30:18.543 Where each page is actually printed out 489 00:30:18.543 --> 00:30:21.880 Or, even within the paperback style 490 00:30:21.880 --> 00:30:27.930 You could make it an e-book, like a full-page service at Ridibooks 491 00:30:27.930 --> 00:30:32.613 The key to this lecture is that the Webtoon should be planned differently based on this platform type 492 00:30:32.613 --> 00:30:36.355 Based on the service medium of the Webtoon 493 00:30:36.355 --> 00:30:39.048 You should prepare for the storyboard, written and drawn, differently 494 00:30:39.048 --> 00:30:44.207 In order to efficiently reduce the storyboarding time even during the service 495 00:30:44.207 --> 00:30:47.583 So, in order to take control over this length 496 00:30:47.583 --> 00:30:51.137 Let's move on to this final point 497 00:30:51.137 --> 00:30:53.345 It's the thumbnail storyboarding 498 00:30:53.345 --> 00:30:57.296 This is to connect thumbnail and written storyboards 499 00:30:57.296 --> 00:31:01.434 Thumbnail comes from the finger or thumb 500 00:31:01.434 --> 00:31:05.266 And nail of that thumb 501 00:31:05.266 --> 00:31:10.880 A thumbnail storyboard is a storyboard as big as that thumb's nail 502 00:31:10.880 --> 00:31:13.939 For example, for a page-type Webtoon 503 00:31:13.939 --> 00:31:18.494 Or a scroll-type Webtoon that will become 504 00:31:18.494 --> 00:31:23.246 A paperback version later 505 00:31:23.246 --> 00:31:29.969 I told you how the page number is a multiple of four, like four, eight or 16 506 00:31:29.969 --> 00:31:34.712 Let's say that I'm going for a 16-page episode 507 00:31:34.712 --> 00:31:39.316 So on this A4 sized paper, or any sized page on your screen 508 00:31:42.672 --> 00:31:51.454 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 509 00:31:51.454 --> 00:31:57.593 Add all these little thumbnails for the 16 pages 510 00:31:57.593 --> 00:32:01.880 Let's plan for a very textbook-styled beginning of a story 511 00:32:01.880 --> 00:32:07.702 The main character has no parents, struggling with part time jobs 512 00:32:07.702 --> 00:32:10.662 And has a car accident 513 00:32:10.662 --> 00:32:12.326 Must've been a truck 514 00:32:12.326 --> 00:32:16.999 And as they fall down, she thinks 515 00:32:16.999 --> 00:32:21.880 I've never been happy in my life, what a watse of life 516 00:32:21.880 --> 00:32:28.306 And thinks, I should've at least finished that romance fantasy novel 517 00:32:28.306 --> 00:32:31.147 That I started reading last night, and the character dies 518 00:32:31.147 --> 00:32:36.088 And when she wakes up, she's now the main character of the novel she's been reading 519 00:32:36.088 --> 00:32:41.177 So it will start with staring into an unknown ceiling 520 00:32:41.177 --> 00:32:43.583 And she must go look into a mirror 521 00:32:43.583 --> 00:32:50.128 And what she sees is a beautiful blonde girl with a Rococo-styled outfit 522 00:32:50.128 --> 00:32:54.959 And as she looks into it, she thinks to herself, is this me? And let's say that this is the ending 523 00:32:54.959 --> 00:32:57.880 Up until here is episode one 524 00:32:57.880 --> 00:33:01.999 And we at least have the last scene 525 00:33:01.999 --> 00:33:09.563 Looking into the mirror, thinking to herself, is this me? 526 00:33:09.563 --> 00:33:14.613 And the beginning should start with the contemporary world 527 00:33:14.613 --> 00:33:18.058 Of her struggling with part time jobs 528 00:33:18.058 --> 00:33:20.880 And the event in the middle should be 529 00:33:20.880 --> 00:33:24.791 Some struggles as she works her part time jobs 530 00:33:24.791 --> 00:33:29.306 All the struggles, and then the accident 531 00:33:29.306 --> 00:33:36.573 And then she will regret about not having finished that novel 532 00:33:36.573 --> 00:33:40.672 And wakes up, is this me? That's the storyline 533 00:33:40.672 --> 00:33:45.217 And then we see where the accident shoudl happen 534 00:33:45.217 --> 00:33:47.949 And where the regret scene should come in 535 00:33:47.949 --> 00:33:52.880 We can divide the cuts rougly 536 00:33:52.880 --> 00:33:58.296 So she wakes up under an unfamiliar ceiling 537 00:33:58.296 --> 00:34:03.187 And thinks to herself, this is strange, and this should come around here 538 00:34:03.187 --> 00:34:05.662 And her running into a mirror 539 00:34:05.662 --> 00:34:09.810 The maids could follow her, asking what's the matter 540 00:34:09.810 --> 00:34:11.572 That could come in around here 541 00:34:11.572 --> 00:34:14.810 And then the regretting scene 542 00:34:14.810 --> 00:34:17.750 About her unfinished novel 543 00:34:17.750 --> 00:34:19.929 This takes too many pages 544 00:34:19.929 --> 00:34:25.622 Then let's put this waking up scene a page before 545 00:34:25.622 --> 00:34:27.592 Then the regret scene will take 546 00:34:27.592 --> 00:34:29.948 Around three pages 547 00:34:29.948 --> 00:34:34.622 So she can look at the ceiling here, find things strange, run out 548 00:34:34.622 --> 00:34:38.691 And look into a mirror within three pages 549 00:34:38.691 --> 00:34:41.681 And the struggle part with her part time jobs 550 00:34:41.681 --> 00:34:44.592 If I don't want this struggle to take up too many pages 551 00:34:44.592 --> 00:34:48.018 I can just allocate two pages 552 00:34:48.018 --> 00:34:50.592 Then the accident scene 553 00:34:50.592 --> 00:34:55.018 It will take five pages, which is a bit too long 554 00:34:55.018 --> 00:34:58.315 Like so, you can start by allocating the cuts 555 00:34:58.315 --> 00:35:02.879 And then fit the text storyboard into it 556 00:35:02.879 --> 00:35:04.879 In a format like this, as we saw before 557 00:35:04.879 --> 00:35:09.374 A page usually fits in around five cuts 558 00:35:09.374 --> 00:35:13.622 Five cuts, up until this is page one 559 00:35:13.622 --> 00:35:17.483 Then the next page, we can have up until cut eleven 560 00:35:17.483 --> 00:35:21.879 So add a line break to visualize a text storyboard per page 561 00:35:21.879 --> 00:35:24.453 That's how we could work on it 562 00:35:24.453 --> 00:35:27.503 For this general thumbnail storyboarding 563 00:35:27.503 --> 00:35:30.483 By making the text storyboard first 564 00:35:30.483 --> 00:35:33.443 You can polish your storytelling 565 00:35:33.443 --> 00:35:36.325 And not exceed the limit of the length 566 00:35:36.325 --> 00:35:40.750 And we've just looked at that with some examples 567 00:35:40.750 --> 00:35:45.711 Today's title was Writing Storyboard: How Many Cuts Per Episode? 568 00:35:45.711 --> 00:35:50.018 Where we looked at how to calculate cut numbers to create scenes 569 00:35:50.018 --> 00:35:52.661 I hope today's lecture helped you 570 00:35:52.661 --> 00:35:54.730 Writing your own storyboards 571 00:35:54.730 --> 00:35:55.552 Thank you 572 00:35:57.506 --> 00:35:59.756 Summary Storyboards for Different Media What is a Storyboard? Mixed art: text and drawing Clarity of text for speech or narration Visibility of drawing for delivering affect 573 00:35:59.756 --> 00:36:01.962 Webtoons Unlimited scrolling Free to set one's own length Can have a long cut scene Page Comics Story development within a limited number of pages Polished entertainment 574 00:36:01.962 --> 00:36:04.462 Storyboards for Different Media Cut-Toons Usually has themes of daily life Less number of pages for a stable service Yet each cut contains more speeches and information compared to scroll-type Webtoons 575 00:36:04.462 --> 00:36:06.982 Each cut has its own comments section where the readers can talk to each other This adds new content between cuts, which provides entertainment 576 00:36:06.982 --> 00:36:08.909 How to storyboard within the limited length Around 60 cuts for a Webtoon is an appropriate number It is more economical to start with the written storyboard to fit into the limit 577 00:36:08.909 --> 00:36:10.754 How-to: Text Storyboard Labeling function for Notion, Pages, Hancom Docs, Words or Notepad 578 00:36:10.754 --> 00:36:12.328 Use patterns of symbols for character names, speeches, narrations or action descriptions In order to share the direction and background of the episode